Stone Abstract Paintings

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

"Caddam's Crater 002" is an arresting study in absence and erosion—a meditation on impact, time, and transformation. At its core lies a dark void, bordered by a crust of hardened, al...

This 30 x 24 inch oil and marble dust painting by Fenway Fan is a radiant example of the artist’s intuitive, energy-based practice. Created in a deep meditative state, this original ...

Brook Soss, "Home II" – Organic Mixed-Media Artwork in Sandstone and Acrylic Discover the understated elegance of "Home II", a sophisticated 20 x 15-inch mixed-media piece by Brook S...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Title: "Malgrat Tot, Subtilesa" means "However, Subtitles" "The constant search for matter with its limitations has led me to work with different elements throughout my career, but ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Winston Roeth paints monochrome or two-toned panels on supports that range from slate, dibond, and honeycomb, to MDF and raw cedar, often combining them to form grids or rows of pane...

Winston Roeth paints monochrome or two-toned panels on supports that range from slate, dibond, and honeycomb, to MDF and raw cedar, often combining them to form grids or rows of pane...