Video More Art

Ballerinas and those that own dance schools would appreciate this beautiful poster with a photograph by Harvey Edwards of a ballerina at the barre. It has been tastefully framed wit...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

Dennis Hopper Photographs 1961 - 1967 (Limited Edition Hand Signed), 2009 Hardcover Book in Clamshell Box. Hand Signed and numbered 1327/1500 Hand signed by Dennis Hopper on the colophon page. 19 × 14 1/4 × 3 1/10 inches This is the limited edition (signed and numbered) collector's edition, not to be confused with the later mass market edition. Hand signed, hardcover book in a clamshell box from an edition of 1500. 17.3 x 13 inches (book) 19 x 14 1/4 inches (box) 546 pages Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery During the 1960s, Dennis Hopper (1936–2010) carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways, and walking in political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi—more than a third of them previously unpublished—this Collector’s Edition distills the essence of Hopper’s prodigious photographic career, documenting the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King Jr. during the Civil Rights March from Selma to Montgomery, Alabama. In many ways this work is photography as film, a poignant narrative expressed through a series of stark images—early shots of Tijuana bullfights, LA happenings, and urban street scenes show an experimental freedom that would translate into the vivid cinematic imagery of Easy Rider and beyond. The images are accompanied by introductory essays from Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities. CONTRIBUTORS The photographer Dennis Hopper (1936–2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he cowrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35 mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, “Dennis Hopper and the New Hollywood” in Paris. Dennis Hopper passed away May 29, 2010, in Venice, CA. The contributing authors An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali. Walter Hopps (1933–2005) was one of the premier curators of 20th-century art. Cofounder of Los Angeles’s Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey “New Painting of Common Objects” was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987. A filmmaker and frequently published art, music, and film journalist, Jessica Hundley has directed several documentaries and recently completed her second book, a biography of country-rock legend Gram Parsons...

A really mind blowing video sculpture which will challenge your sense of perception and make you think you have caught a real fairy in a jar. The fairy is floating in a jar wiping he...

The Proposal, 2022 20 x 30" Cyanotype Unique Variant Print Limited Edition of 7 + Cyanotype hand-printed on Arches BFK Rives French watercolor paper + Deckled Edges on all four sides + Signed and editioned on front in pencil + Letter of Authenticity + Printed in Los Angeles, CA WHAT IS A CYANOTYPE? cyan = blue type = print Cyanotype is a historic photographic processes, invented in 1842 and used by Anna Atkins–the first female photographer. The process involves coating watercolor paper with light-sensitive chemistry made of iron salts. Photographic negatives are laid on top, exposed in the sunlight, and then washed in water to develop into the deep Prussian-blue unique to cyanotypes. Brings a moment of beauty and conversation to any space. ABOUT THE ARTIST: Alexandra DeFurio...

Item Description White Fairy in Jar Mixed media video sculpture 14 x 10 x 10 inches, 2014, Limited edition of 25 Comes in a black box that can be hung on the wall or displayed on a t...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Nan Goldin Supreme Skateboard Decks, 2018 (set of 2): – Misty and Jimmy Paulette in a taxi, (NYC 1991) – Nan as a Dominatrix (Cambridge MA 1978) Set of 2 limited edition Nan Goldin ...

The Art of Seduction, 2023 22 x 30" Edition of 7 Limited Edition, Cyanotype Unique Variant Print. This cyanotype diptych made from 1960's magazines, gives a contemporary edge to this vintage flirt...