Panel Abstract Paintings

Chelleneshin 50 (Abstract painting) Oil on panel — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mysti...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Artist: Donald Gerola, American XXth Title: Abstract Rose Year: circa 1990 Medium: Sand Fresco on Panel, signed verso Size: 36 x 47.5 in. (91.44 x 120.65 cm)

"Wendover 3" by Joseph Ostraff, oil on panel, 36 X 31 inches, $4,800. "For me, paint documents the state of things, how I feel and what is at the forefront in my thinking—maybe it’s like the soup of the day. I do not consider this process to be anything special in itself. The paintings record the daily random and absurd associations I make, which seem interesting to me after the fact. The Domestic paintings are a case in point. My wife and I have six children. Four have left home. Three are married. We are left with two children, both currently in middle school. We have about five years and they too will move out. This is on my mind. I am thinking about the layers of memories and it comes out as layers of paint. Feeling nostalgic, I think about all the noise and activity our home has absorbed. In turn, I found children’s large vinyl decals from Angry Birds...

James Minden 51906 Holographic style painting- incised plastic and acrylic on wood panel 18 x 18 inches 2019 To get a sense of the holographic effect look at the video on that vime...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

"Everything is Right Now" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a paler rainbo...

"Wendover 2" by Joseph Ostraff, oil on panel, 36 X 31 inches, $4,800. "For me, paint documents the state of things, how I feel and what is at the forefront in my thinking—maybe it’s like the soup of the day. I do not consider this process to be anything special in itself. The paintings record the daily random and absurd associations I make, which seem interesting to me after the fact. The Domestic paintings are a case in point. My wife and I have six children. Four have left home. Three are married. We are left with two children, both currently in middle school. We have about five years and they too will move out. This is on my mind. I am thinking about the layers of memories and it comes out as layers of paint. Feeling nostalgic, I think about all the noise and activity our home has absorbed. In turn, I found children’s large vinyl decals from Angry Birds...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

This piece titled "HER" is an original artwork by Jim Houser and is made of acrylic on panel. This piece measures approximately 17”h x 17”w and ships in the pictured manipulated fram...

Fields in Waiting by Annie green [2021] original Mixed media on wood panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3cm Frame Size: H:54 c...

In this abstract oil painting, Dintino chooses slightly unorthodox colors to go together, bright yellows, bright mints, royal blues, reds, purples, practically all of the colors. Th...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Enamel on wood 8" x 10" 2015

In this abstract oil painting, Dintino uses muddy colors to evoke images of garbage, swamps, and junk yards. The dirty green melds into the orange and creates a muddy orange, which then melds into a black, almost as if the colors were being infected. The painting almost reeks with the colors Dintino decided to use, as each one has its own aroma and pungency. Dintino's work has to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion art...

In this abstract oil painting Dintino evokes images of childhood, and adulthood. In a very nostalgic way, Dintino uses the peaches and warm toned colors to help recall images of stu...

Please contact me with zip code for best shipping rates and timely delivery. This is a large, vertical acrylic painting of an imaginary, dream-like surrealist landscape with naturali...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certif...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

"Peconic Bay" is an impressionist painting of water under a sweeping cloudscape. Sail boats glide across the horizon from the right of the composition fra...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Abstract interior, with figures and bison. Oil on panel.

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....

Coastal Mist [2022] original and hand signed by the artist Oil Paint on Cradled Panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Coastal Mist was painted from a recent visit to Anglesey where the mist was lying over the sea, I used this to create a sense of mystery and of otherness that you can sometimes feel when out in the landscape. The colours reflect the moody atmosphere of the weather on a typical Welsh day. This painting is unframed for use on its own or framed in a frame of your choice. Oils on cradled panel. Elaine Fox...

Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Painting is fr...

This is a one of a kind abstract expressionist oil painting on wood panel by San Diego artist, Daniel Ketelhut. Ketelhut is a self-taught painter who...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment, and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State University in 1995 and has completed commissions for clients as diverse as the National Endowment for the Arts, the United States Postal Service...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a black background with thick white paint and then ...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

Last of the light by Rebecca Tucker [2021] original Acrylic on wooden panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:0.5cm Sold Unframe...

"Gravity Zero" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Gravity Zero: 24 x 18 inches Signed on verso Oil on panel Provenance...

Acrylic and Spray paint on canvas Set of 4 originals 20 x 20 inches each 2023 Signed on the reverse (To purchase a canvas individually message us for details)

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

Orange and gray abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a ...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Katheryn Holt (American, born 1951) "Mirage II" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Mirage ...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Sandra Cohen’s “disinheritance” is a 30 x 24 x .25 inch abstract acrylic painting on tempered hardwood, in pink, green, yellow, tan and black. Flowers, biological forms, spinal bones...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

William C. Grauer’s acrylic on panel from the 1960s, about 38.5 by 28.5 inches, is one of those paintings that feels familiar and unsettling at the same time. It shows a building faç...

Moments by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 28 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human p...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds...

Textiles, varnish and metal on wooden panel, Framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in In...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert hues hung by the artist in a vintage decorative...