Clay Abstract Paintings

Description: Blue Landscape is an original one-of-a-kind artwork by Italian artist Marilina Marchica. Executed with pure pigment pastel on canvas, this piece explores the depth of c...

"Subdue" by Alyson Kinkade Abstract Landscape Oil on Linen 10x10" image 12x12" framed in black wood as pictured *Shipping price includes the custom packing necessary for safe transp...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Details: Artist: Marilina Marchica (1984, Italy) Title: Seascape Year: 2025 Medium: Pure pigment and acrylic on canvas Dimensions: 70 × 100 × 1.7 cm (27.6 × 39.4 × 0.7 in) Support: S...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

Limitless Triptych by Alyson Kinkade Each canvas is 20x15", oil on linen on thick stretcher bars. 22x51x1.5" overall dimensions. Framed in black wood - floater frames as pictured "W...

White Landscape oil on canvas 60x81cm 2025 original art Ready to hang certificate of authenticity included Marilina Marchica was born in Agrigento, where she works and lives, Afte...

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

"Under One Sky no.2" by Alyson Kinkade 44x44" oil on linen 45x45" framed, black wood "We're all looking at the same sun, it just has a different setting based on where we stand. pa...

"White Willow Lilies", is a horizontally oriented oil painting on canvas, with a layer of resin poured and hardened, to create a translucent, reflective layer, reminiscent to the sur...

"Under One Sky no.3" by Alyson Kinkade 44x44" oil on linen 45x45" framed, black wood floater "We're all looking at the same sun, it just has a different setting based on where we st...

Maggie Laporte Banks. Close by the Wychbeam Tree. Acrylic, spray paint, collage, raw pigment on canvas. Sold Unframed. H. 60 cm x W. 60 cm x D 2 cm . Insitu images are purely an indi...