Engraving More Art

"Pearl Jam Seattle 2021 Streaming Event" Wood Edition by Ian Williams Discover the rustic charm of "Pearl Jam Seattle 2021 Streaming Event" by acclaimed artist Ian Williams. This uni...

Gerhard Richter GERHARD RICHTER PORTRAITS (official hand signed copy), 2009 Hardback monograph with dust jacket (official hand signed copy) Hand signed by Gerhard Richter on the titl...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medi...

Makes a fantastic gift! Kehinde Wiley The World Stage: Israel (Hand Signed by Kehinde Wiley), 2012 Illustrated hardback monograph with dust jacket. Hand Signed by Kehinde Wiley Boldl...

The Sacred Geometry of Sagittarius. Associated with the number 9 and Jupiter; representing expansion, inner freedom, knowledge, and luck. Embodies universal wisdom, the completion o...

Monochrome abstract conceptual artwork uses the principle of color field painting. 30x30x1,7cm, Ready to hang and signed on the backside. Shipping worldwide in a safe package with ...

Steven H. Rehfeld (American, born 1954) "Fragments", 2022 Oil paint, Newsprint, Ink, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Fragments" is a...

This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Chuck Close Recent Paintings (Hand Signed by Chuck Close), 2000 Large Illustrated Glossy Exhibition Catalogue with French folded flaps Hand signed by Chuck Close in black marker on t...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

Chuck Close: Self-Portraits 1967-2005 (Hand signed and inscribed to Michelle with heart doodle), 2005 Hardcover. Bound in publisher's original quarter iv...