Metal More Art

Chris Bracey (1954-2014) Is This The Real Life (2014) Found lettering and signs constructed with new neon lettering Size: 36 x 48 in (91.4 x 121.9 cm) Hand signed on the side === ...

Of all Andy Warhol's celebrity subjects, none seem more emblematic of how the artist perceived and synthesised America than Marilyn Monroe. The artist saw in her all the promises, th...

This small-format surrealist panel blends acrylic, metallic paint and gold leaf to create a luminous island scene that feels both intimate and dreamlike—an ideal collectible artwork ...

A monumental 19th century patinated animalier cast bronze of a rooster & ermine (weasel), with varying titles including "Coq Guettant," "Coq Attaquant une Belette," and "Cockerel and...

This firewood rack is on the one hand very practical to store firewood, on the other hand it is a wonderful way to add a decorative element to your garden walls. Customization possib...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Lapin assis, tête tournée, circa 1919-1921 Fondry Susse, Ed. 3/5 pcs circa 1919-1921 Rare bronze proof with a brown patina 8.5 x 5.5 x 6.5 cm Certificate of authenticity issued by th...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Long Island Sound Long Island Sound is a tidal estuary of the Atlantic Ocean, lying predominantly between the U.S. state of Connecticut to the north,...

Cat, Acrylic on canvas, gold leaf , 100x100 cm

Cat, Acrylic on canvas, gold leaf , 100x120 cm

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Growing up with the thoughts of ...

Ammon on oak stele natural 15x15x110cm. Customization possible and designed in 2010. Also available to order in stainless steel. The included burner already contains individual lava...

Planter round. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden a...

Jean-Michel Basquiat Spray Paint Cans 2017: Limited Edition Jean-Michel Basquiat spray paint cans (set of 2), published circa 2017 featuring the Estate trademark of Jean-Michel Basq...

Shipping costs on request. This flame flower is the eye-catcher in your garden. Due to the great air supply you can very quickly a beautiful fire. The base also serves as an ash tray, has an inserted bottom, but can also be used separately as can also be used separately as a flowerpot. Of course, you can also plant the flame flower. We manufacture the in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house number...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

An exceptional, fine and impressive antique Austro-Hungarian Antique Judaica Pair of Shabbos hallmarked silver candlesticks, 12" tall, 16 troy Dated 1895 Viennese or Austro Hungaria...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so th...

Boris Shpeizman, an glass craftsman, transforms the childhood dreams of men into tangible art, focusing on the yearning for unattained toys and their delicate inner worlds. He crafte...

Ball lamp d = 55 cm galvanized outdoor. Outdoor light for the house and garden as well as entrance area. This lamp impresses their unique shadow projection. The ball is delivered in...

This photo frame was hand-made in Romania and features 12K white gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading...

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. Customization possible and designed in 2010. This ball l...

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Limited Edition Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and ...

Limited Edition Jean-Michel Basquiat spray paint can published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat collectible that makes for a fanta...

Aluminum and brass Menorah, with a beautiful sculptural appeal. We like how function evolves into art with this piece. A great conversation piece and one...

This striking wall-mounted light installation is crafted from a reclaimed vintage bed spring frame and fitted with warm bulb lights, forming the wo...

This mixed-media painting on a salvaged panel presents a cluster of stylized cypress trees rising against a luminous gold-leaf sky. Created from reclaimed materials—including wood ve...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

Marine outdoor Italian stainless steel. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel a...

Italian stainless steel with blue tint and granite base. Harvard University has one of the editions permanently. This sculpture will be shipped directly from the artist's studio. A...

Geometric Red Bull. Bronze Sculpture. Oaxaca, Mexico.

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

Wood and metal metronome with printed eye. Initialed and numbered 16/200 in felt tip pen and ink on printed label on bottom of object. Published by the New York Cultural center. Con...

Marine outdoor Italian stainless steel. From this edition, there is one in the permanent collection of the CES University Museum in Columbia. This sculpture will be shipped directl...

Modern Furniture Chair- Colorful, Simple, Playful - Clean, Compact Design This modern chair is a true statement piece: modern and clean, yet full of playful and colorful character....

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

Own a piece of history with this rare and limited edition poster from the MCA! Commemorating Christo's iconic exhibition "Wrap In Wrap Out," this poster is a true collector's item. T...

Artist: Pedro Cervantes. Mexico. Title: No title

Printed on high gloss paper, mounted to acid free foamcore Edition of 5 of 10 Three sizes Made to Order Aluminum Dibond backing and a UV protective laminate. Ready to Hang Comes wi...

Rare and unusual antique diorama of a street in a neighborhood, in a city capturing a time and a place for centuries to come. Crafted with metal and pa...

20th Century Charming Metal Eiffel Tower Star of David Judaica Candle Holders 9.5" X 2.5" X 2.5" These are unmarked. Not sure of the country of origin. ...

'Girl Seated on Red Chair,' a two color screen print by George Regal features the back of a nude female figure seated in a red ladder back chair facing away from the viewer. The rea...

This sculpture reflects sacred familial bonds and the timeless values of unity, care, and continuity within the Amlash world. The relationship depicted embodies protection, harmony, ...

Italian stainless steel with a turquoise tint. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless ...

Tiffany style stained glass memorial work in honor of DJ Jam Master Jay Handcrafted by TF Dutchman, "Jam Master Jay" is part of series of works that are odes to the four elements of hiphop, with Jam Master Jay representing the DJ. This piece is a one of a kind original Tiffany style stained glass panel. A detailed portrait painted with vitreous paint memorializes the legendary hip hop artist DJ Jam Master Jay of RUN-D.M.C. Brilliant greens, yellows, blues and reds are enhanced by kiln fired, painted symbolic motifs including a turntable, JMJ's signature gold chain and the textured blue-gray drapery glass of JMJ's signature Adidas robe. TF Dutchman uses traditional original Tiffany window...

Agathon LÉONARD (1841–1923) Lamp "Danseuse à L'Écharpe" "Dancer with the scarf" lamp A very rare sculpture forming a table lamp, made in gilded bronze The scarf hides the light bulb Signed on the side of the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) France circa 1905 height 60 cm A similar model is reproduced in "Les bronzes du XIXe siècle", P. Kjellberg, Les éditions de l'amateur, 2005, page 460. Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

This outdoor fire pit "globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

Three sculptures from the series "The Rust" by renowned Japanese artist Aijiro Wakita, from a very prominent collection in Dallas The sculptures, were created in pieces of corten ste...

Planter square. Customization possible and designed in 2010. Also available to order in stainless steel. Here you will find a sturdy and high quality planter for use in your garden ...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

De Draeger, 1961 Bronze Medallion with book Numbered 1032 from the edition of 1500 Bronze Medallion: 3-1/8 inches (8 cm) diameter, numbered "1032" on verso of medallion Portfolio Siz...

This fireball is the eye-catcher in your garden. Thanks to the good air supply, you can very quickly a beautiful fir. The base also serves as an ash container, has a central base, b...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Customization possible and designed in 2010. Al...