Large Animal Paintings

A Still Life of Turtles, An Eel, Pike, Lobsters and other Fish on the Shore, A Ship in the Stormy Seas Beyond Signed and dated lower left 1640 Inscribed with inventory number lower right: no. 44 Oil on canvas Framed 29.5 x 37.9 inches Provenance Anonymous sale, London, Sotheby's, 15 April 1999, lot 87, (as 'Circle of Giuseppe...

Americo Makk is an internationally acclaimed master painter and portrait artist of two United States Presidents. Over the past five decades, the importance of Americo Makk’s work has been recognized with numerous awards and honors, including American Ecclesiastic Award, European Banner of the Arts, Oscar d’Italia, Alfred Nobel Medal for Peace (Einstein International Academy Foundation) and Outstanding Achievement Award for Western Paintings (American Biographical Institute). Paintings by Americo Makk - powerful scenes of city life, character studies, historical and western paintings - have been the focus of numerous major public exhibitions, including Carnegie International Center (NY), U.S. Senate Rotunda (Washington, D.C.), Monaco Intercontinental Exhibition (Paris), St. Stephen Museum (Hungary), and many other museums and galleries in the United States, Canada, Europe, South America, and Japan. Regarded as one of the world’s most respected portrait artists, Americo Makk was selected to paint portraits for the U.S. White House of President Ronald Reagan in 1984 and President Jimmy Carter in 1979. He has also painted a portrait of Cardinal Mindszenty for the Vatican and many celebrities including Eva Gabor, Barbara Carrera and Ray Price. Americo Makk’s wife, Eva, and their son, A.B., are also accomplished painters whose works are exhibited and collected internationally, giving rise to the Makks’ reputation as “the first family of the art world”. Americo Makk has been called a “modern-day Michelangelo”. Working together with Eva Makk...

Locals know them as "bugs". A small bug is a one pound lobster. Artist Jeff Conroy was able to print this "bug" - a behemoth weighing in at almost 8 pounds aptly named "Big Bug". The artist uses a style of gyotaku printing which uses various inks directly on a fish (or in this case, a lobster) and then "prints" it to paper. Here he has used acrylic to print this monster on mulberry paper. This work is unframed. Please contact the gallery for framing options. Jeff Conroy Big Red Bug...

Doberman & Gramophone. Oil on canvas, 90X90 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. W...

This exquisite antique panoramic late 19th-century oil painting presents a tranquil Mediterranean coastal scene bathed in sunset light. Two donkey drivers have paused to rest on a sa...

Love Market is a scene of abundance and joy. A white dog sits among baskets of roses, looking straight at the viewer as if to ask, “Is it ever too much?” But in this too much lies be...

"Monument Fragile" is a dynamic and contemporary painting by Eric Robitaille depicting an Owl with an abstracted background including graphic text. The artist uses an earthy and mono...

this is a fantasy painting based on a photo of my husband's niece when she was little, a little photo of a charming child that I imagined had a good imagination. In creating this pa...

"Little Bear" is a captivating mid-century oil painting by American artist Harold Vincent Skene (1883–1978). This traditional Western landscape, painted in...

SALE ONE WEEK ONLY This painting of four different species of fish that can be found in South Korea is from the mid-20th century Korean artist Kim Kyung. Seafood from both the seas that surround the peninsula and from its rivers are an integral part of the livelihood and cuisine of Koreans. Kim Kyung (in Hanja, 金耕, in Hangul 김경) was born in South Korea, his real name, under the current Revised Romanization was Kim Gyeong-Eun (in Hanja 金萬斗, in Hangul 김경은). His name follows the East Asian convention of family name first, though some Western galleries choose to reorder his name with the Western convention as Kyung Kim. He was born in Hadong, Gyeongnam during the Imperial Japanese occupation, as the eldest son of a poor farm family, and at the age of 18 he entered the art department of Japan University. In 1943, he returned to his hometown to escape being drafted into the Japanese army...

Fanciful vintage Haitian acrylic painting on canvas of a leopard in a whimsical woodland setting with flowers and trees, executed in a distinctive naive style. Signed F. Pierre and p...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

William Sidney Cooper British, (1854-1927) At Marshside, Kent Oil on canvas, signed & dated 1920, inscribed in pencil verso Image size: 15.5 inches x 23.5 inches Size including fram...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

Mockery and Hate are the English translations of Sköll and Hati, the Norse mythological wolves that chase the Sun and Moon across the sky and ultimately devour them at Ragnarok. They...

elican - Original Watercolor Painting by Karl C.2000 18" wide x 25" high The lightly used frame measures 29.5" wide x 37.5" high Signed / dated lower right ...

This painting is an allegory for the modern life of a woman in the context of urbanization and mass culture, or an expression of the contrast between the natural and the artificial, ...

Desert Companions Two Camels with their Keeper in the Desert French Orientalist School, late 20th century oil on canvas, unframed Canvas : 39 x 32 inches Provenance: private collecti...

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

This is an original and unique oil on canvas painting by the Belgian 19th century artist Julien Jos, who was active from 1890 -1910. He specialised in rustic genre scenes featuri...

From the mind of the artist comes "Sleestak Ray", taken from the extra-dimensional race of reptilian bipedal humanoid species native to the "Land of the Lost". He has combined a childhood favorite television show with a current favorite - fishing. The artist has master the Japanese art of Gyo-Taku printing using sumi ink and then highlights the piece with watercolors. The artist uses Mulberry...

During the 1920’s and ‘30s, Zinkeisen would share a studio with her sister in London, where she started her commercial career as an artist, theatrical designer, and as a painter. Dur...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Decorative Chinese school painting. Fine detail and painted with rich colors. In a wonderful carved frame painted in pastel blue.

Mixed media & acrylic on canvas Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. He started his artistic career in working for a company...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

Stag & Deer Grazing In The Frozen Scottish Highlands, 19th Century by ROBERT HENRY ROE (BRITISH 1822-1905) Large 19th Century Scottish Highland scene of a deer & Stag grazing in a ...

Hunt Slonem "Glisten X" Rainbow Bunnies White diamond dust bunnies gestured on a rainbow resin background in a gold contemporary floating frame. Unframed: 34 x 26 inches Framed: 36....

Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...

Alan King, British Artist (1946- 2003) signed oil on canvas, framed framed: 27 x 37 inches canvas: 20 x 30 inches provenance: UK collection The painting is ...

Democritus, The Wise Guys, Owl #3 series is an iconic Greek Owl painting on Fabriano paper. The painting is in a beautiful silver wooden box frame. APOSTOLO...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Provenance Acquired by the gallery directly from the artist Signed "D.W. Pinkham" on lower right Artist Statement "Painted in Meeker Colorado on a bright shine filled day, these sheep barns were electric with color, bounced light and energy. As the sheep wandered in the yard, I found one who's attention was lifted upward, seemingly listening for a call in the distance, not a bad metaphor." —Daniel W...

Leon Collins Birthdate Unknown, died 2025 Galveston / Navasota Texas Artist Image Size: 24 x 36 Medium: Acrylic on Canvas "Blue Bull" Leon Collins Birthdate Unknown-Died 2025 "The in...

Title: "Close Encounter" Artist: Linda St. Clair Medium: Oil Paint on Canvas Size: 36" x 30"

Signed lower left, 'L. Simon' for Lucien Simon (French, 1861-1945) and painted circa 1919. Partially titled, verso, on old label. Provenance: Austin Hills estate, San Francisco. Pre...

Oil painting representing "Basset Griffon Vendéen" hunting dogs in a wooded landscape. Oil on canvas in perfect condition (fully restored in our worksh...

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

Conditions : Very good overall Conditions, few minor retouching, original canvas. No restauration necessary, mint conditions. Complementary shipping worlwide by DHL, FEDEX. Returning...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

This untitled abstract oil on canvas by celebrated mid-century modern artist Henriette “Yetti” Stolz presents a vibrant, expressive interpretation of a bird in motion. Using sweeping...

New York City based artist, Alysha Marko is a figural and abstract painter from Central New Jersey. Growing up, Alysha moved around the US which allowed her social personality to but...

This equine drawing, "Stepping onto the Track" is a 30x40" black and white charcoal on canvas by artist Shawn Faust depicting a horse and jockey heading towards the big race. Complimentary to Faust's traditional oil works, these charcoal on canvas sketches boast a clean and contemporary feeling exhibiting the muscle tone and mass of these majestic creatures. Fixed with varnish, these charcoal works are permanent and best framed or unframed. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Intsead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

Michael Constable (20th Century British School) oil on canvas, framed framed: 28.5 x 34 inches canvas: 24 x 30 inches provenance: private collection,...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Conditions : Very good overall Conditions. Few minor retouching under UV light. Original extra large canvas. No restauration necessary.. Complementary shipping worlwide by DHL, FED...

A fine large oil, school of Pierre Bonnard. circa 1950's. oil on canvas 55cmx75cm The original wood and textured gesso frame 72cmx92cm Titled 'On the Window Sill'. Indistinctly sign...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory, I am often stuck by the duality of permanence and impermanence all around us. My work engages the natural world through this lens. Images of birds...

David Ackerson (b. 1950, American) Title: "Big Tex & His Three Egrets" Medium: Acrylic on Canvas Size: 40 x 30 in. Markings: Signed LM "David Ackerson"...

Having a father in the Air Force Burgees traveled and lived in many different cities throughout his life such as England, Germany, and Cyprus. And at age 19 he joined the Royal Airfo...

Oil on canvas Canvas size: 16 x 26 inches Framed size: 22.5 x 33 inches Signed lower right

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Signed oil on canvas animals in landscape by French expressionist painter Andre Brasilier. The piece depicts goats and birds in front of green trees with a blue sea beyond. This earl...

Artist: David Thorpe (British) - Cape Buffalo, Year: 2016, Medium: Oil on Canvas, Size: 31 x 39 in. (78.74 x 99.06 cm)

Artist: David Thorpe (British) - Leopard, Year: 2016, Medium: Oil on Canvas, Size: 39 x 31 in. (99.06 x 78.74 cm)