Screen Mixed Media

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

Adrian Barquero For Now, 2025 Mixed media 60h x 40w in 152.40h x 101.60w cm ABQ018 Influenced by his Colombian heritage and background, Barquero uses his personal experience to exp...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

This piece titled "Jake Yeager Untitled 10" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 1...

Peter Tunney (b. 1961) Marlon Brando 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Brando is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

Ed Ruscha The Amazing Earth, in gift box hand signed twice by Ed Ruscha, ca. 2017 Re-usable ocean bag created from 5 intercepted plastic bottles. In presentation box, uniquely hand s...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Martin Whatson PP 23 Colour Screen Print on 300 gsm Somerset Satin Paper Edition of 175 Signed by the Artist Certificate of Authenticity included size 72 x 40 cm

LIFE IS FATAL II (2019) by Prefab77 Hand Finished Mix of Acrylic, Screen Print, Spray Paint, Stencil, and UV Ink on 350 gsm Fabriano Cotton Paper 70 x 100 cm Limited Edition of 15 Si...

Remi Rough, No Consequence, 2020 11 Colour Screenprint on plywood paper 73.5 x 53.5 cm (28.94 x 21.06 in) Edition of 33 of 125 Hand-signed by the artist Remi Rough, born in 1971 in...

Sandro Chia Kunstlerplatzteller Artists Plate, ca. 1995 Ceramic Plate. Artist Signature Fired into Plate. Artist signature fired into the plate on the front and back 12 1/4 inches di...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Larry Clark Untitled Larry Clark Kids Skateboard Skate deck, 2013 Screenprint on 7-ply Canadian maplewood skatedeck Signed on the deck 31 × 8 inches Long sold out 2013 skateboard dec...

Original double sided mixed media painting on wood. Hand signed on verso by FAKE. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers wi...

Artist: De La Nuez, Nelson Title: Life is Good Series: Sketches Date: 2022 Medium: Screenprint with hand applied acrylic Framed Dimensions: 42" x 42" Signature: Signed Edition...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Publishe...

Kenneth Noland Limited Edition Canvas Tote, 1977 Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp 15 × 15 inches Edition 268/500 Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500 Very good vintage condition with handling and creasing (see photos) This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 150/600 DX lower left. This Deluxe Edition features three layers of dimens...

This piece titled "STAY A LITTLE BIT LONGER" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 1...

Nancy Spero Airborne, 1998 Mixed Media: Silkscreen with collage additions on Somerset velvet paper 30 × 22 inches Edition of 50 Signed, dated and numbered from the limited edition of only 50 on the front Unframed Very poignant imagery: an airborne angel grabs the hand of a nude female; underneath are figures that recall the four horsemen of the apocalypse...

Paul McCarthy Doll, Limited Edition Skate Deck, 2016 Silkscreen on 7-Ply Canadian Maplewood Skate Deck. Numbered from the edition of 250. Signed on the deck. (Printed). Numbered from...

Mr. Brainwash Chaplin, 2023; Executed in the famed style of the famous graffiti artist Banksy, this composition fuses historic pop images with present day icons. Mr. Brainwash, a pse...

Artist: Peter Max (1937) Title: Flower Lady Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 14 x 12.5 inches Inscription: Signed in ink Notes: Published, printed...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 28 x 22 inches Inscription: Signed in ink Notes: Published, printed,...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Published, printed,...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 13.75 x 12 Inscription: Signed in ink Notes: Published, printed...

Mr. Brainwash "Chaolin" Unique 1/1 Mixed Media Original Hand-signed and numbereD 1/1 (One of a kind Silkscreen and Mixed media variation) Verso dated 2023 with thumbprint and hand dr...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 33/350 DX lower left. This Deluxe Edition features three layers of dimensi...

Faile Happens Everyday 1986, 2018 Silkscreen on 7-Ply Canadian Maplewood Skateboard Deck 30 × 9 3/4 × 3/10 inches Edition: 66 of 150 Signed on the Deck Fai...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 347/400 lower left. Artwork size 10 x 5.5 inches. Frame size 18.25 x 14 i...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 9 x 12 inches Inscription: Signed in ink Notes: Published, printed, ...

Artist: Peter Max (1937) Title: Himalayan Mountain with Sailboat Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes:...

Serigraph With Hand Embellishments, float mounted in white custom shadow box frame

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Orange Portrait Painting, Mixed Media, Pop Art-Face Break, in Color A B O U T T H I S P I E C E : "Face Break, in Color (Cortney-A2-1)" is Fine Co...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Nancy Graves, American (1939-1995) Borborygmi (1988) aquatint, drypoint, gold leaf and screenprint on Fabriano Artistico paper pencil hand signed by artist lower right, numbered 4/50 (there were also 6 Artist Proofs of this edition) plate: 49.5 x 49.5 inches Publisher: 2RC Edizioni d'Arte, Rome Nancy Graves (December 23, 1939 – October 21, 1995) was an American woman sculptor, painter, printmaker, and sometime-filmmaker known for her focus on natural phenomena like camels or maps of the moon. Her works are included in many public collections, including those of the National Gallery of Art (Washington, D.C.), the Brooklyn Museum of Art, the Smithsonian American Art Museum, the National Gallery of Australia (Canberra), Walker Art Center (Minneapolis), and the Museum of Fine Arts (St. Petersburg). When Graves was just 29, she was given a solo exhibition at the Whitney Museum of American Art. At the time she was the youngest artist, and fifth woman to achieve this honor. Graves was born in Pittsfield, Massachusetts. Her interest in art, nature, and anthropology was fostered by her father, an accountant at a local museum. After graduating from Vassar College in English Literature, Graves attended Yale University, where she received her bachelor's and master's degrees. Fellow Yale Art and Architecture alumni of the 1960s include the painters, photographers, and sculptors Brice Marden, Richard Serra, Chuck Close, Janet Fish, Gary Hudson...

Richard Lin 1933-2011 May 2, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

serigraph with hand embellishments float mounted in custom shadow box frame

Frank Stella Vortex Engravings #5 - 8: Gift Box of Four Limited Edition Porcelain Plates with COA hand signed by Frank Stella and David Mirvish, 2000 Suite of four (4) Fine Bone Chin...

Maurizio Cattelan Untitled limited edition porcelain plate in bespoke gift box, 2020 Silkscreen on Fine Bone China, held in specially designed gift box with artist's authorized signature Signed in plate, Artist signature fired onto the back, Edition of 175 10 1/2 × 10 1/2 inches (plate alone) Publisher Prospect, NY Artist signature fired onto the back of the plate and on the bespoke box. The underside of the plate and box expressly states that it was produced in a limited edition of 175 Makes a superb gift. Originally purchased to support the Coalition for the Homeless. The contemporaneous statement from the Coalition for the Homeless, New York: In lieu of our 26th annual ARTWALK NY event in 2020, which was cancelled due to the COVID-19 pandemic, the Coalition for the Homeless created Artist Plate Project to support our lifesaving work. The Coalition is honored to have worked with 50 world-renowned artists to create beautiful limited-edition dinner plates. The plates were produced by Prospect and available for purchase on Artware Editions from November 16 through December 31, 2020. The innovative project was featured in the New York Times, T Magazine, Town and Country Magazine...

Artist: Peter Max (1937) Title: Zero Man/Lady Profile Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 15 inches Inscription: Signed in ink Notes: Published,...

Loie Hollowell Cascade, for Coalition for the Homeless, 2020 Fine bone china in red gift box 10 3/4 in diameter Edition of 175 Signed in plate, Artists ...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Martin Wong Supreme Skateboard Decks, 2019: – featuring – Martin Wong 'Iglesia Pentecostal', 1986. Limited edition Martin Wong skateboard published by Supreme New York in 2019 incor...

Peter Halley Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000 Limited Edition Ceramic Plate. Artist signature fired into the plate on the underside and numbered 166 from the edition of 510. 10 3/10 inches diameter by 1/4 inch height Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...

Mel Ramos Cacciucco - Coco Pazzo - New York, NY, ca. 2000 Ceramic Plate Artist signature fired into the plate on the back and numbered 243 from the edition of only 510. 10 inches diameter Unframed Makes a memorable gift! This striking, extremely rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American Pop artist Mel Ramos. From the late 1990s through the millenium, Buon Ricordo...

Mark Kostabi Plate for Rigatoni Alla Catanese - Da Ciro - New York, NY, 2001 Silkscreen on ceramic plate; Microwave and Dishwasher Safe 10 1/5 in diameter Artist signature fired into the plate on the underside and numbered from an edition of 510. Edition 36/510 Makes a wonderful gift! This beautiful, whimsical limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare, was designed by American artist Mark Kostabi. In 2000, Buon Ricordo America, Inc. commissioned famous American artists to design plates for their flagship US restaurants. In 2000-1, Kostabi designed the present work for the NY Italian restaurant...

In this mixed media 24"x24" painting by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, 'Spongebob.' A 'Goochi Sponge' takes center stage with a play on the 'Gucci' logo as the canvas background. Predominant colors are green, red, and gold on a white background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

This large scale 66" x 94" mixed media painting by XVALA is from his "Pandemic Collection: Series #9." The background is painted an iridescent gold with three alien "Rona Bots" weari...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

Mixed media polymaterial color screen printing on paper with applications and glitter, coloured powder and flocking on handmade paper, Edited in 1973 limited edition in 250 exemplars...