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Jenny Holzer, Barbara Gladstone Gallery, New York, 1986: Rare vintage original 1980s announcement card published on the occasion of Jenny Holzer's exhibition, "Under a Rock," at Bar...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Marilyn Minter RESIST T-Shirt (Hand signed and dated by Marilyn Minter), 2018 Silkscreened Cotton T-Shirt (XL), hand signed in indelible marker Boldly signed and dated 2018 in indeli...

Paper Collage My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do no find in other media. When working ...

Jenny Holzer, Ten for Ten: Celebrating Printed Matter, 10th-anniversary reading, New York, 1986, Announcement Card Rare, Jenny Holzer 1980s announcement card published on the occasion of Ten for Ten: Celebrating Printed Matter - the 10th-anniversary reading. The event was held at The Great Hall of Cooper Union on November 19, 1986. It featured John Giorno, Eric Bogosian, Constance DeJong, Richard Prince, Cookie Mueller, Roz Chast, Richard Nonas...

Contemporary work of art by Christine Graf. A collage work of art created using rust, string and vintage book. Graf skillfully employs unconventional m...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Kouri, Pentti LOTHAR BAUMGARTEN: Carbon. 142 pages. Oblong folio, cloth. Los Angeles, The Museum of Contemporary Art, 1991. Signed by Baumgarten. Issued with additional booklet la...

Title: Fins Ap Type: Laughing Wall Shark ​ Another wall creation from this much acclaimed Dutch artist. Epoxy, painted White Length 59", Height 1...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signe...

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...

The Terminator by Tytler Stout Silkscreed Print Arnold Schwarzenegger “I’ve found it works best to do stuff for movies you’re a fan of, movies that have stood the test of time, that are considered classics, stuff that inspires you,” Stout told io9 over email. “My movie fandom starts mainly in the 1980s since that was my childhood. Terminator is 1984, so it’s towards the beginning of that era, early Arnie, Lance Henriksen, Michael Biehn, James Cameron. Just seemed a more logical choice than, say, Terms of Endearment. Which will be [my] next poster. Part of our Debra Winger...