Pastel More Art

Forest fog, 60x40cm, acrylic, pastel, canvas

Still life

Summer still life

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Esquisse pour Lane bleu Pastel and charcoal on paper from 1979. Unqiue work. D...

Pool , 35x25cm, paper/ pastel

Painting of the series “Not a dicky bird”, 100x80cm, acrylic, pastel, canvas

James Spencer Russell "#3" 1958 Collage with paper, sand, and gouache Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spen...

In crowd, 2023, 78x54 cm The work is sold without a frame.

Hares, 2023, 78x54 cm

Women, 2023, 78x54 cm The work is sold without a frame.

A fine impressionist pastel evening cityscape with carriages, possibly Boston, by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived...

Chicken, 2023, 78x54 cm

Neige à Paris by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...

Silent harmony, 60x40cm, acrylic, pastel, canvas

A wonderful tonalist cityscape of New York City at night by American impressionist artist Frederick (Frank) Usher De Voll (1873-1941). De Voll was born i...

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

Girl in a cafe 70x50 cm

March 70x50 cm

Flowers on the table 70x50 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

Fethiye 40x30 cm

Umbrellas 40x30 cm

Still Life with a Blue Vase 70x50 cm

Painting of the series “Not a dicky bird”, 100x80cm, acrylic, pastel, canvas

Glass of wine 65x50 cm

"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...

A NOTE TO MYSELF #2 -Small paintings are intimate and personal. Loose, expressive brushstrokes and spontaneous scribbles are accented by a hint of red. A quiet sense of mystery invit...

Jogen Chowdhury - Untitled Brush & Ink on Paper 8.2 x 5.8 inches, 2023 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Alway...

Life with a cat, 2023, 78x54 cm The work is sold without a frame.

Beach 70x50 cm

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Still life

So little with so much to say. This expressive abstract painting invites the viewer to interpret an untold message. Emphasis is on simplified composition with the use of paint, paper...

Dancer Signed in pencil, l.c. Pastel on paper mounted to Glassine 14 x 10 inches This work is offered by ClampArt in New York City.

Jogen Chowdhury Untitled, Dry Pastel on Paper 17.5 x 23 inches (unframed size) ( Unframed & Delivered ) In this striking dry pastel work, he channels raw expression through bold, p...

"Plains Indian Camp" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Talking until midnight, 2023, 78x54 cm The work is sold without a frame.

By that time, 2023, 78x54 cm

Untitled , 2025, 78x54 cm The work is sold without a frame.

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

Silent harmony, 60x40cm, acrylic, pastel, canvas

Gotthardt Johann Kuehl (German, 1850-1915), "Rathausplatz, Bremen", Pastel on Paper, signed and titled lower left, wood frame. Image: 19" H x 18" W; frame: 24.5" H x 23.5" W. Provena...

Provenance David Ramus, Ltd.; Menconi and Schoelkopf Fine Art, New York; Private collection, Atlanta, Georgia, until 2010 Exhibitions Philadelphia, Pennsylvania Academy of the Fine ...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Waiting, 2021, 78x54 cm

Untittle, 2021, 78x54 cm

Catch a deer, 2023, 78x54 cm The work is sold without a frame.

Party, 2021, 78x54 cm

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Tulips in a bag 65x50 cm

Still life 70x50 cm

Rainbow 70x50 cm

Girl with a bouquet 70x50 cm

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

A bright and breezy still-life showing a variety of spring flowers informally arranged in a pink ceramic vase set on a stone ledge with a panoramic view beyond towards the ocean and ...