Abstract Geometric Abstract Paintings

"Blueberry Pill" is part of Dopamine Mosaic, a series of 30 tondos created by Melisa Taylor Metzger in the winter of 2024. This layered piece blends pyrography, airbrushing, and grid...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates paintings that are comprised of both abstract and representational elements, and consider the natural world as it intersects with utilitarian design. 'Landscape No. 2' — 3x6 feet (36 x 72 inches), — depicts a bird's-eye-view of the Delta as viewed by the artist during his frequent flights over California's Sacramento–San Joaquin River...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewer, reminding us of works by other pioneer abstractionists, such as Piet Mondrian and Wassily Kandinsky. Steele's puzzle-like, discontinuous sections draw you across and into the work. This masterful original artwork comes with a minimalist frame and would make a great addition to an art collection, enhancing most any home, and perfect for those who have an affinity for abstracts, contemporary paintings, and color-rich works of art. Artist: JULIETTE STEELE (1909-1980) Title: UNTITLED GEOMETRIC ABSTRACTION Medium & Surface: ORIGINAL OIL ON MASONITE (framed) Signed: HAND SIGNED AND DATED BY ARTIST ON VERSO Year Created: CIRCA 1950 Country of Creation: UNITED STATES Image Area Dimensions: 22 x 28 INCHES Frame Dimensions:* 23 x 29 x 1.875 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY JULIETTE STEELE IN GREAT CONDITION CONSISTENT WITH AGE. THIS IS AN EXCEPTIONAL EXAMPLE OF THE ARTIST'S STYLE AND TECHNIQUE. THE FRAME IS A MINIMALIST WOOD FRAME WITH VERY MINOR SIGNS OF WEAR CONSISTENT WITH AGE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Juliette Steele, an American artist, was an accomplished printmaker, painter and teacher. Steele was part of the Geometric Abstraction and Abstract Expressionism movements. Her peers included Jackson Pollock, Mark Rothko, Hans Hofmann, Willem de Kooning, Franz Kline, and Clyfford Still. Steele was born in 1909 in Union City, New Jersey. In the late 1920s, she moved to New York to study art and fashion design at the Traphagen School of Design. A decade later, she moved to San Francisco with husband Edward Steele, and earned a Bachelor of Art degree from San Francisco State College. In the 1940s, Steele found inspiration from the new city, and produced a series of lithographs depicting San Francisco landmarks. At the same time, she earned a Master of Fine Arts from Stanford University, and continued her studies at the California School of Fine Arts in San Francisco. Here, she studied with Ray Bertrand and Clay Spohn...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Eco y Reflejo, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 100x120cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Nayarit...

Robert Petrick's "Misty Morning" is a compelling abstract oil painting that masterfully captures the essence of a tranquil and elusive early morning atmosphere through geometric prec...

Painting description: Combining “isms” is what I’m attempting here. Inventive, Dramatic and unique. Robert W. Petrick CarnationsAbex Abex/Impressionism Series Oil on canvas Size (st...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed on ...

Masaaki Yamada (1929-2010) Work C.87 Executed in 1961 Oil on canvas 65.2 x 45.6 cm. (25 5/8 x 17 6/8 in.) Signed, dated and artist’s seal in Japanese (on the reverse)

Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: approx. 42.13 × 42.13 in (107 × 107 cm) Frame options: natural wood or black Year: 2025 – Signed front Certificate of authenti...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 36 x 29 inches condition: the work is in overall very sound and good con...

Kaleidoskope, 2011 Geometric Abstract Oil Painting Artist signed on reverse, oil on canvas JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art cl...

Contemporary Abstract Architectural painting in black and yellow "Ospedale II" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24 inches oil, enamel and pap...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

GEO, Original Framed Contemporary Blue and White Abstract Painting, 2022 10" x 11" Acrylic on Paper 12" x 12" x 1.5" (HxWxD) Framed and matted with a plexiglass front. Hand-signed by the artist. A modern and minimalist blue and white painting by artist KR Moehr...

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

Hawaii, tropical flowers, Plumbago, blue flower painting, floral art, garden still life, plein air, American art Painted from life in Hawaii, this work shows a bouquet of delicate b...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

A great, great painting that will enliven any room. Squares exemplify Yrisarry’s affinity for geometric abstraction and precise, flat color planes. The use of acrylic on canvas allow...

Post Dogmatist Painting on Panel, signed verso Art is 8 x 8 with frame approximately 9.5 x 9.5 ready to hang Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid colors in the foreground with subtle background tones, painted on a variety of shapes, mimicking the effect of pieces of marble or granite on a flat surface. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Blue and Pink Terrazzo...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Contemporary Abstract Painting of grid in pastel blue, grey, white, green and pink "When the World is a Monster" painted by Hudson Valley, NY based painter, Anthony Finta, in 2020 40...

Artist : Susan Kiefer Title : Castor & Pollux Adrift on the Wine Dark Sea Materials : oil on canvas Date : March 2020 Dimensions : 40" x 30" x 1.5" Description : Hard-edged geometri...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Robert Petrick's "Hello Sunshine" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

"Making Lemonade" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in ...

Monochrome abstract conceptual artwork uses the principle of color field painting. 30x30x1,7cm, Ready to hang and signed on the backside. Shipping worldwide in a safe package with ...

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Robert Glick (American, born 1950) "Day at the Coast" 2023 Acrylic Paint, Canvas, Stretcher Bars The artist signed the middle left of the painting. "Day ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Robert Petrick's "The Plan" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, brown, tan, and black set against a light background. Curr...

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

Inspired by Taoist teachings and meditations, 'Persian Rose' feels alive with its concentration on a single, pure color. Matuszewski creates meditative and harmonious color field pai...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signed card and some monogrammed pieces. Signed and inscribed by artist. Showed at New York's Stable Gallery...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

This vibrant and dynamic original abstract oil painting by Paul Kauvar Smith (1893–1977) showcases the artist’s bold use of color and modernist technique. Executed in oil on board, t...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Artist : Susan Kiefer Title : Thus Spake Zarathustra Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 1.5 Description : Intersection of a circle and square in bl...

“Bitch - A Love Letter to Rage”, is a fierce, original mixed-media painting that transforms a historically derogatory word into a declaration of strength, survival, and reclamation. ...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...