1950s More Art

Jean Ramié, Picasso, Unique Bowl, Earthenware, Design, Kitchen, French, Editions Jean Ramié, Maréchal des Logis de Réserve Unique work 1955 Earthenware, painted and glazed 21.1 x 5....

Italy, Milano 1950’s D 14,5 Eight porcelain egg cups decorated with medallions.

A photographic tribute to the Baron de Rede's magnificent Hotel Particulier. The main body of the book is composed of 13 photographs taken by Jean Vincent of the exterior and apartme...

In 1899, when Artus Van Briggle stepped off the train in Colorado Springs he must have felt worlds away from the studios of Paris and the landscapes of Italy where his extraordinary ...

Presses Universitaires de France, 1954. First Edition. 'Deluxe' presentation copy of the scarce: 'Carnet de Voyage' par Jean-Charles Moreux Custom Morocco burgundy 'Maurin of Paris...

PABLO PICASSO (1881-1973) Joueur de flûte et chèvre (A.R. 382) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (on the reverse) ...

CARRINGTON, Noel [160] pp. w/ lithographs by Roland Collins B.T. Batsford 1954 10" x 7 3/4" Noel Carrington's design book, exploring ways to integrate 1950s colour and pattern ...

MEDIUM: Limited Edition Cel IMAGE SIZE: 16 Field EDITION SIZE: 250 SKU: 90042 ABOUT THE ART: Hand-signed by Chuck Jones ABOUT THE IMAGE: “Kill Da Wabbit” Image from “What’s Opera, ...

Sleeping Beauty was released in January 29, 1959. It was the 16th animated feature in the Disney Animated Canon. It was the last animated feature produced...

Sz: 9 3/8"H x 17 5/8"W x 6 5/8"D c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 14 1/2"H x 10 3/4"W c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 20 5/8"H x 7 3/4"W c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 17 3/4"H x 11 3/4"W w/ easel-back c1950s Hand-made by Alexander Warren Montel (1921-2002)

MEDIUM: ​Original Production Cel IMAGE SIZE: 10.5" x 12.5" YEAR: 1955 ABOUT THE IMAGE: Slim and Shorty make repeated attempts to crack the safe, yet they are thwarted by their own incompetence or by Droopy. Each time one or both outlaws must run off to the hills to yell, scream or laugh so as not to wake the sheriff...

Vaso in ceramica a doppia bocca, bianco con interno nero e e nero con interno bianco (37 x 28 x 28 cm). L'effetto opalescente è dovuto alla tecnica "a lustro", un processo che si av...

BEANSTALK BUNNY MEDIUM: Limited Edition Cel IMAGE SIZE: 16 Field EDITION SIZE: 30 SKU: 83263 ABOUT THE ART: Estate Signed ABOUT THE IMAGE: “Beanstalk Bunny” A depiction of “James...

Signed by Friz Freleng MEDIUM: Limited Edition Cel SIZE: 10.5" x 12.5" EDITION SIZE: 750 ARTIST: Friz Freleng SIGNED: Friz Freleng SKU: FF1034 ABOUT THE IMAGE: It’s easy to see how cats can be addicted to birds. What’s not easy is getting a cat off birds. Nonetheless, Sylvester is a prime candidate for intervention in “Birds Anonymous,” directed by Friz Freleng in 1957. Of course, all is not lost. At least Sylvester sought help. “Birds Anonymous” is a hand drawn, inked and painted cel with Giclée background. Each piece in the edition has been signed by Friz Freleng. ABOUT THE ARTIST: Friz Freleng was an American animator, cartoonist, director, producer and composer known for his work at Warner Brothers on the Looney Tunes and Merrie Melodies series of cartoons. He introduced and/or developed several of the studio's biggest stars, including Bugs Bunny, Porky Pig, Tweety, Sylvester the cat, Yosemite Sam...

MEDIUM: Cel Recreation 1/1 on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA3450 SIGNED BY: Friz Freleng ABOUT THE IMAGE: Lo...

Paysage, Pablo Picasso, 1950's, Plate, Design, Ceramic, Figuratif, Editions Paysage Ed.200 pcs 08.12.1953 White earthenware clay, decoration in engobes, knife engraved, under glaze ...

Pigeon, by Gustave Miklos, Animals, Drawing, Work on paper, Sculpture study Pigeon Circa 1957 Pencil, watercolor and gouache on paper 26 x 38.5 cm / 60...

Sz: 13 1/2"H x 12 1/2"W x 4"D w/ easel back c1950s Hand-made by Alexander Warren Montel (1921-2002) *top of tree w/ crack*

Sz: 13 1/2"H x 9"W c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 12 1/2"H x 8"W c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 14 3/4"H x 9 5/8"W c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 18 3/8"H x 11 1/4"W w/ easel-back c1950s Hand-made by Alexander Warren Montel (1921-2002)

Sz: 14"H x 9"W w/ easel-back c1950s Hand-made by Alexander Warren Montel (1921-2002)

ONE FROGGY EVENING - 1955 MEDIUM: Limited Edition Cel IMAGE SIZE: 12 Field EDITION SIZE: 195 SKU: 85012 ABOUT THE ART: Director's Cut

Mathieu Matégot (1910-2001) Sans titre c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre 150 x 70 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right) Price: $11,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF21324) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Oberon c.1950s wool tapestry, Manufactura de Tapeçarias de Portalegre; (possibly) no. 2 125 x 202 cm signed ‘Matégot’ and with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $18,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19387) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Castille c.1950s Aubusson tapestry, Pinton Frères; (probably) unique 156 x 120 cm signed ‘Matégot’ and with the Pinton Frères monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $14,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF11410) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...

Mathieu Matégot (1910-2001) Apollo c.1950s Aubusson tapestry, Manufactura de Tapeçarias de Portalegre; edition 3 of 6 142 x 118 cm signed ‘Matégot’ with the Manufactura de Tapeçarias de Portalegre monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $13,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF19383.3) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern...