1990s Mixed Media

Neapolitan Archipelago is a wonderful mixed media (oil and chalk) painting on panel, realized by the Italian artist Marco Amici in 1993. Titled and signed in pencil on the back. In...

Color offset lithograph - created on the occasion of the tennis tournament 1998 monogrammed in print In great condition

cotton twill tape, thread, wood spring clothespins

Pierre Marie Brisson (b. 1955) "Portrait 2”. Large mixed media painting on canvas. Purchased from Bowles/Sorokko Galleries, New York in 1992. Brisson's work is displayed in the Fine Arts Museum of San Francisco, San Francisco Museum of Art, Fort Lauderdale Jewish Museum, New York George Page Museum, Los Angeles Bibliotheque Nationale, Paris Musee de la Poste, Paris Pushkin Museum, Moscow Musee Faure, haute couture Paris Groupe Cartier, and the Argentina Musee de L'Hospice Saint-Roch, among many others. Sight Size: 45.75 by 35 inches Overall Size: 51 by 40.5 inches. Condition is very good to excellent.. Framed with a custom marbleized floating...

Artist: Robert Clerc Title: Le Matin au Cafe Year: circa 1990 Medium: 3-D Painting and Collage Multiple Edition: 12 Size: 21 x 20 x 3 inches [53 x 51 x 8 cm]

"Entre Mitos (Within Myths)" is an original mixed media artwork on canvas by Teresa Olabuenaga. This piece depicts the head of a woman below abstract forms and other images. 54" x ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Mystery East Village New York School Expressionist Untitled, 1995 Mixed media 44 1/2 x 47 x 2 1/2 in. Signed, dated & inscribed verso

Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...

An extension of Harry Fonseca's explorations of the California Gold Rush, is his 1991-92 collection - The Discovery of Gold and Souls. One of a series of...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Artist: Roberto Matta Title: Sans Titre Drawing on Print, Hand Colored Medium: Drawing on Print with Hand Coloring Signed: Hand Signed Measurements: 11.8" x 16.5" Framed: 22.5" x...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. This 3-dimensional collage stories the trials and tribulations of Chicago's West Side Hispanic community the artist resided in for many years. Found ephemera and novelty items decorate the surface of this beautiful collage. It is floated in a simple black frame measuring 34h x 49w inches. Marcos Raya...

SALLE, David. Light Sleeper. By Paul Schrader. Illustrated with 12 lithographs by David Salle. Folio, bound in linen with an inset photograph in orginal ...

Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'. Exhibited: Carmel Art Association, circa 1995 (accompanied by original label) ...

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

For Aspera is a beautiful oil and mixed media painting on canvas, realized by the Italian artist Marco Amici in 1996. Original Title: Per Aspera Title and monograms are written by ...

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are writt...

Composition is an original collage artwork realized Bruno Conte, Hand-signed on the lower right in pencil. In very good condition. The artwork represents an abstractt composition, ...

Maria Teresa Viecco, Colombian (1953) Date: 1994 Mixed Media on Paper, signed and dated Size: 23.5 in. x 19.5 in. (59.69 cm x 49.53 cm) Born in Bogota, Colombia, graduate in archite...

Rhythmic 4 is an original oil and mixed media painting on panel realized by the Italian artist Marco Amici in 1992. Original Title: Ritmico Title and monograms are written by the ...

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are written...

Eric Rhein “Viral Structure” 1999 Accompanied by a certificate of authenticity Wire, paper, and found objects 18 x 34 x 14 inches (45.7 x 86.4 x 35.6 cm) 61 x 38 x 18 inches (154...

Eric Rhein “Fig. 9.4” 1998 Signed, verso Wire, paper, and found objects 19 x 17.5 x 3 inches (48.3 x 44.5 x 7.6 cm), framed This work is offered by CLAMP in New York City.

Artist: Gregory Amenoff, American (1948 - ) Title: Expulsion Year: 1990 Medium: Mixed Media Painting on Paper, signed, titled and dated Size: 38 in. x 26 in. (96.52 cm x 66.04 cm)

Steven H. Rehfeld (American, born 1954) "The Ocean" 1998 Oil paint, paper, tape, glue, mixed media, permanent marker, canvas stretched over a wood panel, wire The artist signed the b...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

Mimmo Rotella (1918-2006) was an Italian artist and leading figure of post-war European art. He is best known for creating layered collage-like works from torn film and advertising p...

American painter and author Alex Beard is best known for his elaborate wildlife compositions created in his signature style of gesturalpainting, which he has coined “Abstract Naturalism.” Raised in a family that fostered philanthropy, creativity and exploration, Alex has traveled extensively around the world. The diverse cultures, colors, and climates of Africa, India, China, the Americas, and Australia have profoundly influenced both his professional and artistic practice. While earning his BA from Tufts University, he studied painting and drawing at the School of the Museum of Fine Arts in Boston. In his early twenties Alex moved to New Orleans to continue his formal training at the New Orleans Academy of Fine Arts. Fueled by curiosity about the cultures and wildlife he had been exposed to in his early years, Alex has spent much of his life traveling to the some of the world’s most remote wildlife outposts - paintbrush in hand. His time in nature enables him to continually hone his style – creating complex compositions in which abstraction and figuration collide, while exploring themes of cultural and environmental interconnectivity. Alex’s work figures prominently in several private and public collections and he has exhibited extensively throughout the United States, including solo exhibitions in New York, Los Angeles, New Orleans, and abroad in Hong Kong. An impassioned conservationist and philanthropist, in 2012 Alex established The Watering Hole Foundation – a public charity engaged in saving endangered wildlife and preserving their environments. His documentary, Drawing the Line, fused his artistic talent with his dedication to preservation, chronicling the plight of the endangered Wild African Elephant, as seen through the eyes of a conservationist artist. In addition to producing a series of short films, Alex has authored and illustrated a critically acclaimed trilogy of storybooks published by Abrams. The series, Tales from the Watering Hole, includes The Jungle Grapevine (2008), Monkey See Monkey Draw (2009), and Crocodile Tears (2010). Along with other New Orleans artists Raine Bedsole, Dr. Bob, George Dunbar, Mitchell Gaudet, Alan Gerson, Thomas Mann, Steve Martin, James Michalopoulos...

Maria Teresa Viecco, Colombian (1953) Date: 1994 Mixed Media on Paper, signed and dated Size: 22 x 30 in. (55.88 x 76.2 cm) Born in Bogota, Colombia, graduate in architecture of the...

This work is offered by ClampArt in New York City.

Wajih Nahlé (1932-2017), born in Beirut, Lebanon,was a Lebanese Arab abstract painter and calligrapher. He studied painting in the workshop of the Lebane...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013...

Sunil Das - 56 x 56 inches (unframed size) Pin Work, Pins and Acrylic on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Mast...

Lia Cook (American, b. 1942), "Little Tunnel E", 1990, signed, dated, and titled verso, woven fiber in shadowbox frame. Overall: 22.5" H x 16.5" W x 1.75" D. Provenance: From the C...

Steven H. Rehfeld (American, born 1954) "Orange and Blue" 1994 Oil Paint, Mixed Media, Newsprint, Canvas, Stretcher Bars, Wire The artist signed the back of the painting. "Orange an...

Marcel Dzama is one of Canada's most internationally successful artists. With one foot in reality and the other in the subconscious, Dzama's unmistakable version of contemporary Surr...

Hermann Goepfert (1926 Bad Nauheim - 1982 Antwerp), Collage with metal application, 1965. Contribution no. 14 from the anthology 'La lune en rodage II' published by Editions Panderma...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Still Life with Quilt and Nantucket Whirligig" depicting a mixed media still life collage ...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Vintage Steven Neill distressed looking Hawaii sign. He is a contemporary master of this form. He has been creating these one of a kind trade signs in Haw...

Abstraction 30x21, ink/collage

Pre-Olympic stamps created for the ‘92 Barcelona Olympics by Spanish artist Eduardo Arranz Bravo. Barcelona Pre-Olympic Stamp 1 Eduardo Arranz-Bravo, Spanish (1941) Date: 1990 Mixed...

Abstract Mixed Media artwork by Spanish artist Eduardo Arranz-Bravo. Cadaques No.49 Eduardo Arranz-Bravo, Spanish (1941) Date: 1994 Mixed Media on Paper, signed lower left Size: 3.7...

Cheryl Warrick (American, b. 1956), "Both Sides" 1998, acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. Dimensions: 13 x 12.75 ...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 199 Hand Signed by Bernie Taupin

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Artist: Robert Kuszek Title: 6000 Feet Beyond Year: 1990 Medium: Mixed Media on masonite: Oil, Acrylic and Enamel Size: 40 x 32 in. (101.6 x 81.28 cm)

Collage and acrylic piece featuring piano and violin in warm brown tones and newsprint, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a gold...