Board Abstract Paintings

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Antique American school modernist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 18 by 21 inches overall. In excellent original condition. Handsomely framed in a ...

Original work of the artist RUZ Acrylic on paper. Perfect state VirtualFrame While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection...

Kerry Smith Etta James - At Last Mixed Media on Crescent board Year: 2022 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 924802-1621 *Black frame with a mirror-gloss ...

Surrealist acrylic painting on cut paper mounted on board, featuring two figural hand gestures against a vivid sunset landscape. This original work by Gozo Collective combines classi...

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

A monochrome minimalist portrait in a restrained palette. The white face, resembling a mask, is immersed in music, dissolving into time. Simple yet expressive brushstrokes create a s...

This artwork bursts from my fascination with the dynamic interplay of form and emotion. Each stroke and shape is deliberate, weaving expressionism with pop art flair and geometric pa...

Signed and dated Warren Brandt '58, this dynamic mixed-media composition by American artist Warren Brandt (1918–2002) exemplifies mid-century abstraction with a vibrant use of color,...

acrylic on plastic board MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices d...

Bay Area Abstract Expressionist Composition in Oil Pastel on Cardboard San Francisco Bay area abstract expressionist composition by Ho...

Late 20th century abstract Expressionist oil on board by French artist Emmanuelle Bardet. Signed bottom right and dated 95 and titled "La Corrida" to the reverse along with a dedicat...

“Points of Contact “ third painting in the “Dance with a Fan” series Each work in the polyptych “Points of Contact” reveals moments of unity and interaction through the imagery of ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

A striking abstract landscape painting by ex RAF pilot / artist Robert Sadler The details of the painting are as follows: Robert Sadler (British, 1909 – 2001) ...

Compelling abstracted landscape of Central Park in the autumn, circa 1970. Impasto adds depth and interest. Unsigned. Unframed. Image size: 36"H x 24"W.

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Robert Tosa Mid Century Modern Abstract Portraits c.1952 Outstanding Mid Century Modern Painting. Various abstract portraits of a dancer. Original oil on board housed in a handsom...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

Painting of Sunset in Los Angeles California USA by British Urban Landscape Artist, Angela Wakefield. This painting is on high quality art board, p...

Village. Oil on cardboard, 79.5 x 100.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, S...

​Helen Taylor (Contemporary) The Lost Day Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

Green, yellow, and blue abstract impressionist Western landscape by Texas artist Fred Darge. The painting depicts an arid desert with a huge desert sage bush against a mountainous landscape with overcast clouds. Signed by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

This piece depicts an abstract Chanel Logo with bursts of color and pop art design. Done with beautiful expressive compositions of Comics mixed with spray paint and resin on the Cha...

Peter Joyce was born in Poole, Dorset, and was educated at Bournemouth & Poole College of Art & Design from 1980. He went on to study at Stourbridge College of Technology & Art and q...

The second work of the diptych "Stories Told by the Fan", “Dance With a Fan” series The painting is filled with a unique depth of movement and silence, where each stroke seems to re...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Katherine Bello Title: Yellow Vase Oil on board Year: 2021 Dimensions: 12"x12"x1" Signed by hand Framed in a white floater frame COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy...

Acrylic ink on board Jeremie Faivre is a French artist born in 1977 who lives and works in Paris, France. He is graduated from Massachussetts College of Art Design in Bosto...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

The work took part in the exhibition 2023, "Ukraine residence of FREEDOM," Riga, Latvia The third work of the triptych "Dance with a Fan" (“Dance with a Fan” Series) The work "Dance...

Abstract Expressionism using Red, Orange, Yellow & Gold by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

John McCaw's (US based) "Art Deco Garden" is a beautiful original expressionist mixed media on board painting that depicts poppies and stems growing upwards, resting in front of an a...

Abstract Composition in Pink and Black in Acrylic on Cardboard Dynamic abstract in black and pink by Honora Berg (American, 1897-1985). This piece is composed of multiple layers, with bright, bold colors at the bottom, building to black on top. Pink, magenta, yellow, and orange shine through a net of black. Unsigned, but was acquired with a collection of the artist's work. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Numbered "246" on verso Unframed. Art size: 21.25"H x 14"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Kerry Smith The Doors - L.A. Woman Mixed Media on Crescent board Year: 2021 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1642 *Black frame with a mirror-gloss finis...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This abstract floral encaustic painting by Linda Bigness features a cool green and blue palette, with subtle warm muted orange accents and large organic botanical forms and line work...

​Helen Taylor (Contemporary) Now she knows she remembers Signed with monogram Oil on board 12 x 12 inches Helen Taylor’s practice follows an interest in belonging, connection, and ...

Evocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...

Antique French modernist Paris school cityscape street scene oil painting. Oil on canvas. Framed. Signed. Measuring 27 by 40 inches overall and 26 by 39 painting alone. In excellent...

Vintage modernist abstract musical painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang ...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Artist : Kory Twaddle Title : California Monoprint Materials : Tempera on paper Date : 2008 Dimensions : 36 x 24 x .1 in. Kory Twaddle is a Kansas City based artist and Research A...

Antique American school modernist seascape sunset oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 32 inches overall, and 20 by 24 painting alone.. In excellent origina...

Bold, colorful abstract cityscape of Tel Aviv 15 X 19 inches including mat (needs new mat). painting is 10.5 X 14.5 Provenance: prominent South Florida art...

A striking abstract landscape painting by ex RAF pilot / artist Robert Sadler The details of the painting are as follows: Robert Sadler (British, 1909 – 2001) ...

Janet Keith Winter Garden Original Abstract Landscape Painting Acrylic paint on board Size: H76 cm x W51 cm x D 0.30 cm Sold Unframed Free Shipping 
Please note that in situ images a...

A kiss, a kiss, still another kiss 1 is an original painting realized by the Italian artist Salvatore Travascio in 2000-2003. This is a modular piece, made up of 9 oil paintings on ...

Summer blooming Ukrainian field. Inspired me to create this picture. I really like to paint abstract pictures. I paint them with feelings and energy of the inner body. This pictu...

An original mixed media painting and collage on board by American artist James Koenig. Created in 1970, this work is part of the Draw Near exhibition currently on view at Benjaman G...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Can be as a single independent painting, diptych or 4-pieces art composition. Also, we...

Yaacov Agam Tactile Bleu, 1964 Oil on board with springs and 40 painted metal discs 55.9 x 78.7 x 2.5 cm 22 x 31 x 1 in

This piece is part of an exciting new collection depicting iconic "Chanel N°5" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to capt...

This piece is part of an exciting new collection depicting iconic "Chanel N°5" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to capt...