1980s Mixed Media

The Offs (first pressing), 1984 Vinyl Record and Offset Lithograph Album Cover 12 1/4 × 12 3/25 inches Unframed CD Presents, Ltd. – CD 025 Provenance Plastic Fantastic Records, Bryn ...

Rare Vintage 1980s Keith Haring Record Cover Art: (Set of two: 1987): Two individual 12 inch albums - all illustrated by Haring during his lifetime - making for standout 1980s Keith...

Keith Haring 'Rap It' record art 1983: A rare vinyl art cover featuring original artwork by Keith Haring and Futura 2000 (reverse side). Truly vibrant colors that make for stand-out ...

APARTMENT FOR SALE: 15-E, created in 1982, is an original mixed media painted collage on paper by the Israeli-American artist Zigi Ben-Haim. APARTMENT FOR SALE: 15-E is an imaginativ...

Historic, institutional quality unique Rauschenberg signed work on paper, with storied provenance: a real gem: Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collec...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...

Artist: Peter Max (1937) Title: Galactic Man Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.75 x 6.25 inches Condition: Excellent I...

"The Art Jacket" is an entirely unique piece - a piece of wearable art - a hand painted jacket that Rauschenberg signed for the artist who made it - that makes a fantastic conversation piece that you simply won't find anywhere else in the world! Hand signed by BOTH Robert Rauschenberg and artist Rudy Ramirez Artists whose names appear on the jacket are: PICASSO, CEZANNE, MONET, GAUGIN - and of course Rauschenberg Robert Rauschenberg and Rudy Ramirez Art Jacket, hand painted by Raul "Rudy" Ramirez, hand signed by the artist and also (autographed on camera by Robert Rauschenberg), 1982 Cloth jacket with acrylic paint; hand signed in marker by Robert Rauschenberg 30 1/2 × 18 inches hand signed on the sleeve by Robert Rauschenberg; and hand signed in the front by Rudy. See photo of Rauschenberg signing Robert Rauschenberg signed...

Vintage Vinyl Record Art by Keith Haring with bright, lush colors that make for stand-out wall art within reach: Year: 1986. Off-Set Lithograph on record jacket, vinyl record. Dimen...

Keith Haring, Run DMC Christmas: Run DMC "Christmas In Hollis": A rare sought after Vinyl Art Cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and a unique vintage Keith Haring collectible. *1st Pressing 1987 (not a re-issue). Medium: Off-Set Lithograph on vinyl record cover. Dimensions: 7 x 7 inches. 1987 Keith Haring printed signature featured on lower left. Cover: Good to very good overall vintage condition with sharp colors. Includes original record in very good condition. Literature: Taschen: Art Record Covers pg. 216. Run DMC: To this day A Very Special Christmas remains one of the best-selling holiday albums on the market, thanks in part to the album's sole original track: Run-D.M.C.'s "Christmas in Hollis." With Jam Master Jay scratching up the main groove to R&B great Clarence Carter's "Back Door Santa" from the 1968 Atlantic Records compilation Soul Christmas, Rev. Run and the Devastating Mic Controller deliver bars of yuletide cheer that take the listener...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

Rare hand-signed Keith Haring Pop Shop sweatshirt circa 1986: A much historical hand-signed 1980s Keith Haring Pop Shop collectible produced during the early days of the famed Hari...

Pat Adams Free More, 1989 Acrylic and encaustic painting with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

Wonderful large scale natural toned mixed media abstract comprising a rectangle of antiqued white texturized with gesso'd hemp sacking and set above second ivory rectangle in pale ivory with circle of scumbled grey by British contemporary artist Richard Lawrence...

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Limited Edition Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and ...

Band Joyce Roybal, (1955) Date: circa 1980 Oil and Mixed media on Canvas, signed lower right Size: 36.5 x 24.5 in. (92.71 x 62.23 cm)

Patricia Zippin Study For Anaganaga 2/6 1980s Mixed Media 30"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patricia...

Vintage Vinyl Record Art by Keith Haring with bright, lush colors that make for stand-out wall art within reach: Year: 1986. Off-Set Lithograph on record jacket, vinyl record. Dimen...

A charming and characteristic mixed-media collage by Mexican master Rodolfo Morales (1925–2001), featuring a stylized black dog set against a shimmering silver ground and surrounded by hearts, flowers, and textile elements. Morales is celebrated for his dreamlike blend of folk tradition, magical realism, and Oaxacan village imagery, and dogs appear frequently among his recurring motifs. This work is constructed from layered papers, ribbon, foil, and applied decorative materials, all housed in its original hand-tooled tin frame. The frame is stamped “Tirso Cuevas”, identifying one of the well-known Oaxacan tinsmiths who collaborated with Morales during the 1980s–1990s on his collage-mounted works. Signed “Rodolfo Morales” at lower right. Medium: Mixed-media collage (paper, foil, ribbon, applied materials) Support: Artist’s original tin frame, stamped Tirso Cuevas Period: c. 1980s–1990s Signature: Signed lower right Condition: Very good, with expected minor surface irregularities inherent to Morales’ collage technique and original tinwork Provenance: Private collection, USA A delightful example of Morales’s playful, folk-surrealist sensibility — rich in color, texture, and the poetic spirit of Oaxaca. About the Artist Rodolfo Morales is widely regarded as a pillar of modern Mexican art, alongside Rufino Tamayo and Francisco Toledo. Born in Ocotlán de Morelos, Oaxaca, he developed a unique language of floating figures, vivid color, and architectural reminiscence grounded in Mexican folklore. His collages, in particular, display an extraordinary fusion of surrealist sensibility and vernacular craft traditions, incorporating lace, tin, antique paper, textiles, and devotional materials. Morales’ works are held in major private and public collections worldwide and continue to command strong interest among collectors of Latin American Modernism, Magical Realism, and Oaxacan art.

Tribute to Robert Motherwell - Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Drawing...

Linda Stein, Measured Expansion 69 - Mixed Media Assemblage Contemporary Art Wall Sculpture Measured Expansion 69 is from artist Linda Stein's Brush Assemblage series, where she com...

Rare Vintage 1980s Keith Haring Record Cover Art: (Set of 4: 1983-1987): Four individual 7 inch albums - all illustrated by Haring during his lifetime - making for standout 1980s Ke...

Hannelore Baron Untitled (C82-142), 1982 Signed and dated on the reverse Mixed media collage Sheet 12 1/4 x 10 1/2 inches Provenance: Manny Silverman ...

Modern Mixed Media Textured Kimono in Neutral Blush, Collagraph Master Plate #2 This one-of-a-kind, highly textured, modern mixed media piece of a kimono in blush, warm neutrals is ...

Keith Haring handwritten letter 1989: A rare 1989 handwritten letter by Keith Haring executed on the artist's personal stationary. An endearing personal response by Haring to a young...

Ralph Arnold, 'Cascade', mixed media: acrylic, pencil, conté crayon, marker, oil; 1986-88. Signed 'Arnold' and dated '86-88' in pencil, lower right. A fin...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

James Rizzi was an American Pop artist best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Born on October 5, 1950 in Brooklyn, NY, the artist drew his inspiration from a diverse range of sources, such as Paul Klee, Keith Haring, Andy Warhol, and Jean Dubuffet. He studied art first at Miami Dade...

Artist: PHASE 2 (1955-2019) Title: Graffiti Train Year: circa 1980 Medium: Aerosol paint and collage on plastic model train Size: 4.5 x 20.5 inches Condition: Excellent Inscription: ...

'Woman Sleeping' by Julio Lavallen, 1987. Large Modernist Figural Oil, Buenos Aires, Argentina, Portland ---- Signed lower left, 'Lavallen' for Julio Lavallen (Argentinian, born 195...

Jules Olitski Abare, 1987 Signed and dated on the reverse Oil-based acrylic and water-based acrylic on plexiglass 44 3/4 x 23 5/8 inches Provenance The artist Andre Emmerich Gallery...

Subaquatic Canyon - Abstract Expressionist on Paper Abstract in bold blue and red with textures created by salt in India ink and watercolor, by California-based artist Ricardo de Silva (Brazilian, 20th Century). Bonus sketch on verso of a person's face, perhaps a self-portrait of the artist. Unsigned, but was acquired with a collection of the artist's work. Paper size: 17.75"H x 12"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

Keith Haring handwritten letter 1986: A rare 1980’s handwritten letter by Keith Haring executed on the artist's personal stationary. A personal response by Haring to a New York based editor named Ira...

Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....

D. Tongen "Orange, Brown, Black" 1980s 11.75"x10" Soft pastel and pencil on paper Signed in pencil lower right

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

1980s Keith Haring Record Art (set of 4 works): Four individual 12 inch albums - all illustrated by Haring during his lifetime - making for standout vintage 1980s Keith Haring wall ...

Bernard Buffet (1928-1999) - The Eiffel Tower and the highway, Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The...

Bernard Buffet (1928-1999) - La cérémonie du thé Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellen...

Keith Haring Original Album Cover Art: a set of 15+ works (1983-1988): A rare collection of 16 individual 1980s Keith Haring illustrated record c...

One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse. Painting is casein paint and plaster on board. Catalogue of an exhibition in...

Limited Edition Jean-Michel Basquiat spray paint published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. a unique Basquiat collectible that makes for a fantastic...

Geometric limited edition etching, hand painted abstract of an orange and blue figure inside of a circle by Pierre Brisson (French, b, 1955). Signed "Brisson" lower right and "720/75...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Canvas size 71.75 x 35.75 inches. Custom framed with hand painted filet. Frame size approx 86 x 50 inches. Max studio catalog number and year on verso. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

Kimono with Rope Texture - Collagraph Master Plate Master plate for collagraph printmaking featuring a kimono with rope texture in warm neutral peach tones, by California artist Pat...

Primary Colors Abstract Expressionist - Mixed Media on Paper Abstract in bold primary colors on a stark black background with salt texturing technique executed along the bottom, by California-based artist Ricardo de Silva (Brazilian, 20th Century). This artwork is on "Arches France...

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

This one-of-a-kind Mixed media and collage on textured, sturdy, paper is in excellent condition and comes framed in a frame of your choosing. It is Certified by the Estate of Keith ...

Rubio "Wild" 1989 Collage and paint on board 23x41.75" Signed and dated in paint on reverse Very Good Condition - Minor wear consistent with age and history

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

D. Tongen "Yellow,Blue, Black" 1980s 12.75"x10" period frame 17.75"x16.75 Soft pastel and pencil on paper Initialed in pencil lower right

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...