Surrealist Abstract Paintings

Title: Embrace Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Abstract Composition is original lithograph realized in 1981 by an unknown artist, mounted on a blue cardboard Passepartout, with the title on the lower left. Hand-signed on the lowe...

Nahum Tschacbasov Lovers and Others (Two Unique Works), 1978-1979 Gouache on Two-sided Paper (Two Signed Works) Hand signed twice: once on each side 11 × 15 inches (each side) A rare...

Something of a departure for Berlin, this highly figurative painting use motifs from ancient central American cultures to create a piece that writhes and turns on the canvas. Beautif...

Title: Path In My Dream Medium: Oil on canvas Size: 23.5 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 201...

Title: The Word In My Mind No.26 Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Ye...

Title: Rootless Tree 3 Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2016 Artist: Zhan Yang...

Title: Separate Medium: Oil on canvas Size: 11.5 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Red, pink, blue, and brown abstract surrealist painting by Soviet-American artist Vladimir Ryklin. The painting depicts what appears to be a rehabilitating village after a chaotic ti...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Marek Letkiewicz’s Beach Houses II transports viewers to a sur...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Marek Letkiewicz’s Homm...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Marek Letkiewicz’s Homa...

Autumn is an original tempera painting on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Hand-Signed on the lower right margin In very good condition. Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990). Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

Title: Long Love Medium: Oil on canvas Size: 18.5 x 18.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Luces original surrealist acrylic painting. GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksell...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Geandy Pavon, Cuban (1974 - ) - Caceria, Year: 2000, Medium: Oil and Tempera on canvas, signed, titled and dated in ink on verso, Size: 42 x 60 in. (106.68 x 152.4 cm)

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

La obra va firmada en la parte inferior y fechada del año 1981 Se presenta enmarcada (leves signos de uso en la enmarcación) Medidas de la obra: 92 x 73 cm. Medidas del marco: 103...

Mohamad Khayata’s original figurative artworks are the result of five years of displacement and deal with themes of migration, memory, and identity. Mohamad’s paintings convey an array of emotions, ranging from bliss and comfort to tension and uncertainty. Many of his paintings portray a sense of transience, which is all the more palpable when considering that Khayata's intimate work is a tribute to displaced people and to their daily life stories that, far from familiar surroundings, are filled with effort and hope. Khayata created this original painting with acrylic on canvas. It is 31 inches tall by 23 inches wide. It is signed by the artist on the back of the canvas. This painting is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included with this original work. Born in Damascus, Syria, artist Mohamad Khayata was forced to flee his home country due to ongoing political conflict. Khayata has been living in Beirut, Lebanon since 2012. His work is a resounding call for transformation and unity within his home country. His photography project "Stitching my Syria back" was chosen to be part of Journeys Festival International 2016 as a landmark for the “Look up” project in Leicester, where his photographs were installed on ten buildings. In the last five years, Khayata also participated in ten collective exhibitions across Europe and the Middle East. Holding his BA in Fine Arts obtained at Damascus University, Khayata is a bastion of Syrian legacy, memory, home, and happiness. REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2020-23 Artplex Gallery, Los Angeles 2019 “Nota Bene,” Artplex Gallery Los Angeles, California 2018 “Takhalli,” 4th edition of the Laboratory of Arts Programme, partnership with The Goethe Institute, City of Beirut, Lebanon Beirut Art Fair, 392RMEIL393 Gallery, Beirut, Lebanon “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon “Aegean Sea,” 392RMEIL393 Gallery, Beirut, Lebanon 2017 “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon Beirut Art Fair, Beirut, Lebanon Sharjah Art Bienalle, SAFIR “Stitching My Syria Back Together,” The Alexandria Library, Manchester, UK 2016 “Revealing,” Beirut Art Fair, Gallery One Palestine, Beirut, Lebanon Journeys Festival International 2016 TA’AROF workshop, Sharjah Art Bienalle, SAFIR “Look Up,” Project in Leicester Inside Beirut, The Gallerist, Beirut, Lebanon “The Third Space,” British Council in London and Brussels, UK 2015 “Walking on Thread...

These exceptional original drawings, painted with colored pencil on translucent tracing paper, were designed by a French artist, circa the 1960s. The two rare paintings feature a geo...

Myriam Bat-Yosef Surrealist abstract lithograph with embossing Hand signed and dated 1973. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli Icelandic French artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn...

The reproduction in oil of Marc Chagall's "Night in Vence" by unknown artist. In 1949, Chagall bought a house in Vence close to the Matisse chapel. At the time, the French Riviera w...

Geometric surrealist composition depicting a totem-like form, composed of colorful surrealist three dimensional interlocking shapes, by Clayton Anderson (American, b. 1943). Signed "Clayton Anderson" and titled "Landscape #10 (Fragment Under Grey Sky)" on verso. Signature embossed into lower left edge of paper. Presented in a custom deep box frame with plexiglass. Image size: 20.75"H x 16"W Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

These exceptional original project drawings, painted with colored pencil on translucent tracing paper, are by a French artist, circa the 1960s. The two paintings feature a geometric ...

Rob Katkowski’s original oil painting, The Far Side of a Little Island, is a mesmerizing exploration of solitude, mystery, and architectural intrigue. Measuring 14 inches tall by 12 ...

YURI MARTINEZ RAMOS "SYMPHONY IN D-MINOR" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2005 40 X 30 INCHES Symphony in D Minor is the "music" Cuban people have to perform every day to survive a decadent system that has pushed people to the limit. A prostitute looking for living on the street, a musician playing for no tourist, a rounded stage that depicts the enclosing system from where you cannot escape, vigilant red birds are the government-symbol watching everywhere, controlling your miserable life. -D- minor instead of a chord is Destruction, Deplorable. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

J. James Akston Surrealism, Village scene (Mexico) Acrylic on Board Frame: 15 X 18 Image: 9 X 12 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

These exceptional original project drawings, painted with colored pencil on translucent tracing paper, are by a French artist, circa the 1960s. The two paintings feature a geometric ...

This exceptional original project drawing, painted with colored pencil on translucent tracing paper, is by a French artist, circa the 1960s. The original painting features a geometri...

Surreal figurative abstract depicting a half man, half tree figure on a pedestal in a dream-like, abstracted white and blue space by Bay Area artist Michael Pauker (American, b. 1957...

Wonderful abstracted surreal figure of a spirit by Michael Eggleston (American, 20th Century). This piece is bold and lively, with bright colors and rich blacks. This horned spirit i...

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

Woman with Flower and Bird Al Amatulli American (1935) Date: circa 1972 Oil on Canvas, signed verso Size: 44 in. x 33 in. (111.76 cm x 83.82 cm)

Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame. Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

Cells is a beauty painting by the Italian artists Frida & Raul in 2020. It is realized by mixed technique pixel with acrylic, iron. The further we g...

Magic Circles is a beautiful acrylic painting realized by the Italian artists Frida & Raul in 2022. Hand-signed.

A rare visionary sand painting by Kiowa Peyote Priest, Chief Charging Skunk, housed in a hand carved and painted frame, created by the artist. Works by Chief Charging Skunk are hard...

From 1952 until 1963 Forster resided in Mexico, a popular destination for Canadian artists. In Mexico City Forster became fully engaged in the art scene, becoming friendly with the great Mexican artists Diego Rivera and Rufino Tamayo who influenced Forster’s works. Forster placed special emphasis on the supremacy of color in works such as Mexico-Curandero. The floating or dancing forms in this picture bear a close resemblance to Tamayo’s works especially through the enveloping, deep, full, and impressive array of colors. This is a marvelous work with a rich palette and a suggestiveness of a human form. It is not signed which is not unusual for the artist and it is a recorded work #FOR558A - from the Michael Forster...

Magic Circles is a beautiful acrylic painting realized by the Italian artists Frida & Raul in 2022. Hand-signed. Perfect conditions.

Oil on canvas depicting an abstract subject by Tristan Fabris. He is a painter from italy where he was born in 1927. He moved early to France and there he attended the Ecole des Beaux Arts in Lyon. His work is influenced by the cubism and surrealism. He worked with Le Corbusier and his activity was mostly making decors for theatres. He died 1989...

Fiery Phoenix and Mountains French Surrealist, late 20th century signed lower corner oil on canvas, unframed canvas: 30 x 24 inches Provenance: Private collection, France Condition: ...

YURI MARTINEZ RAMOS "REGGAETON ON 47TH STREET" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2008 48 X 36 INCHES "Reggaeton on 47th Street" is a homage to the Dominican wo...

Oil on canvas. Image size, 24H x 30L. Signed verso.

Mohamad Khayata’s original figurative artworks are the result of five years of displacement and deal with themes of migration, memory, and identity. Mohamad’s paintings exhibit an array of emotions, ranging from bliss and comfort to tension and uncertainty. Many of his artworks portray a sense of transience, which is all the more palpable when considering that Khayata's intimate work is a tribute to displaced people and to their daily life stories that, far from familiar surroundings, are filled with effort and hope. Khayata created this original painting with acrylic paint on canvas. It measures 46 inches high by 39 inches wide. This artwork was created in the artist's new studio after his previous studio was destroyed in the 2020 blast in Beirut. It is signed by the artist on the back of the canvas. This painting is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included with this original work. This artwork is part of a new series of imagery by the artist, in which Khayata's illustrative paintings are strategically placed to mingle with people and the environment. These paintings amass a memorial narrative; connecting the artist and the viewer to the rich cultural heritage of Syria and the larger narrative of what it means to be home. Born in Damascus, Syria, artist Mohamad Khayata was forced to flee his home country due to ongoing political conflict. Khayata has been living in Beirut, Lebanon since 2012. His work is a resounding call for transformation and unity within his home country. His photography project "Stitching my Syria back" was chosen to be part of Journeys Festival International 2016 as a landmark for the “Look up” project in Leicester, where his photographs were installed on ten buildings. During this public exhibition coordinated with the Royal Institute of British Architects, his photographs were installed on ten buildings, fostering a deeper connection between art and the public, highlighting empowerment and enriching a younger generation’s aspirations for the future. In the last few years, Khayata has participated in an increasing number of collective exhibitions across Europe and the Middle East, where his distinctive style and original approach have captivated audiences, leading to sold-out exhibitions each time, cementing his status as a sought-after artist in the global art scene. Holding his BA in Fine Arts obtained at Damascus University, Khayata is a bastion of Syrian legacy, memory, home, and happiness. REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2020-23 Artplex Gallery, Los Angeles 2019 “Nota Bene,” Artplex Gallery Los Angeles, California 2018 “Takhalli,” 4th edition of the Laboratory of Arts Programme, partnership with The Goethe Institute, City of Beirut, Lebanon Beirut Art Fair, 392RMEIL393 Gallery, Beirut, Lebanon “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon “Aegean Sea,” 392RMEIL393 Gallery, Beirut, Lebanon 2017 “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon Beirut Art Fair, Beirut, Lebanon Sharjah Art Bienalle, SAFIR “Stitching My Syria Back Together,” The Alexandria Library, Manchester, UK 2016 “Revealing,” Beirut Art Fair, Gallery One Palestine, Beirut, Lebanon Journeys Festival International 2016 TA’AROF workshop, Sharjah Art Bienalle, SAFIR “Look Up,” Project in Leicester Inside Beirut, The Gallerist, Beirut, Lebanon “The Third Space,” British Council in London and Brussels, UK 2015 “Walking on Thread...

Israel Gonzalez Rivero Titled in Spanish, Huellas, in English Threads Mixed media on canvas, purchased from the artist in the 1990s. 54.75 x 27.5 Inches A painter, sculptor and designers. Cuba's national writers and artists union members Barcelona, member of Spain ACEA international association In 2005, member of Canada Montreal Artotheque Member of "The south" project organizing committee Model art representative Member of Cuba-Mexico "Yeti" project Born in 1964 in Cuba Manzanillo Art education: 1992-education certificate for art 1983-graduated from "Jose j. Tejada" college, Santiago, Cuba 1979-graduated from "Carlos Enriquez...

Contact me with zip code for best shipping rates and timely delivery. This is a large, vertical acrylic painting of an imaginary, dream-like landscape with naturalistic flowers and a...

actual image measures 11.25x7.5, titled Composition V on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille a...

Artist: Richard R. Benda (1934 - ) Title: Satyricon - Triptych Year: circa 1970 Medium: Acrylic on Board, signed l.r. Frame Size: 40 in. x 63 in. (101.6 cm x 160.02 cm)

Large still life painting of a mannequin placed in front of a window. The canvas is signed, titled, and dated by the artist on the back and the bottom corner. The work is framed in a...

Surrealist Portrait French, mid 20th century signed oil on board, framed Framed: 14 x 16 inches Board : 9 x 11 inches Provenance: private collection Condition: the board has a convex...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...

Myriam Bat-Yosef Surrealist abstract oil painting in colorful abstract patterned rectangles and shades Hand signed and dated 1984. Miniature design letter also signed. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol...

David Cheifetz's "Phantom Assembly" is an original, handmade oil painting that depicts an old fashioned coffee pitcher resting on a counter with a vase filled with yellow flowers, an...

J. James Akston Surrealism, Bird with Fish, marine scene Acrylic on Board Frame: 9.75 X 8 Image: 4.5 X 3.25 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

A series of experimental paintings. I like to look for new horizons in art, colors, shapes, objects. Fine paintings for the interior. The paintings are painted on cardboard glued ont...