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Krista Reuter's contemporary paper sculpture artworks unfold like a quiet study in light, shadow, texture, and dimensional abstraction. Hand-cut and layered with meticulous precision...

Stunning mirror with floral and animal motifs by ceramic artist Mithé Espelt

Painted cast vinyl Edition of 500 (unnumbered, reported) Stamped on the underside of foot Figure in excellent condition, with minor markings. Some minor imperfections may exist given...

In contrasting colors that pop Live Composition II, 2024 by African American artist Bai is a 30” x 22” abstract acrylic, oil pastel, and ballpoint pen work on paper. A focus on an ...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 3 rare vintage original Basquiat announcement cards from 1982, 1986, 1988, respectively - with 2 published d...

Mintu Naiya - Lady - 11 x 8 inches ( unframed size ) Wash on Paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Graduate from Calc...

Still life with flowers , 60x60 cm, print on canvas

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Sunil Das - Horse - 9 x 6 inches ( unframed size ) Ink on Paper, 2012 Inclusive of shipment in ready to hang condition. Sunil Das ( 1939-2015) was a Master Modern Indian Artist fr...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Mousepad featuring Yoshitomo Nara's Smoking Girl

Alon Seifert is a designer, writer, mixed media artist and a great believer in causes he believes in. LUMEN44 is Alon's take on the centuries old Menorah design. It is made of a 6lbs...

Andy Warhol: Portraits of the 70s First edition, limited edition hardback with slipcase and 120 Bound offset lithographs and text Published by Random House, New York in association with the Whitney Museum of American Art, 1979 Essay by Robert Rosenblum Edited by David Whitney ISBN 0-394-50655-3 Signed and numbered to the title page Edition 7/200 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward...

M.F. Husain - Untitled Edition - 11/125 40 x 22 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for various...

The Kaws Companion is an instantly recognizable artful home must have. Luxurious Blush version of this iconic Kaws sculpture figure. Released as part of Kaws exhibition in Shanghai i...

comes with original packaging

Pumpkin sculpture with holes By Yayoi Kusama Yayoi Kusama is a Japanese contemporary artist known for her avant-garde and immersive installations, often featuring polka dots and mi...

KAWS Clean Slate (grey) new & unopened in its original packaging. A well-received work and variation of KAWS' large scale Clean Slate sculpture - a key highlight of KAWS’ major mus...

Lolli by Courtney Kinnare 2025 Resin, Acrylic, Ink, & Pigment Powder on Mirrored Glass Dia 36" These functional art pieces build a color story through multiple layers of transluc...

Claude Monet's painting of his lily pond at Giverny is transformed into this beautiful dramatic jacquard tapestry woven in Belgium. Monet painted many scenes from his home at Giverny...

In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). It wasn’t long before tapestry became a new way for Al...

KAWS Boo Berry Monster: A highly collectible & super decorative KAWS art toy, featuring the famed cereal character: Boo Berry. A playful exploration of ...

Modern Impressionist Landscape Marine Oil painting of Boats in a Marina on a Misty Morning. Beautiful softly lit Oil On Board, signed and housed in a sympathetic handmade frame. Boy...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

after Andy Warhol Colored Campbell's Soup - Eggplant Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never disp...

I Can See The Whole Room By Roy Lichtenstein 1989 Medium: Serigraph Paper Size: 41.75 x 38.5 inches ( 106 x 98 cm ) Image Size: 37.5 x 37.5 inches ( 95 x 95 cm ) Edition Size:...

Antique Chinese Four-Panel Lacquer Screen with Scenic Landscape Description: This exquisite antique Chinese four-panel lacquer screen is a remarkable example of traditional craftsma...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

This luminous bowl by Gertrud and Otto Natzler showcases one of their most sought-after surface effects: the Blue Hare’s Fur glaze, prized for its feathery vertical striations and ra...

KAWS FAMILY 2021: A well-received work and variation of KAWS' larger FAMILY sculpture - this highly collectible KAWS Companion set was published on the occ...

David - my mom wants a photo again, 134x134cm, Oil, Canvas, sand

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 4 x 2.25 in (L x H). A certificate of authenticity will follow ...

KAWS TIME OFF: A highly decorative KAWS Companion featuring KAWS’ much popularized BFF Companion in a resting position. This brightly colored, highly collectible KAWS Companion was p...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Marc Chagall (1887-1985) - The Wandering Musicians Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

KAWS Companion 2016 (Set of 2 individual works): each, new and sealed in their original packaging. These iconic KAWS figurative sculptures were published by Medicom Japan in conjunct...

Raja Ravi Varma - Laxmi, 19 x 14 inches Oleograph with embellishments, Circa (Unframed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

Wonderful World Blossom By Damien Hirst 2021 Medium: Offset Lithograph Paper Size: 31.75 x 23.75 inches ( 81 x 60 cm ) Image Size: 22.75 x 22.5 inches ( 58 x 57 cm ) Edition Si...

What is it?, canvas / oil 80x120 cm

I want to be with you so much, 100x100cm

Jean-Michel Basquiat Equals Pi - Set of 3 skate decks Made of 7 ply Grade A Canadian Maple Wood 31 1/2 × 7 9/10 in 80 × 20 cm (each deck)

Oil on canvas, 1960. Signed by the artist in oil, lower left. Also signed and titled on the upper stretcher bar on reverse. Provenance: Collection of Philip R. Macht and Lois K. ...

Roy Lichtenstein (after) Moonscape Silkscreen from Banner, 1969 Silkscreen on fold out card. WIth additional (removable) sleeve with greeting and text from the Roy Lichtenstein Found...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Viga 1, 2, 3 4 is a group of sculptures by contemporary artist Tom Price. These sculptures are made of resin, tar, steel, wood. Overall dimensions are 242 × 180 × 45 cm (95.2 ×...

These hand signed lithograph prints were only made available to "HOLDERS" of the Currency prints. Less than 1000 were hand signed by Damien Hirst a...

Limitied edition of 50. Lucien Smith's "Blue" screenprinted onto canvas tote bag that has been stretched onto wooden stretchers. Displays very nicely. Ori...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Portrait of Barbara Herbert, Countess of Pembroke c.1708 Charles d’Agar (1669-1723) This magnificent large-scale portrait, presented by Titan Fine Art, depicts the British court of...

Be@rbrick x Estate of Jean-Michel Basquiat 1000% Figures: Set of two works: Unique, highly decorative (standing 27 in height) Basquiat statue figures trademarked & licensed by the Es...

Andy Warhol The Souper Dress c. 1965-1967: Inspired by Andy Warhol’s Campbell’s Soup Cans, this dress was sold by the Campbell’s Soup Company in the late 19...

"Hardly" is a captivating poster featuring the artwork of renowned artist Wassily Kandinsky. Published by Art Unlimited in Holland for the Museum Boymans-van Beuningen in Rotterdam, ...