Large More Art

Landscape , 90x60cm, oil on canvas

Angel woke up 90x80 cm

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Night flowers , 100x60 cm, oil on canvas

Andy Mouse By Keith Haring 1989 Medium: Serigraph Paper Size: 38.25 x 38.25 inches ( 97 x 97 cm ) Image Size: 37 x 37 inches ( 94 x 94 cm ) Edition Size: Unknown

C. 20th Century Vicente Garcia De Paredes Hand Colored Print ( Signed bottom right )

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid. Partiall...

Shepard Fairey Liberté Égalité Fraternité, 2015 – 2021 Signed offset lithograph on paper Description Originally created in response to the 2015 Paris attacks, Shepard Fairey’s Libe...

Faun`s sweet dream, 2021, 90x80 cm

"Fragments of Old Cairo" Abstract Collage 35" x 31" inch by Neama El Sanhoury Paper Collage on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes as a cultured ho...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Marie Antoinette After Vigne Lebrun By Fernando Botero 1970 Medium: Offset Lithograph Paper Size: 33 x 23 inches ( 84 x 58 cm ) Image Size: 26.5 x 23 inches ( 67 x 58 cm ) Edit...

Lips By Man Ray 1966 Medium: Offset Lithograph Paper Size: 21.25 x 36.75 inches ( 54 x 93 cm ) Image Size: 14 x 36.75 inches ( 36 x 93 cm ) Edition Size: Unknown

Soaring. 100x100cm

"Virtual Feast" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 40"h x 40"w and comes with a gallery-issued Cert...

Craig Alan – The Underdog II (Pink) 2018 Medium: Giclée on Canvas Edition: Unframed TBA/75 Artwork Size: 36 x 36 in Price: $2,400 Craig Alan’s The Underdog II (Pink) (2018) is a vib...

Noah, 100x100 cm, acrylic on canvas

Bicycle, National Gallery By Robert Rauschenberg 1991 Medium: Foil Print Paper Size: 26.5 x 39 inches ( 67 x 99 cm ) Image Size: 26.5 x 39 inches ( 67 x 99 cm ) Edition Size: 5000

Green Shipping price can change depending on location Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, h...

When you go with the flow

Nude On A Red Background By Fernand Leger 1982 Medium: Offset Lithograph Paper Size: 38 x 21.5 inches ( 97 x 55 cm ) Image Size: 30.25 x 18.5 inches ( 77 x 47 cm ) Edition Size...

Hand sewn textile painting Unique piece Signed and dated lower left by the artist

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Unique work Screen printing Bert stern MM/BS6/21/62 (Marylin Monroe . Bert Stern . 21 June 62) Signed BS Pencil annotated: 1962 avant-garde collectors proof I Artist’s proof for th...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

A fine impressionist New England woodland landscape by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscap...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Marbella 100x100 cm The work is sold without a frame.

A cup of coffee 100x100 cm The work is sold without a frame.

This is a contemporary photograph on archival paper. Shane Russeck is know worldwide for his wild horse imagery. This is one of only 3 color images he created in this series. Edi...

HANABI N* 92 Tapestry by MARTA MORENO Yarn Punch Needle Embroidery on Artisan Cotton Intervweaving Blanket 27.5" W X 35.5" H A vibrant textile artwork crafted with the punch needl...

Surrounded Islands (1982) By Javacheff Christo 1983 Medium: Offset Lithograph Paper Size: 25 x 39 inches ( 64 x 99 cm ) Image Size: 21.5 x 35 inches ( 55 x 89 cm ) Edition Siz...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipulate metals to defy the expectation of the medium forms, but explores the relationship between the human figure and the landscape, color and texture, and most importantly between people at an individual and social level. He established innovative ways to push the boundaries of his technique, creating modern abstract geometric designs inspired by contemporary art and architecture as well as organic forms expressing the unique vision for humanity in a modern world. This blue contemporary sculpture...

Moment 2, 60x90cm, acrylic/canvas

"Seven Skies" 100x100 cm, acrylic on canvas

BUDAPEST , 100x100 cm

Lemon leaves 100x70 cm

Derrick Cross By Robert Mapplethorpe 1982 Medium: Offset Lithograph Paper Size: 20.5 x 36 inches ( 52 x 91 cm ) Image Size: 12.75 x 34 inches ( 32 x 86 cm ) Edition Size: Unknown

A premonition of spring , 75x100 cm, oil on canvas

SINGER, 100x70 cm, tempera/ paper

CONDUCTOR, 100x70 cm, tempera/ paper

VIOLINIST, 100x70 cm, tempera/ paper

CELLIST, 100x70 cm, tempera/ paper

PIANIST, 100x70 cm, tempera/ paper

Wayne Warren (1940) Aspiration (2013) Screenprint on paper Size: 39.25 x 28.25 in (99.7 x 71.8 cm) From the edition of 26, this is 11/26 Hand signed lower right, numbered lower left...

Krista Reuter's contemporary paper sculpture artworks unfold like a quiet study in light, shadow, texture, and dimensional abstraction. Hand-cut and layered with meticulous precision...

It was windy yesterday 100x100cm

Rare antique enamel Vintage Singer Sewing Machine advertisement Sign in Hebrew or Yiddish. Please see photos for condition. Rare early Jewish advertising memorbilia This early twent...

A fine still life oil painting with flowers in vases by American artist Everett Lloyd Bryant (1864-1945). Bryant was raised in Galion, Ohio, and s...

"Personaje" (seated) acrylic on canvas painting by Southern California artist Mike Rivero. Personaje (sitting) is painted in blue, green, pink, red, black white, orange, set on a tau...

OLGA, 90x70cm

Tropical Fruit By Howard Hodgkin 1981 Signed Medium: Serigraph Paper Size: 31 x 37 inches ( 79 x 94 cm ) Image Size: 31 x 37 inches ( 79 x 94 cm ) Edition Size: 100

Meditative Fiberglass / Composites Filled Resin Base Gold Graphite Finish 38" x 7" x 6" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

Large Phil Fingerprint By Chuck Close 1981 Medium: Offset Lithograph Paper Size: 38.5 x 26 inches ( 98 x 66 cm ) Image Size: 31 x 26 inches ( 79 x 66 cm ) Edition Size: 2000

This piece titled "souvenirs 3" is an original artwork by Miriam Singer and is made of pencil, marker, and acrylic on paper. The artist spends her free time biking around the city wi...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...