Early 2000s Abstract Paintings

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Oil on canvas glued on a c-us box Total size with frame 26x33x3 cm

"Chromatic Explosion n. 8" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferran...

This striking original abstract painting signed by Kaulani (probably) is a bold and textured work of contemporary art. Dated 01/05, the painting features a dynamic blend of burgundy,...

This large colourful abstract painting is by Joseph Drapell. Joseph Drapell is considered as one of the most important painters of his generation, an artist who continues to explore new frontiers in painting techniques. In the 1990’s he was a founding member of a group of artists called the New New Painters who exhibited their avant garde work on the international stage. In this intense and provocative painting, a rainbow of bright colours swirls around the canvas. Gradations of orange, purple, pink, lime green, sky blue and white draw the viewer into the center of this abstract piece. The Czech-born artist creates remarkably vibrant compositions using trowels...

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionists. Recognized around the world as the leading art movement after WW II. He showed with Jackson Pollock, Willem de Kooning and Franz Kline. 1921 born in Philadelphia 1934 – 38 Graphic Sketch Club 1938 – 40 Philadelphia Museum School of Art 1940 – 41 Pennsylvania Academy of Fine Art 1942 – 45 WWII War Correspondent-Artist, Yank magazine 1946 – 47 Art Students League, Will Barnett 1947- 48 Hans Hofmann Academy 1960–1979 Instructor at: University of California, Berkeley, CA; Princeton University, Princeton, NJ; New York University, New York, NY; Columbia University, New York, NY; Brooklyn College, New York, NY; Temple University, Rome, Italy 2017 deceased Collections: Ciba-Geigy Collection Chase Manhattan Bank Art Institute of Chicago Corcoran Art Museum, Washington Eugene V. Thaw Collection Max Kozloff Collection Montana Historical Society, Montana New York University Norfolk Art Museum Robert Rosenblum Collection Sarah Lawrence Collection Union Carbide Collection University of California Museum University of Massachusetts University of Montana Walter P. Chrysler Collection Walker Art Center, Minneapolis Whitney Museum, New York Yellowstone Art Center, Montana Exhibitions: Individual 2020 Frankfurt TBD 2018 Galerie Barbara von Stechow, Frankfurt 2008 Suvretta House, St. Moritz, Schweiz Galerie Barbara von Stechow, Frankfurt 2006 Ludwigmuseum im Deutschherrenhaus, Koblenz Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf 2005 Galerie Barbara von Stechow, Frankfurt New York „Abstract Expressionism” Galerie Barbara von Stechow, Dr. Alexander Georgieff & Dr. Peter Sewing bei Georgieff Capital, Frankfurt 2004 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf CherryStoneGallery, Massachusetts 2003 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf Galerie Barbara von Stechow, Frankfurt Kunstverein Augsburg 2002 ART Frankfurt, Galerie Barbara von Stechow, Frankfurt 2001 Galerie Barbara von Stechow, Frankfurt a. M. Art Cologne, Galerie Barbara von Stechow Denise Bibro Fine Art, New York City 2000 Galerie Barbara von Stechow, Frankfurt a. M. Art Frankfurt, Galerie Barbara von Stechow, Frankfurt a. M. Galerie Schröder & Dörr, Bergisch-Gladbach 1999 Galerie Peter Bäumler, Regensburg 1998 Conrad Hinrich Donner Bank, Hamburg 1996 Galerie Hexagon, Aachen Olaf Clasen Gallery, Köln 1995 Olaf Clasen Gallery, Köln Denise Bibro Gallery, New York City 1994 Olaf Clasen Gallery, Köln 1993 Galerie Peter Bäumler, Regensburg Bologna-Landi Gallery, East Hampton, New York 1992 Olaf Clasen Gallery, Köln Benton Gallery, East Hampton, New York 1991 St. Mary’s College, Maryland M 13 Gallery, New York City 1989 Randall Gallery, St. Louis, Mass. RH Love Gallery, Chicago, Illinois Pennsylvania Academy of Fine Arts (Morris Gallery), Pennsylvania 1988 Cyrus Gallery, New York City Benton Gallery, East Hampton, New York 1987 Armstrong Gallery, New York City 1986 Barbara Ingber Gallery, New York City 1984 Barbara Ingber Gallery, New York City 1982 The New School, New York City 1981 Benson Gallery, New York City 1980 Landmark Gallery, New York City 1978 Temple University Abroad, Rom 1977 Andre Zarre, New York City 1974 Bertha Schaefer, New York City 1973 Bertha Schaefer, New York City 1971 Westbeth Galleries, New York City 1965 University of Arkansas, Little Rock 1964 Princeton University, New Jersey 1963 Thibault Gallery, New York City 1962 Hacker Gallery, New York City 1960 Poindexter Gallery, New York City 1958 Poindexter Gallery, New York City 1957 Poindexter Gallery, New York City 1956 Ganymede Gallery, New York City 1954 Artists’ Gallery, New York City 1953 Hendler Gallery, Philadelphia 1952 New Gallery, New York City 1950 Artists’ Gallery, New York City Group Exhibitions: 2018 Titans In the Rough Denise Bibro Gallery, New York, NY 2011 Joe Stefanelli...

Cecilia Biagini Teorema chino del resto, 2009 Vinyl paint on canvas 55 x 55 in (139.7h x 139.7w cm)

Abstract acrylic on canvas composition 'Red Movement' (New York 2003) by Christos Angelakis of Samos, Greece & a contemporary of Brice Marden Art Sz: 21 1/2"H x 49 1/2"W Frame Sz: ...

Vintage American modernist still life oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 14 by 16 inches overall. Handsomely framed ...

Colourful Tribal Aboriginal Inspired Oil on Canvas entitled “The Reacher” in Portrait Format Figure Reaching Toward the Sun Medium: Oil on canvas Attributed Artist: Contemporary in ...

Artist: Dale Chihuly (1941) Title: Basket Series Year: 2001 Medium: Acrylic on Arches Aquarelle Rag paper Size: 42 x 30 inches Inscription: Signed by the artist Notes: Hand painted b...

Abi Kremer (b.1955) Holton Lee Series 1 No.6 2008 Mixed media mono screenprint 38.5 x 26.0 cm Signed Born in London in 1955 and studying first at Harrow (1973-74) then Bournemouth College of Art...

Vintage mixed media painting signed JJ PERL. Mixed media painting on linen strips. Framed. Signed. Measuring 17 by 16 inches overall and 15 3/4 by 14 3/4 painting alone. In excellen...

Bold figurative abstract in black, white, and red by Daniel David Fuentes (American, 1978-2016). From a collection of his works. Signed "Fuentes" and dated "07" bottom right. Unframe...

Signed lower right, 'Charles Seligman' (American, 20th century) and created circa 2000. Texas abstract artist Charles Seligman boldly interweaves pointillist color to create his vib...

Shahla Dadsetan (Iranian, 21st c.) Plongee Dans Ma Pensee 2005 Acrylic painting on canvas Hand signed and dated Dimensions: 32'' x 51'', (81 x 130 cm) Provenance: The Encyclopaedia ...

Splatter painting probably showing Mousehole harbour, Cornwall England. The little rowing boats lay waiting for the incoming tide to refloat them and reunite them with their larger v...

This striking original abstract painting, signed by Kaulani (probably) is a bold and textured work of contemporary art. Dated 01/05, the painting features a dynamic blend of green, g...

Vintage American modernist seascape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 14 by 17 inches overall. Handsomely framed in...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Laying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...

Artiste : Ethan Bang bang Dessin aux Poscas sur plaque métallique «Michelin » neuve donc contemporaine (reproduction de collection) Dans la collection PUMP POP ART habitée par les...

JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...

George Dannatt (1915-2009) Untitled, 2009 Image: 40.0 x 28.0 cm Frame: 44.0 x 32.5 cm George Dannatt Trust Estate stamped George Dannatt’s long career as a painter and sculptor ende...

A figurative abstract oil on canvas by contemporary artist Krisjanis Kaktins-Gorsline. "Dustr" is executed in deep pastel blues, rust, yellow, brown, peach and black and depicts an a...

Miniature Abstract Landscape Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measure...

About "Between Impermanence and Endurance": The fragile translucent bubble of impermanence is juxtaposed against the solidity of the ground interwoven with the air of the sky. Oil on...

Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

A Senegalese four panel mixed media abstract painting by Bara Ndaw. Signed bottom right. Full certificate of authenticity with date and description signed by the artist to the back o...

The Shambles in York City England Medieval Street - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & energetic artwork is from an intense ...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Abstract Blue Orange & Red Lake Sunset Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 30 inches Frame measures 41 x 35 inches This painting is a ra...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Geometric passages in painterly red-orange frame a central green field in this bold abstract painting by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver, Sorensen studied at UBC and the Vancouver School of Art under Arthur...

"QUEEN VICTORIA" is created and from acrylic and found objects on round MDF panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure, p...

Modernist Geometric Abstract in Pastel Colors, in Acrylic on Canvas This geometric abstraction uses interlocking planes of color to create a sense of rhythm and movement across the ...

Geoff Rees (1930–2018) A Modernist Voice of the West Coast Geoff Rees was a defining figure in Western Canadian abstraction, known for paintings that balance radiant colour, medita...

XI:MMIX is a large 81.75 x 72-inch abstract painting on canvas, painted with pastel colors that the artist creates himself. The primary colors are cerulean blue, black, and ochre. Th...

“Yellow Series #5” is an original abstract painting on paper by Denver-based artist Wilma Fiori, created in 2006. This striking composition explores color, rhythm, and spatial balanc...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

First explored in the early 1990s, the spin technique has become one of Hirst’s most sought-after and instantly recognizable styles, reflecting his interest in process, color, and th...

To Turn My Face Away - Atmospheric Monochromatic Black & White Abstract Landscape Painting. Mark Thompson is a seasoned professional painter with international...

Santa Barbara California Blue Yellow Green Modern Abstract Landscape Painting Art measures 30 x 22 inches Margaret Francis received her Degree in Fine Art from Winchester Art...

First explored in the early 1990s, the spin technique has become one of Hirst’s most sought-after and instantly recognizable styles, reflecting his interest in process, color, and th...

Artist: Deyan Valkov Title: Untitled Year: 2002 (based on the signature) Technique: Mixed media on canvas (oil and material) Dimensions: 25.6 x 21.3 inches Condition: Unframed This ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

The painting "Golden Chrysanthemums" belongs to the decorative series. It is slightly abstract with lots of additional graphic elements. This picture clearly shows the influence of t...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

George Dannatt (1915-2009) Nocturne in Black 1995 Monoprint & gouache Fabriano paper Image: 17.6 x 12cm Frame: 37.1 x 30.7 cm Provenance: The Estate of George & Ann Dannatt/George...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Splatter painting probably showing Mousehole harbour, Cornwall England. A small rowing boat lays stranded on the low tide just awaiting high tide. The splatter painting lifts this pi...

Colourful Painting of Abstract Flowers on a White Background by Contemporary British Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Art m...

This piece is an abstract portrait composition of a woman's profile face done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with c...

Artist: Dale Chihuly (1941) Title: Jade Forest, Ikebana Series Year: 2007 Medium: Acrylic on Arches Aquarelle Rag paper Size: 42 x 30 inches Inscription: Signed by the artist Notes: ...