Pigment Mixed Media

Joanne Ungar's unique process involves layering pigmented wax over cardboard forms to create a geometric composition of color. Ungar's process begins by the artist flattening three-...

Justin PONMANY (1974) Untitled (Genuine Guilt), 2006 Acrylic and holographic pigment on canvas 75 x 104 1/8 inches 190.5 x 264.2 cms Description Justin Ponmany is from a contemporary school of painting that is rooted in the media and cinema industries of Mumbai, but has strong identifications with elements from Western Post-Modern painting. Tentatively labelled under photo-realism, much of his work includes aggressive imagery and techniques akin to those recognised in Pop, Surreal and Expressionistic styles. This work much like others in this series radiates a fervent sense of individual voice and pointed address. His signature use of phosphorescent pigment in combination with graphic reproduction and photo manipulation gives a fanciful and evanescent dimension to his work. Ponmany’s materials result in works that are physically dynamic and visually alter themselves when viewed with different angles, distances and lighting conditions. The dreamy rainbow prisms...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. H...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

"Removal of Self #100" (FRAMED) Nude Photography Edition 2/3 by Ben Cope Photo on deconstructed paper 20” x 55” inch Comes in white frame and plexiglass Ben Cope is a Georgia na...

Claudia Martínez Lanz Equilibrio 15 (Equilibrium 15), 2020, (1/1) Monotype (etching, ink and pigments on paper) Unframed dimensions: 15 x 18 inch...

"Untitled: Movement 1" Abstract Mixed Media 24x24in 1/1 Photography by Ben Cope 2019 Medium: Photo on deconstructed paper on wood panel with oils and paint p...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Judith Brenner Gubbio Original Mixed Media and Acrylic Painting on Canvas Size: H 95cm x 130cm Framed (Please note that in situ images are purely an ind...

Turbulence VIII 42" x 100" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 105.5" x 44.5": $18,000

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Mixed media

Turbulence IV 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

Turbulence III 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

Dipak Banerjee - Ganesha - 12 x 6.75 inches (unframed size) Hand Made Pigments on Canvas. ** Cost is inclusive of shipment ( unframed ) Dipak Banerjee is today the undisputed leader...

From the series, "Energy Grid" Inspired by conversations about the future power grid and the failing of the current one. Mixed media on canvas, 26”x25” signed by the artist. This m...

Joe and Jack (Mixed Media) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spr...

Full title: Origen del Deseo: Happy Rhythm 5 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques a...

Joe and Jack (Abstract Painting) Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, ...

Desert Gossip is a series of four paintings that echo the colors of the desert at dusk. The use of the threaded grid is set up to anchor and re-inforce the circular movement of the l...

Desert Gossip is a series of four paintings that echo the colors of the desert at dusk. The use of the threaded grid is set up to anchor and re-inforce the circular movement of the l...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

History, memory and the post-tribal inform the work of Persian-born artist Firouz Farman Farmaian, whose lifetime of living in exile in Paris, in Andalusia and in North Africa profo...

Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalit...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Pure pigment, sand, mixed media on linen (30″ x 30″) Growing up in rural Upstate New York in the Hudson River Valley and within close proximity to art museums, nature and art have a...

This 48 inch by 42 inch textural and vibrant mixed media painting on linen is ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Complete title: Origin of Desire: Positive Energies Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techn...

Complete title: Autorretrato Dentro del Origen del Deseo (The Origin of Desire - Self-Potrait Inside of the Desire's Origin) Mari Ito was born in Tokyo, Japan in 1980. She majored i...

Kathleen Hope MODULAR 53 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 17 cement, pigment, plaster 8.00 X 8.00 in $250.00

This unique painting with lots of texture and pigments on wood is textured with marble powder, iron oxide, mars red, blue Egypt,

This unique and textured painting is made with volcanic soil from Mexico on canvas. It includes iron powder, iron oxide, cobalt blue.

This unique and colorful painting is textured with pure pigments on canvas. It includes marble powder from Carrara Italy, yellow and red pigments from Sicily.

This unique and colorful painting has natural texture with natural pigmented soils on wood. It is Textured with 10 year seasoned slaked lime. Minerals from iron and copper mine. Pyri...

Born in Belgium, Charlotte Culot works in Provence in Southern France. She has exhibited in Paris, Brussels, and Stockholm, among many other European cities, as well as in Nantucket,...

Kim Fonder INIZIO AVORIO II Mixed media on handmade paper, pigment, mica, on burlap over panel 24.00 X 24.00 in $800.00 Kim Fonder loves texture and touch. Her paintings and furnitu...

Complete title: La Transformación del Deseo - Quiero Estar Dentro de Alegría (The Transformation of Desire - I want to be Inside of Happiness) Mari Ito was born in Tokyo, Japan in ...

Complete title: El Origen del Deseo - Buen Rollo II (The Origin of Desire - Good Vibes II) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting...

Complete title: La Transformación del Deseo - Estoy Dentro de Alegría (The Transformation of Desire - I am Inside of Happiness) Mari Ito was born in Tokyo, Japan in 1980. She major...

"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope From "If I could sleep, I wouldn’t" series Mixed Media Photo and Oils. Comes in gold frame. Ben...

Vintage gold patterned paper with red asemic calligraphy alludes to a love poem. Undelivered, yet carried forever, this diptych shows paper scraps of words unsaid. Carefully chosen b...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterf...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterf...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

This multi panel installation evokes a visual imagery of flowing water, with deep blues, dark indigo and white. Each panel is positioned to relate to each other as a course of water running through the visual layout of the painting installation. The fluid shapes in these works were created using a bath of water in which the surface was soaked and infiltrated with indigo dye and raw pigment. In Beth Dary...

Complete title: El Origen del Deseo - Buen Rollo I (The Origin of Desire - Good Vibes I) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting m...

Each canvas size is 23.5" x 23.75"

Contemporary bright green toned abstract painting by Houston based artist Joseph Cohen. The work features a solid green field that ends in drips off of the bottom edge of the piece. ...

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

Largely self-taught, Hutchison has developed and innovated methods and mediums including hand-building and bending Plexiglas forms to facilitate her artistic process. Notably Hutchison's works are constructed of utilitarian, and often re-purposed materials and incorporate ambient light as a primary material. She shares similar concerns with the Light and Space artists...

Modern Art, Portrait Art, Black & White Painting-Big Hats And Backgrounds Black A B O U T T H I S P I E C E : “Big Hats and Backgrounds Black (Hannah-A2)” is ...

Portrait Paintings, Black Mixed Media Art, Street Art-Era, You There? A B O U T T H I S P I E C E : “Era, You There?” is mixed media street art by Addison Jones featuring her own po...