Mid-20th Century More Art

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Alain Ramié, Pablo Picasso, Catalogue of the Edited Ceramic Works, 1947-1971 is the complete catalogue raisonné of Picasso's ceramic editions, in English. Published in Paris in 1988...

This heterogeneous lot “Ungaretti –Futur Prix Nobel” deals with the Ungaretti's ambitious race for the Nobel Prize for literature in 1954. A Correspondence, with different senders a...

Marcello Fantoni (Italian, 1915-2011) Faces Vase Ceramic Signed on bottom 10.5 x 5.5 x 6 inches Marcello Fantoni was an Italian sculptor, ceramicist, metalworker, multi-media artist...

Jacobson (20th Century) Portrait Vase, 1949 Ceramic Signed and dated on bottom 13 x 6 x 6 inches

A l’Intérieur de la Vue is an original modern rare book written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Max Ernst (1891 - 1976) in 1948. Orig...

Marc Chagall (1887-1985) - Nativité Lithograph from 1950. Dimensions of work: 38 x 56 cm. Plate signed. Publisher: Tériade, Paris. The work is in Excellent condition.

Andy Warhol Banana Cover Art 1967: The Velvet Underground & Nico: the highly sought-after, early 1967 East Coast pressing uniquely featuring a peeled banana (...

Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...

Hand written postcard by Mario Ferrari realized in the 1940s. Good conditions.

Editions including two original lithographs by Pablo Picasso on frontespiece and cover on the catalogue. Copy on velin. Perfect conditions. 

Portrait (Untitled), c. mid 1930s, hammered copper, 11 1/2 x 8 1/2 inches Beryl McCarthy Wynnyk was a California-based painter, sculptor, and craftsperson. She studied at the Califo...

Ed Ruscha, Billy Al Bengston Business Cards (hand signed by Ed Ruscha and Billy Al Bengston), 1968 Mixed Media Artist's Book: Softback monograph with a latigo leather thong, silver g...

Marc Chagall (1887-1985) - La Rieur et Les Poissons Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer ...

Pablo Picasso (Spanish, 1881-1973) Colombe à la lucarne, 1949 Stamped, marked, and numbered Madoura Plein Feu/Edition Picasso/ 80/200/ Edition Picasso/Madoura (underneath) White E...

Cocteau's Postcard is a PASs.d.n. l. Autograph Postcard Signed, and written by Jean Cocteau (1889 -1963) addressed to the Countess Anna Laetitia Pecci-Blunt. In French. Without pos...

Typewritten Autograph Letter Signed by Dino Grandi to the Countess A.L. Pecci- Blunt. Bologna, April 10th 1967. Signed "Dino" in red ink. In Italian. On letterhead paper "Dino Grandi". One page, single-sided. Excellent conditions. Perfectly readable, original envelope included. Greeting letter with a balance of a whole life: "Faccio il contadino e debbo riconoscere che dal giorno in cui ho sostituito la compagnia degli uomini colla compagnia delle bestie, ho guadagnato in serenità e ricchezza interiore." "Now, I am a farmer and I have toadmit that since the day I replaced the company of men with the company of beasts, I have gained in serenity and inner wealth". Dino Grandi (Mordano, 1895 - Bologna, 1988) Dino Grandi was an Italian politician and diplomat, who went down in history for the presentation of the homonymous agenda to the Grand Council of Fascism on 25 July 1943 which led to the dismissal of Benito Mussolini. He was foreign minister, minister of Grace and Justice and ambassador to London of the Kingdom of Italy. During the second post war, he was a regular consultant to the US authorities, in particular to the ambassador in Rome, Clare Boothe Luce...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

This Lot of Manuscripts by Afro Basaldella to the Countess Anna Laetitia Pecci Blunt is composed by three autograph card written and signed by the Itali...

Lenci Style Modern Italian Ceramic and Mosaic Beautiful multicolored sculpture attributed to the Lenci factory Faenza ceramic mosaic Moving inscription with dedication on the back in Italian “In the uncertain moments of your life, always turn to her; you will be heard. Memory Pina” 19\2\1941 Original white lacquered wooden frame. This artwork, never before on the market, comes from an important European private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews received that you can under our Furniture account. Lenci doll...

Marc Chagall (1887-1985) - Hannah Praying to God Etching from 1958. Edition of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. Hand signed. Publish...

Edita Broglio 1886-1977 Mosaico , esposto in numerose mostre 1991- Palazzo Ricci Macerata 1994- Palazzo dei Diamanti Ferrara 1994 Galleria Arco Farnese -Roma Pubblicato sul catalog...

Vita Americana (American Life) is a Autograph Letter Signed by Afro, to the Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971). New York, July 3rd 1950. Two pages, doubl...

French popular art - brutalism "Sun" mirror - vintage piece circa 1950 Made made of welded iron, partially gilded Decorated with stylized hand-welded flowers Diameter 32 cm (diameter...

The Mid-Century Modern red vase by Dante Baldelli is an elegant example of the work his studio could produce for the consumer to enhance the décor of th...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 8 x 10 Frame Size: 18 x 20 Medium: Gouache "The Mystery" Margaret Putnam (1913-1989) Margaret Putnam left an artistic legac...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6 X 18.25 Like her contemporaries, Aggie Mack,...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

This is a Autograph Letter Signed by Jean Dubuffet and addressed to Nesto Jacometti. Vence, November 28th, 1957. One page, single-sided. On watermarked paper. In French. excellent c...

Marc Chagall (1887-1985) - Soleil aux amoureux Etching from 1968. Trial proof - unique work. Dimensions of sheet: 51 x 34 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Maegh...

La Grande Guerre is an original Woodcut by Benito (Edmond Garcia, 1891-1961) realized in the Early 20th Century. Good condition. The artwork is depicted through strong strokes in a...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

This is an Autograph Letter Signed by Anita Loos to the Cuntess Anna Laetitia Pecci-Blunt. July 14th, 1952. In English. Signed. Excellent condition: As good as New, including origi...

Ex Libris - F. Pot is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

A Autograph Letter Signed by Filippo de Pisis accompanies a b/w photographic portrait (cm 11 x 9) of the young Italian artist, with his Basque-hat on his head, smoking a pipe and with his parrot on his shoulder. This composition, in perfect condition, is mounted under passepartout, plexiglass, and gilded frame (cm 40.5 x 2 x 54.5). The manuscript is addresses to Gaetano Chiurazzi. Venice, January 20th 1947. One page, single-sided. On letterhead paper “Ne nous embarbouillons pas dans les métaphores” (Balzac). cm 23 x 14.5. In 16°. In Italian. Signed “F. de Pisis”. Excellent condition, except for usual folds. Perfectly readable An affectionate greeting letter written with a rapid calligraphy by the artist had just returned to Italy, to Venice, after a short stay in Paris, with the first symptoms of a disease that will lead him to death. The artist writes to his friend, the Italian gallerist, Gaetano Chiurazzi (Naples,1899- Rome,1967), best-known as "Tanino". This letter will be delivered to Tanino by a great admirer and collector of de Pesis. A manuscript demonstrates how de Pisis spent his life: between Rome, Paris and Venice, living a very extravagant lifestyle; he had a pet parrot named Coco, and in Venice he was one of a handful of residents at the time who used a gondola. He had two personal gondoliers on 24-hour duty, who wore black-and-gold livery. Filippo de Pisis (born Luigi Filippo Tibertelli, Ferrara 1896 – Brugherio 1956) When he was 20 years old, the young painter from Ferrara had a meeting that changed his life. During his military service, he met the "Dioscuri", the brothers De Chirico and then Carrà. He was sure impressed by their way of seeing painting and, at the beginning, shared the metaphysical style. After a short stay in Rome and Paris, at the beginning of the 1920's, he started to rework his style, made of suggestions and original subjects, where the pictorial line is fragmented and, therefore, defined by Eugenio Montale as "fly-paw painting". The friendship with Julius Evola...

The freedom of the seas (original title: La Liberté des Mets) is a vintage exhibition catalogue realized in 1960. Mixed colored offset and lithographs realized in the occasion of th...

Andy Warhol Record Cover Art "The Academy in Peril" by John Cale 1972: Vintage original 1972 Andy Warhol "Kodachrome" style Gatefold Cover featuring photogra...

Marc Chagall (1887-1985) - Inspiration Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

E. Kumaril Swamy - Mahishasur Mardini Watercolour on Nepali Paper 22 x 15 Inches, 1945 (Framed & Delivered) E. Kumaril Swamy’s Mahishasur Mardini is a striking synthesis of mythic n...

Among the most well-known West African textiles is kente cloth, woven by the Ewe and Asante peoples of Ghana. The word kente is not used by the Asante people; it may be derived from ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 16" PRODUCTION: The Jungle Book, 1967 FRAMING: Price includes framing SKU: CCV1867 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated feature film. Directed by Wolfgang Reitherman, it was the last film to be produced by Walt Disney, who died during its production. The plot follows Mowgli, a feral child raised in the Indian jungle by wolves, as his friends Bagheera the panther and Baloo the bear try to convince him to leave the jungle before the evil tiger Shere...

Original editorial softcover, binding unglued, excellent conditions inside.Luciano Folgore was an Italian poet. He adhered to Futurism in 1909 after he met Filippo Tommaso Marinetti.

Marc Chagall (1887-1985) - Vision de Paris Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Ex Libris is a Modern Artwork realized in Mid 20th Century. Ex Libris. Lithograph on paper. The work is glued on ivory cardboard Total dimensions: 20x 15 cm. Good conditions. ...

Edition of 115 copies with additional proofs including a suite of 6 original printed in color lithographs by Marie Laurencin, numbered and signed by the artist. One of 90 copies on H...

A fine impressionist cityscape in New York City by American artist William Maynard (1921-2016). Maynard was born in Brookline, Massachusetts, and was a graduate of the school of the ...

This is an Happy New Year Autograph Letter Signed and Dated by Giuseppe Ungaretti (Alessandria of Egypt, 1888- Milan 1970) to the Countess and patron o...

Alexander Calder (after) Paper Ball, 2001 100% silkscreen on silk scarf 33 inches × 35 inches - fully opened (unfolded) Unframed Published by Powerball, with special authorization from the Estate of Alexander Calder In 1949 Calder was commissioned by the New York firm Laverne Originals to create two designs for use as fabric and wallpaper. This design - Paint Ball, a beautiful silk scarf...

Danse Macabre is an original Rare Book illustrated by Frans Masereel (1889 – 1972) in 1941. Original Edition. 950 numbered copies. Published by Lang, ...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche III Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

This superb French Art Deco wooden panel or wall-mounted sculpture features a spectacular Venetian mask and was hand-crafted in the 1930s. The sculpted panel boasts finely detailed c...

CHARLES LEVIER – UNTITLED [BOUQUET SUR TABLE ROUGE] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame ⚜ Provenance Label on Verso A VIBRANT MIDCENTURY FLORAL STILL LIFE...

A large ceramic shoulder vase by Carstens-Tönnieshof from its high-end Atelier Series helmed by designer Gerda Heuckeroth. This form is accented by textured glazes in hues of green, ...

Marc Chagall (1887-1985) - Les Amoureux au soleil rouge Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent ...

Edition of 1700 copies including lithographs by Mathurin Méheut. Lightly damage on cover, perfect internal conditions. Very rare volume on Japon Imperial.

Dipen Bose - Durga Oil on Canvas 36 x 30 inches Signature in the bottom . ( third image shows the signature) (Framed Delivered) In this striking acrylic work, Dipen reimagine...

Marc Chagall (1887-1985) - The Lover's Heaven Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Edition of 131 copies including 66 original b/w and colour lithographs by Giorgio De Chirico, plus repeats on title-page and front wrapper. One of the 88 copies on papier de Chine, w...