Crayon More Art

The original painting on paper, Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is in the artist's series on indigenous Indian chiefs. 30 x 22in, a...

Talking until midnight, 2023, 78x54 cm The work is sold without a frame.

Provenance David Ramus, Ltd.; Menconi and Schoelkopf Fine Art, New York; Private collection, Atlanta, Georgia, until 2010 Exhibitions Philadelphia, Pennsylvania Academy of the Fine ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Marbella 100x100 cm The work is sold without a frame.

A cup of coffee 100x100 cm The work is sold without a frame.

Red vase 110x80 cm

Lemon leaves 100x70 cm

Gotthardt Johann Kuehl (German, 1850-1915), "Rathausplatz, Bremen", Pastel on Paper, signed and titled lower left, wood frame. Image: 19" H x 18" W; frame: 24.5" H x 23.5" W. Provena...

Idle chatter, 2021, 78x54 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

Catch a deer, 2023, 78x54 cm The work is sold without a frame.

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm Plain gold moulding, 44.8 x 36 cm The Rhenish still life painter Johann Martin Metz was ...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

way home, 120x150 cm, acrylic on canvas

Triptych "Grandmother's Memories of Love", 80x100 cm, acrylic on canvas, pastel

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Rainbow 70x50 cm

Girl with a bouquet 70x50 cm

"Tendrils, Sleepy Orange" is an original piece by Roche Cruchon made from pastel on paper. This piece measures 15.5”h x 12.5”w framed and is signed en recto. Tendrils is a recent ex...

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. His dynamic linear design compositions are aborigi...

A bright and breezy still-life showing a variety of spring flowers informally arranged in a pink ceramic vase set on a stone ledge with a panoramic view beyond towards the ocean and ...

Summer still life

Girl with umbrella 70x50 cm

Picnic 70x50 cm

Girl with a cup of coffee 70x50 cm

A chair and flowers, 100x120cm, acrylic on canvas The work is sold without a frame.

Immersion , 2018, 70x100 cm

March 70x50 cm

Girl in a cafe 70x50 cm

Still Life with a Blue Vase 70x50 cm

Glass of wine 65x50 cm

Green leaf 100x 70 cm

Valley, 120x100cm, acrylic on canvas

basket with flowers 70x50 cm

Dream time 80x120cm The work is sold without a frame.

Summer 80x80 cm The work is sold without a frame

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Dialogue, 2018, 70x100 cm

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting on canvas measures 64.5 inches high by 64 inches wide. It is signed by Brown on the back. The artwork is stretched, wired, and ready to hang. It does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunities in the United States. Brown uses his interest in fashion as well as his knowledge of color, design, and culture as inspiration for his paintings. The loss of friends to violence and incarceration, combined with the loss of a family member to gang violence pushed Brown to use art as a source of therapy and to project a positive inspiring image for his community. Brown’s art coalesces youth culture, art history, fashion, and American consumerism and melds them all to create his unique style. Instantly relatable and recognizable, his cathartic paintings represent contemporary issues as well as a demographic that is traditionally underrepresented in fine art. His works speak to young Americans and inspire a whole new generation of art collectors and admirers. Since 2016, Daniel Brown...

Birds

Floral abstraction N2 50x60 cm

Banana leaves 100x70 cm Fleur Professional artist from Belarus

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

sunny day, 90x90 cm, oil on canvas

My paintings are a reflection of my inner space, I will call it a garden. What is this garden like? It's a little chaotic, a little bright, a little abstract, a little orderly, a l...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Heat, 2021, 78x54 cm

Waiting, 2021, 78x54 cm

Untittle, 2021, 78x54 cm

Party, 2021, 78x54 cm

By that time, 2023, 78x54 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

Life with a cat, 2023, 78x54 cm The work is sold without a frame.