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Style: Abstract
Medium: Enamel
Jay Phillips "Bel-Air Gate" 1981 Signed Enamel on Aluminum Wall Sculpture
Located in Miami, FL
JAY PHILLIPS – "BEL-AIR GATE" ⚜ Enamel on Aluminum Wall Sculpture ⚜ Hand Signed and Numbered Lower Right ⚜ Roy Boyd Gallery Provenance ⚜ Acrylic Shadow Box Frame BOLD GEOMETRIC ENAM...
Category

1980s Abstract Enamel More Art

Materials

Metal, Enamel

Holocaust Remembrance Logo Pin enamel Pendant in bespoke box incised artist name
Located in New York, NY
Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...
Category

1990s Abstract Geometric Enamel More Art

Materials

Metal, Enamel

Centennial Medal for the Metropolitan Museum of Art
Located in New York, NY
Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...
Category

1970s Abstract Enamel More Art

Materials

Metal, Enamel

Vaso in ceramica smaltata a rilievo astratto fiorentino del XX secolo
Located in Florence, IT
Grande vaso in ceramica invetriata e smaltata a base azzurra con decorazione a astratta a rilievi rosa. Sulla base presenta in nero lo stemma della manifattura di Marcello Fantoni, ...
Category

Mid-20th Century Abstract Enamel More Art

Materials

Enamel

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Double Sided Gold Plated Medallion (Limited Edition; Signed and Stamped)
Located in New York, NY
ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...
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IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...
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Untitled
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Located in New York, NY
This dynamic and compelling sculpture was realized by the esteemed 20th Century sculptor Norman Zammitt in 1968. Constructed from baked enamels, acrylic and phenolic vinyls, the piece offers an a pair of identical amorphic lobe-like forms that are recur in multiplicity. The rectangular form composed of clear vinyl has two sheets of the same material within, each offering the aforementioned abstract motif- consisting of two royal blue tear drops with sable hued interiors and orange-cream ombre accents. These tear drop forms are adjoined by two translucent amber curved forms with opaque carnelian centers. Each of these identical abstract forms are affixed to each sheet of lucite at increasing heights, giving them a staggered appearance and the sculpture a subtle dynamism reminiscent consistent with the best examples of Op-Art from this period. Seen from each side, the work appears transparent, consisting of blue lines and revealing the layered construction of the piece. Phenomenological, dynamic and aesthetically compelling, this piece is sure to delight collectors of first rate 20th century art, as well as those with a penchant for rare and beautiful objects. Zammits' solo exhibits include the Los Angeles Museum of Contemporary Art (LACMA) and Corcoran Gallery of Art in Washington D.C.. Group shows include two hallmark exhibits, “American sculpture of the Sixties” in 1967 and “The Spiritual in Art: Abstract Painting,” 1890-1985 that inaugurated the Robert O. Anderson Building at LACMA and the Hague, Holland. Among the museum and institutional collections in which he is represented are the MOMA in New York, the Corcoran Gallery of Art, and the Hirschhorn Museum. Private collections include those of Truman Capote (estate), John Kluge (estate) and Norman Lear...
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Untitled
Untitled
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Abstract in Black White
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Enamel more art for sale on 1stDibs.

Find a wide variety of authentic Enamel more art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add more art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Erró, Pablo Vigil, Damien Hirst, and Niki de Saint Phalle. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Enamel more art, so small editions measuring 0.1 inches across are also available Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $929,058, while the average work can sell for $1,100.

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