Modern Art Abstract Paintings

Rosa Roig-Fiol b. 1991 Our Favourite Swimming Spot, 2024 acrylic and plaster on canvas 61 x 51 cm 24 x 20 1/8 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British a...

This is a diptych of Coast and Dilly Dallying original paintings. This diptych is unframed. COAST is an original abstract painting by Janet Keith. Coast is an expressive, gestural pa...

Abstract painting inspired by twilight colours across the Sussex coastline, joyful moments of serene beauty after a sublime sunset and the flicker of a light a beacon of nurture and ...

Tulips in a vase #4. Oil on cardboard, 48 x 39 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School o...

“Salt of the Earth” captures the profound connection between nature, growth, and spiritual endurance. The painting features vibrant green and yellow strokes emerging from a dark, fer...

“Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...

CHAIR BY THE ARCHWAY Size: 70 x 59 cm (including frame) Oil on canvas A large mid-century painting that presents a loosely abstracted scene of an arched doorway with a simple chair ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Contemporary dark toned expressive abstract painting by French artist Pierre Olié. The work features a faceless figure reaching out in a dynamic pose set against an explosive backgro...

Crépuscule dans l'Atelier (Twilight in the Studio) Acrylic on canvas 55 x 46 cm A dynamic Diachronic Cubist work, Crépuscule dans l'Atelier layers geometry, color, and moments in ti...

Golden city - a phantom city that exists in human fantasies as a city made of pure gold, and the people in it are also covered in gold.

Wioletta Gancarz's original paintings are available to buy online and in our art gallery in Oxfordshire. Born in Poland, living and working in Switzerland, the visual artist Wioletta...

Abstraction offers a unique opportunity to delve into the space between the visible and the invisible. Acting as a conduit connecting the tangible and the intangible, it encourages us to explore various interpretations in a dreamlike state. In this abstract oil painting by California resident artist Erik Fiazi, the canvas is full of dynamic, nervous brush gestures, evoking images that might recall a continent or torn fabric. Whether it is the phalanges of a fist ready to burst and rip the canvas or a nation symbolized by colors that could be similar to those of a flag. There are so many possible interpretations. In any case, the work releases a raw and unbridled energy, Charged with a force worthy of a revolution like a raised fist, with its red which invades our entire field of vision, a rebellion underlined by the nervousness of the gestures of application of colors next to each other and also on top of each other, probably applied both with a knife and with a large brush. There is thickness and a lot of density. Abstraction is a challenging genre because, beyond the technique, the magic lies in the ability to penetrate the viewer's heart. By contemplating this work through the prism of allegorical reading, we can discern the echoes of a nation in turmoil: a landscape emptied of its green splendor; in fact, green appears in the minority, invaded by the burning red of destruction and flames. The central block resembles an island adrift in a navy blue sea, evoking isolation and vulnerability after a tumultuous storm. The foam of the waves reminds us of the instability inherent in life. Yet within this chaos lies a profound lesson: while the surface may churn under the unleashing of the elements, the bottom of the ocean remains still, offering a symbolic parallel to the importance of maintaining solid foundations amidst the turbulence of life. Eric Fiazi...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Original landscape orientated painting with abstract qualities on a deep canvas. Strong warm colours with high contrast, making it a very dramatic piece. Painted in a loose style whi...

Pink Coastal Reflections is an original abstracted landscape painting by artist Fleur Park. Featuring her signature gestural and wide mark making. Fusing geometric abstraction with l...

Alejandro Rubio Fractured Land #3, 2018 Acrylic on canvas 55 x 55 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. This painting is p...

Flowers of life. Bilateral. Oil on cardboard, 73x65 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad Sch...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

Rooted in the tradition of improvisation and abstraction, Lee Seung Chul’s paintings serve as windows into the philosophical depths of human emotion, approaching mental and emotional...

Serenade By Gerard Tunney [2021] Gerard Tunney Serenade Original Surrealist Painting Acrylic Paint on Canvas Canvas Size: H 30cm x W 40cm x D 2cm Serenade is an original animal painting by Gerard Tunney. A dog busks on the street, 'singing for its supper'. The painting uses allegory to describe the problems that a stray experiences in its struggle to survive. in front is the collection plate and a small...

Beach Palms La Cala By Eleanor Woolley [April 2023] Palm Trees La Cala is an Original Painting by Eleanor Woolley. The striking Palm Trees on La Cala beach in La Cala de Mijas were ...

Rimbaud is a contemporary homage to the 19th-century poet, capturing his enigmatic presence through an imagined portrait. Surrounding the figure are a constellation of small sketches...

A very beautiful interior painting made in the style of abstraction with realistic elements, ships and a lunar landscape. Ships are always a symbol for the artist, it is an aspiratio...

Painting a coral reef, especially one as phenomenally healthy as the one at Tiputa Pass, Rangiroa, has unique challenges. The spawning of triggerfish there attracts swarms of trigge...

This artwork was inspired by a famous quote by French poet Charles Baudelaire: "It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.” ABOUT THE ARTIST - Massimo Damico...

Long Day On The Tarrens is a contemporary piece using acrylic paints and charcoal on board by Mary Scott. "It is inspired by a time, many years ago, when I was working as a geologist...

Original artwork, acrylic paints on cotton patchwork canvas, unframed. With a mixture of street, abstract and fine art influences, most of Joe's work is created using a blend of acr...

Gold and black circles are layered against a blue and dark background, creating a dynamic and intriguing pattern. The composition uses sweeping curves and varying stroke widths to ad...

Bold Eagle Figurative Abstract Artist signed lower right corner, : 54 X 68 X 1.25 in. Yankel (Jacob) Ginzburg (Russian/American, Born 1945). An original Surrealist acrylic painting ...

Ideologist 1968, gouache on paper, 86x61 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to pa...

If you look at painting in a dim light you can find different creatures/animals there.

Painting made in Vienna after visiting symphonic Mozart concert. Dark Paradise series.

Oksana Domnytska "Die Gäste"

Roman Dub "Melody of spring"

Still life Oil on canvas, 60x80 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of...

Roman Dub "Summer"

Geisha. 2008. Cardboard, author technique, 50x40 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Unio...

This painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) embraces the "figurative post-cubism" style. In fact Salvador Aulestia was artistically grown during the maximum su...

Kristy Chettle (American, born 1968) "Her Universe" 2018 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Kristy Chettle's "Her Universe" is a 72" x 48"...

Tony Pharo, Me When I Have An Off Day Acrylic, oil, oil pigment stick, charcoal, pen, spray paint, airbrush, pencil, coloured pencil, pastels, charcoal powder, printer ink on raw ca...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

The painting includes a certificate of authenticity by artist. The artwork size is 16"x20", oil on canvas and framed champagne color moulding. Musical Essence:. Koko Hovagumina's...

Solo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cm

Oil, spraypaint, acrylic on canvas. Storybook bridge.

This 24x36 painting bursts with a wide variety of vibrant colors, beautifully highlighting the delicate hydrangea blooms. “Reflections of the Hydrangea” is a colorful and lively piec...

Introducing "Floral Symphony" by renowned artist Koko Hovaguimian, an exquisite oil painting that captures the essence of nature in a truly unique and captivating manner. Part of the...

Steve Balkin (1938-2023) This painting was purchased from Balkin's estate. It came from his home in upstate NY. It is titled "Rain Forest", dated 8/2007 a...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contour...

Forest Cardboard, oil, 30x30 cm Lidija Auza (1914. 24. 02 Vitebsk, Belarus – 1989. 13. 12 Riga, Latvia) Painter She studied at the Art Academy of Latvia (1936-1938) and gradua...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Underwater painting is a new fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 5 meters, underwater session 120 minutes. ...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Innocent Chikezie (Nigerian, born 1982) "Lily of the Valley" 2021 Acrylic paint, canvas, stretcher bars The artist signed the bottom right of the pai...

'Sardinia, Evening Light, Costa Smeralda, Sardinia. signed circa 2002. Mixed media on paper painting 32cm x 32c Dry mount cut for framing 50cmx 50cm The Coast of Dreams. A romantic...

Acrylic and Spray Paint on Cotton Canvas Unstretched canvas 51.18 x 40.55 inches (130 x 103cm) Signed by the Artist Year 2023 COA included

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.