1990s Abstract Paintings

Cecil Touchon (1956-, Austin, Texas) 1-C / PDP164CT95 Abstract Composition Oil, collage on canvas Hand signed and inscribed verso Dimensions: 24 x 22 in. Cecil Touchon (born 1956, ...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

5-3747 Large scale Abstract Expressionist oil painting in multi colors and patterns Signed .Framed

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The work of Sam Gilliam is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, ...

Geoff Rees (1930-2018) Untitled, 1990s Acrylic on canvas. Unstretched. 72 x 86 inches. Description Geoff Rees was a significant figure in West Coast modernist painting, known for h...

Painting sizes is 27x34 in., oil on canvas. Signed lower right. The Pinajian estate certificate is included. About twelve years ago, Professor William Innes Homer (1929-2012), the f...

Two columns of horizontal rectangles in alternating colours of forest green and warm white frame a third, central column of warm white and sapphire blue rectangles in this 7.5 foot tall canvas...

A wonderful large abstract still life oil painting with figures by Brazilian artist Menelaw Sete (aka Sete Menelaw, b. 1964). Menelaw Sete is internationally known as “The Picasso of...

Dual Portrait of Human Connection Russian artist signed and dated 1999 oil on canvas, framed Framed: 28.5 x 36 inches Canvas: 24 x 31.5 inches Provenance: private collection, France ...

Yellow and Grey Abstract Oil Painting By German artist 'P. Finke', 20th Century Signed by the artist and dated '92' verso Oil painting on canvas, framed Framed size: 40 x 32 inches ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card stuck on green card painting: 25.5 x 20.5 inches card: 24 x 19 inches condition: very good provenance:...

Vintage impressionist landscape oil painting. Oil on canvas. Signed in monogram MD. Framed. Measuring 23 by 27 inches overall and 16 by 20 painting alone. In excellent original condi...

Modern blue and yellow abstract expressionist painting by English artist Tony Magar. The work features bold, emotive strokes that continue across both canvases. Signed in the front l...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

'Stretcher Series' by Toi Hoang, 1990. Large Conceptual Oil, SFMoMA, SECA Art Award, CMoCA, Saigon ----- Signed lower right, on stretcher bar, 'T H N' for Toi Hoang (Vietnamese-Amer...

GREG CLARK "LEAVING THE GARDEN" MIXED MEDIA ON COPPER, SIGNED CALIFORNIA, DATED 1992 32 X 48 INCHES GREGORY CLARK IS AN ARTIST FROM SAN DIEGO CALIFO...

Horizontal abstract acrylic painting on canvas in colorful hues of periwinkle blue, red, golden yellow, peach, black and green. 40 x 84 inches unframed This contemporary abstract ...

In this colourful abstract painting by David Sorensen, bright red draws the viewer’s eye. The Canadian artist completed a series of oils after visiting Havana, Cuba in 1999. The Havana series was created using a spatula and paintbrush. The result is highly textured pieces rendered in vivid colours—graphic shapes of lime green, orange, indigo and brown. A grid-like pattern of thick vertical and horizontal lines adds visual drama and contrast. “To me, there is still this celebration worth the paint. And it’s about an open door that the artist used to call muse.” David Sorensen Born in Vancouver Sorensen (1937-2011) studied at UBC and the Vancouver School of Art. His teachers were renowned—Arthur...

Mario Schifano (Khoms, Libya, 1934 – Rome, Italy, 1998) Title: Untitled (perhaps “The House”) Medium: Enamel and acrylic on canvas Year: 1990 Dimensions: 100 x 100 x 4 cm Signed “Sch...

Abstract Conceptual painting. it has a lacquer resin like finish to it. it is reminescent of the pored resin works of Gaetano Pesce. it is not framed. Siren Bliss was born Michael Wh...

'American Action Abstract in Blue' by John Willenbecher, 1997. Paris, Pompidou, Guggenheim, NYMoMa, LACMA, Whitney, Art Institute of Chicago, Fogg Museum, Bo...

Modern, grid, abstract. In the hands of master colourist Milly Ristvedt, the classic grid pattern becomes more than a ‘container’ for colour. Hailed by critics and collectors as one ...

Fabulous abstract expressionist painting in black, grays and white with a tiny red lady bug punctuating the linear field by Duane Albert Armstrong (b. 1998). Done in a high gloss pai...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Cosmic Creation - Abstract Expressionist Composition in Acrylic on Canvas Bold abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Layers of colo...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Self Portrait L-G Robert Goodnough, American (1917–2010) Date: 1994 Acrylic and Oil on Canvas, signed bottom right, signed, dated, and titled verso Size: 30 x 30 in. (76.2 x 76.2 cm)...

This artwork bursts from my fascination with the dynamic interplay of form and emotion. Each stroke and shape is deliberate, weaving expressionism with pop art flair and geometric pa...

Very Interesting and unique late 20th-century Cuban Abstract scene. Signed top left and inscribed on the reverse the piece has a great impact and presents. Influenced by Picasso with the Bull...

Vintage American modernist abstract signed oil painting by Robert Reitzfeld. Oil on canvas. Signed verso.

Abstract Expressionist painting by Southern California artist Chris Hamamoto (American, 20th century). Image, 40"H x 30"W. Unframed. Chris, a native of Southern California, has enjoyed creating artwork since childhood. After trying various media, he decided to specialize in painting on canvas and paper with acrylic paints. He is inspired by the works of Monet, Van Gogh, Sergeant, and Diebenkorn. Chris displays and sells his paintings in art festivals throughout California, Arizona, and Nevada. Education: Los Angeles Valley...

At the forefront of the canvas Stefanelli paints two nude female figures, who obviously know each other closely. It is very likely that they represent ladies who worked at a brothel ...

John Zinsser (American, b. 1961) Iron City, 1997 oil on canvas signed John Zinsser, titled and dated (verso) 72 x 60 inches Done in bright vibrant shades of red. American artist John Zinsser was born in New York City in 1961 and studied art, art history and literature at Yale University (where he did his senior thesis on Andy Warhol). He co-founded Journal of Contemporary Art in 1987 and lectures at The New School. He has had over 40 solo shows in the U.S. and Europe, and is known in Europe for his association with monochrome painters of a previous generation. Zinsser has been a devotee of postwar Abstract Expressionism and Minimalism for decades. A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

For creative people living in the Bay Area, water vistas offer daily inspiration. Abstract artist Keith Race focused here on the steady, choppy surface of waves throwing off spray. W...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

Artist: Matt Carone, signed lower right Dated: 1995 Dimensions: 80.25"H x 56.25"L In a fine wooden black and gold gilded frame. Provenance: Freitas Revilla Gallery. Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone...

Franz Stirnimann (1915-1997) was a Swiss painter whose work spanned much of the 20th century. Known for his unique style, Stirnimann explored themes of nature, everyday life, and abs...

constellation original acrylic paper painting Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. The...

Felix Ferreras - Landscape with window in D - Oil on canvas Oil measurements 73x100 cm. Frameless. Félix Ferreras is a visual artist with numerous national and international awards ...

"Carousel" Abstracted Horses with Texture in Acrylic on Canvas Dynamic composition of horses by Marion J. Denton (American, 20th Century). Two horses are shows in bold colors, with ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Artist: Noh Sang-Kyoon, Korean (1958 - ) Title: The Whole Towards the Hole II Medium: Sequins on Canvas, signed, titled and dated verso Size: 54 x 54 inches Frame Size: 55 x 55 inch...

A large American Abstract Expressionist acyrilic on canvas painting by Pacific Northwest artist Frederick Heidel ( 1915-2000), titled "Wire Performance", Oregon, 1993. This is a larg...

Vintage American modernist cityscape oil painting. Oil on board. Framed. Measuring: 17 by 21 inches overall, and 12 by 16 painting alone. In excellent original condition. Handsomely...

Abstract Geometric Composition in Green, Blue, and White - Acrylic on Canvas Bold abstract composition by Robert William Hinds (American, b. 1926). This composition is divided up in...

Felix Ferreras - Me and my lovers - Oil on canvas Oil measurements 73x100 cm. Frameless. Félix Ferreras is a visual artist with numerous national and international awards and distin...

John Blee Still Life For Marianne, 1996 Signed, titled, dated on verso Acrylic on canvas 18 x 18 inches Provenance Marianne Elrich Manley John Blee has ex...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Passol blue original abstract acrylic canvas painting. framed Artwork by Spanish artist ISIDRO CAHUE. Acrylic on canvas Perfect state The personality of the artist is reflected i...

This captivating British St. Ives School abstract landscape is a striking example of mid-20th-century artistic innovation, seamlessly blending geometric abstraction with the natural ...

Masanobu Wagcon - Abstract Composition, Year: 1997, Medium: Acrylic on linen mounted to wood, signed and dated in pen on verso, Size: 12 x 12.25 in. (30.48 x 31.12 cm)

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...