Mid-20th Century Abstract Paintings

NATURE DWELLINGS Size: 42.5 x 68 cm (including frame) Oil on Canvas A brilliantly executed semi-abstract composition, painted in oil onto canvas and dated 1967. In this abstract nature landscape...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenance: all the paintings we have fo...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

5-3185 Oil on artist board set in a thin wood frame

A small, vibrant 1950s Mid-Century Modern mountain landscape painting depicting Aspen, Colorado by famed Chicago artist Harold Haydon. Titled "Western Vi...

Morris Lazar, (Maurice Lazar) Bulgarian Israeli Painter and Sculptor. b. 1927, Bulgaria. Immigrated to British mandate Palestine in 1946. Hand signed in Hebrew Studies: Painting with Zaritzky, Yohana Simon; sculpture with Sternschuss; Art Teachers' College, Ramat Hasharon; Hands and Crafts Seminar. Teaching: Supervisor of the Art Department of the Popular University. Art Teachers' College, Ramat Hasharon Hands and Crafts Seminar This has the feel of the Israeli artists of that period, Jean David, Kopel Gurwin etc. Group Exhibition in Tel Aviv Museum with Art in Israel Tel Aviv Art Museum, Tel Aviv 1951 Artists: Avnieli, Bak, Berger, Genia Gurewitsch, Anatol Weil, Shraga Janco, Marcel Katz, Shmuel Levanon, Lazar, Morris Kook, Reisman, Shemi, Menahem Shafir, Ilana Schatz, Angelika Tadmor, Zvi Tamari, Amiram Allweil, Arieh Aldouby, Zvi Eloul, Kosso Palombo, David Shemi, Avni Krize, Yehiel. Solo Exhibition Chemerinsky Art Gallery, Tel Aviv Art Festival Painting Sculpture in Israel 1969, Ganei Hataarucha, Tel Aviv Artists: Aharon Avni, Pinchas Abramovich, Gad Ullman...

Tablescape (Mid-Century Modern Abstract and Cubist Style Oil Painting on canvas) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life p...

Roy Newell Untitled, 1953 Signed and dated Roy Newell-1953 Oil on board 3 1/4 x 7 1/4 inches Provenance The Collection of Dr. and Mrs. Maximilian Le Witter Estate of the above Roy...

Title: Moonlight Signed Date: 1963 Leonardo Nierman Mendelejis (Mexico City, November 1, 1932 – June 7, 2023) was a Mexican artist known primarily for his painting and sculpture....

Provence Landscape by Paul-Louis Bolot (French 1918-2003) signed & dated 66'' oil on canvas in wooden frame framed: 22.5 x 19 inches canvas: 22 x 18 inches original oil painting con...

Title: Still Life with Garlic Strawberries and Blue Vase French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 24 x 19.5 inches (height x w...

This superb British 1950's abstract oil on board painting is by noted Slade School trained contemporary artist Leo Davy. Davy was born in Yorkshire but settled in Cornwall in 1968 an...

Tristan Fabris 1950's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 55' inscribed verso framed: 25 x 33 inches canvas: 23 x 32...

Antique American modernist abstract painting. Oil on canvas, circa 1940. Housed in a vintage frame. Image size, 18L x 24H.

Nude Abstract by Therese Hummel (French, 1911-1999) oil on canvas, unframed canvas : 10.75 x 14 inches Provenance: private collection of this artists work, Paris Condition: sound and...

Rays of Light French abstract artist, signed and dated 78 painting on board, unframed board: 8.25 x 20.5 inches Provenance: private collection, France Condition: a few surface marki...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

Title: Still Life with Red Drapery Fruit and Blue Background French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 22.5 x 15.75 inches (hei...

If you are looking for a powerful mid century modernist abstract with meaning, this could fit the bill. The oil on board is signed John M. Good and dated on a back board 1961. It is...

“Untitled” is a vibrant, abstract oil on canvas painting in bold, bright colors by American Abstract Expressionist painter, Ray Parker. The artwork is signed upper right, "Parker 54"...

Oil on canvas. Signed

Edward Zutrau Kamakura, 4/19/1963 Signed, tiled and dated on verso Oil on linen 38 1/2 x 51 inches Edward Zutrau is among the American artists who worked within the whirlwind of di...

A Wonderful Mid-Century Boxing Scene of a Standing Prize Fighter by Noted Chicago Artist, Rudolph T. Pen. This energetic sporting scene, painted in the 1960s, exemplifies the abstra...

This superb British 1950's abstract oil on board painting is by noted Slade School trained contemporary artist Leo Davy. Davy was born in Yorkshire but settled in Cornwall in 1968 an...

"Abstract Composition" by Armand Rottenberg (French 1903-2000) oil painting on board, unframed board: 29 x 21 inches Stunning original Cubist painting by the French abstract artis...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

Wonderful early American modernist sunset seascape painting. Oil on canvas. Framed. No signature found. Measuring 22 by 24 overall and image size, 20 by 18 inches.

Richard Andres (American, 1927–2013) S. F. L., 1955 oil on canvas signed lower right, signed and titled verso 42 x 70 inches Richard Andres was born in Buffalo, New York in 1927. A ...

This is an interesting abstract work done with handmade Japanese Kozo or Washi type fiber paper mounted on board. Hand signed and dated in wonderful muted earth tones of fall foliage. Taro Yamamoto (1919 – 1994) belonged to the New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline and others became a leading art movement of the post World War II era. He was also associated with Action painting Yamamoto was born in Hollywood, California. He lived in Japan from age six to age nineteen. In 1936 he returned to the USA and began studies in cubism at Los Angeles City College. In 1941 he joined the U.S. Army and served during WWII. After being discharged from the service he returned to California where he studied at the Santa Monica City College. 1950-1952 at The Art Students League of New York, under Yasuo Kuniyoshi, Morris Kantor, Reginald Marsh, Byron Browne and Vaclav Vytlacil; 1951-1953 at the Hans Hofmann School of Fine Arts in New York City. In 1952 he won a John Sloan Fellowship from the Art Students League. The next year he traveled to Europe under a Edward G. MacDowell Traveling Fellowship where he studies in Stuttgart, Germany with Willi Baumeister. He also exhibited at Galerie Huit in Paris. In 1954 Yamamoto was invited to a residency at the MacDowell Colony in Peterborough, New Hampshire. There he worked alongside Stuart Davis, Milton Avery, Willem de Kooning, Jackson Pollock and Mark Rothko developing his unique abstract expressionist style. Later in his life he devoted himself to a more hard-edge geometric style of painting. He married Gwyneth Cotton, a naturalized English woman, in 1955, and they lived in Wellfleet, Massachusetts. They were active at the Universalist Church of Provincetown. (He descended from a long line of Shinto priests) Yamamoto died in Provincetown in 1994. Selected Solo Exhibitions 1953: Galerie Huit, Paris; 1955: The Art Students League of New York, NYC; 1960-1962: Krasner Gallery, NYC; 1963-1964: 371 Gallery, Provincetown, MA; Selected Group Exhibitions 1951: Pennsylvania Academy of Fine Arts; 1952: NY Contemporary Gallery, NYC; 1952, 1955, 1956, 1962: Provincetown Art...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Waterline Fine Art, Austin, TX is pleased to present the following work: Edward Zutrau Untitled, 1960 Oil on canvas Signed verso 51.5 x 38.25 in. 53.25 x 40 in. (framed) Custom fr...

Nicely executed early 1900s American impressionist coastal seacape painting. Oil on canvas. In excellent original condition. Handsomely framed in a period giltwood molding. Excel...

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Stephen Pace Untitled, 58-26, 1958 Signed and dated lower left Oil on canvas 56 x 40 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operate...

Composition by ANDRÉ LANSKOY (1902-1976) Oil on canvas 81 x 54 cm (31 ⅞ x 21 ¼ inches) Signed lower right, LANSKOY This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy. Artist biography: André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...

This painting is a great example of David Adickes' early work that embodies the abstract geometric style. Most likely originally sold at DuBose Gallery in Houston, Texas. Circa 1960s...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9.5 x 9.5 inches condition: excellent provenance: all the paintings we hav...

Ron Gorchov Untitled early 1960s Abstract Expressionist work, 1962 Ink and watercolor painting on paper Signed and dated in black ink lower left recto Frame included: elegantly floa...

Mexican Modernist Oil Painting - Double Sided Abstract Figures and Buildings Dynamic abstract pieces by Ernesto Butterlin, aka Linares, (Mexican, German b. 1917 d. 1964.) The front ...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 3, 1967 Acrylic on paper Signed and dated lower right 13 x 9 inches 21 x 17 inches A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Nicely painted large geometric abstract painting. Oil on canvas. Framed. Image size, 48 by 36 inches.

Antique American abstract landscape painting. Watercolor on paper. Framed.

"Abstract Composition" by Armand Rottenberg (French 1903-2000) oil painting on card, unframed painting: 19.5 x 13 inches Superb original painting by the French abstract artist (...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

Joseph Kardonne (1911-1985). Nude Woman, 1946, 9.25 x 12.5 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in N...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

5-3422 Black and white acrylic on paper Displayed in black wood frame under glass Image size 8x11.5" French artist Signed Jacques Simons

View of a Port "59" French Modernist School Oil on canvas Illegibly signed. l.r., dated "59" 28 3/4 x 23 3/4 (30 x 25 frame) inches A positively brilliant, Modernist view of a French port...

George Dannatt (1915-2009) Havannah Purple 1966 Gouache on paper Image: 17.2 x 23.5 cm Frame: 31.1 x 37.1 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Tru...

Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Image size, 36H by 28L.

Mid-century oil on canvas of a summer scene on the Côte d'Azur. The work is signed but the artist unknown. This artwork is a vibrant and eclectic composition that captures the essen...

Modernist landscape oil painting by Suzanne Schweig Langsdorf Martyl (1917/18 - 2013). Oil on board. Signed. Framed. Measuring 28 by 32 inches overall and 20 by 24 painting alone.

Antique American modernist abstract minimalist oil painting. Oil on canvas. Framed. Signed verso.

This unique black wooden assemblage from 1951 is a captivating example of mid-century post-war abstract relief art. Signed with an illegible signature, the piece carries a mysterious...

Warm-toned abstract illustrations of a study of crickets by German artist, Fred Darge. This painting depicts three varieties of crickets. Signed (monogram) by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting under the W.P.A. Artists policy and attending the Art Institute of Chicago (1925-27, 1929) and at the Arts Students League in New York. While in Chicago, Darge painted, made model sail boats...

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.