Oversized Animal Paintings

This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...

Original art by DARIA KUSTO The magic flow reality.. Acrylic on canvas Shipped From Spain.

Shelli Langdale's "Leaving" is an original, handmade oil painting that depicts a white horse in a green field with a red balloon hovering above its form. Artist Bio: Shelli Langdal...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 36 x 48 Frame Size: 45 x 57 Medium: Oil "Rural Texas Charm" Longhorns Bluebonnets This pain...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

Artist: Slonem, Hunt Title: Cloud 9 Series: Butterflies Date: 2021 Medium: Oil on canvas Unframed Dimensions: 40" x 60" Signature: Signed by Artist on Verso Edition: Unique ...

RÖTIG Georges-frédéric (1873-1961) Lion and Lioness On The Hunt Oil on canvas signed and dated 1933 lower right. The canvas is mounted in a frame called "Berain style” inherited fro...

This superb British Edwardian figurative landscape oil painting is by noted animal artist Edwin Noble. Painted in 1904 it is a large and detailed painting of a young man, kneeling in a grassy thicket with his two dogs, a lurcher and terrier. He is restraining the dogs whilst his ferret goes down a rabbit hole in the hedgerow. Two dead rabbits are already lying on the grass beside them. Beyond is a county landscape of fields and trees. The young man in his stripped shirt and waistcoat and the two white dogs really stand out in the mass of greenery around them as do the white wild flowers at their feet. The detail and brushwork are superb. This is an excellent example of Edwin Noble's work as an animal painter in the Edwardian period and also depicts country pursuits. Signed and dated Edwin Noble 04 lower right. Provenance. From the collection of Derek Parker and Peter Wynne Morris, Interior designers, antique dealers and collectors over sixty years. Condition. Oil on canvas. Image size 50 inches by 40 inches and in good condition. Frame. Housed in a complementary frame, 54 inches by 44 inches and in good condition. John Edwin Noble (1876-1961). Painter and illustrator who worked as Edwin Noble. He was the son of the artist John Sargent Noble...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Ed Heck (American, Born 1963) Signed: Heck (Lower, Right) And: Copyright Ed Heck 2012 (on verso) " Lookin' Cool 2 ", 2012 (Titled and Dated on Verso) Acrylic on Canvas 48" x 36" ...

Artist: Varvarov Anatoly Viktorovich Title: Hello, Sise: 53x45.5 inches, (135x115 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. This beautiful oil painting is sure to bring a bit of cheerfulness into any room it's placed in. The vibrant colors and happy dolphin will surely brighten up any space. Perfect for a child's room or as a gift for someone who loves the ocean, this darling painting is sure to please. About the artist: Varvarov Anatoly Viktorovich was born on February 12, 1967 in Kremenchuk, Ukraine. Attended Dnepropetrovsk Art School. EV Vuchetich from 1983 to 1987, and National Academy of Fine Arts and Architecture from 1990 to 1996 graduated with Masters degree in Fine Art. After becoming a member of the Union of Artists of Ukraine, Mr. Varvarov received the category of artist-restorer of easel painting in 1999...

Make My Day - Chicken Rooster Painting by Marc Zimmerman He stands there, blocking all who dare challenge him in their pursuit to get by. This heroic cock, Charlie, the great intimi...

My paintings and sculptures bridge ancient and modern sensibilities. The subjects are often classical figures and portraits, but my use of materials is pure expressionism. I am mos...

'The Wind Whipped Up and They Welcomed Its Offering' - seagulls stand against an abstracted beach scene in this contemporary oil on canvas painting, 'Contemplating Progress II', by ...

"Hunting Dog at a Stop." Unknown (signature indecipherable) Oil on panel Signed lower left 7 1/4 x 9 (10 3/4 x 12 frame) A very fine depiction of a hunting dog at a stop anticipatin...

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

Alexander Koester 1864-1932 German Sixteen Ducks in the Evening (Sechzehn Enten in Abendstimmung) Signed "A KOESTER" (lower left) Oil on canvas Epitomizing the mastery of Germany...

Frank Hoffman (1888-1958) New Mexico, Illinois Artist Image Size: 27 x 41 Frame Size: 37 x 50 Medium: Oil Circa 1930s - 1940s "The Encounter" Indian & Bear Frank Hoffman (1888-1958) Growing up in New Orleans where his father raced horses, Frank Hoffman developed a great love for these animals, which was reflected in his paintings. He worked as an illustrator for the "Chicago American" newspaper, which gave him an opportunity to draw many subjects from opera to prize fights, and eventually he became head of the department. During that time, he took formal art training from J. Wellington Reynolds, a portrait painter. In 1916, having been rejected for military service because of poor eyesight, he went West and lived with cowboys and Indian tribes and served as public relations director for Glacier National Park. Eventually he settled on a ranch near Taos, New Mexico, and became part of that art colony and studied with Leon Gaspard, who encouraged him to use color freely. Advertisers including General Motors, General Electric, and the Great Northern Railway hired him because they loved his bold, broad brush work and striking colors. He also did magazine illustrations, specializing in western subjects. Because of the spaciousness of his ranch that he called Hobby Horse Rancho, he kept live models of cow ponies, thoroughbred horses, longhorn steers, several breeds of dogs, eagles, a bear and burros. From 1940 Brown & Bigelow Publishing Company of St. Paul, Minnesota had him under exclusive contract, and during the next 14 years, he produced 150 paintings for that company. Source: Walt Reed, The Illustrator in America, 1860-2000 Known as a traditional Western illustrator, painter and sculptor, Frank Hoffman was born in Chicago, Illinois. He grew up around his father's New Orleans, Louisiana, racing stables. Through a family friend, Hoffman was hired to make sketches for the Chicago American, later becoming head of the art department. While working for the paper, he had five years of formal art training in private lessons from J. Wellington Reynolds, a portrait painter. In 1916, Hoffman went West to paint, living with the Indian tribes and the cowboys. During that time, he also worked as public relations director for Glacier National Park, where he met noted artist John Singer Sargent. In 1920, Hoffman joined the young art colony in Taos, New Mexico. He studied with Leon Gaspard, learning the use of color. Although focusing on his fine art, Hoffman also painted for corporate advertising campaigns and illustrated Western subjects for the leading national magazines in the 1920's. Hoffman became the best-known New Mexico illustrator of the time. As his success grew, he bought his own Hobby Horse Rancho, where he raised quarter horses and kept as live models the longhorns, dogs, eagles, burros, and even a bear that he had begun to sculpt in the 1930's. Later, beginning with 1940, Hoffman was under exclusive contract to Brown and...

‘Morecambe Bay’ by Alfred de Breanski ARCA (1852-1928). The painting - which depicts cattle grazing on Heysham salt marshes in Morecambe Bay with a view of the Old Man of Coniston an...

A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...

Giovanni Agostino Cassana (c.1658 – 6 May 1720) Venetian Birds with an Upturned Basket of Fruit Oil on canvas: 25 x 35 in. Frame: 33 x 43 in. The canvas is unsigned Abate, or Gio...

This charming British Victorian genre oil painting is by noted exhibited artist John Morgan. Painted circa 1870 the composition is two young girls, one dark haired one blonde, who ar...

"Where the Tall Grass Grows," is an original oil painting by Brian Keith Stephens. It is unframed, but ready-to-hang.

Large square French fantasy naive oil on canvas by Jean Henry Brossat. Signed to the front and bearing a title in Russian (?) script to the rear. In a plai...

This lovely Dutch Old Master oil painting is attributed to noted Dutch artist Nicholaes Berchem. Painted circa 1665 it is a charming pastoral scene of a shepherd and his animals including sheep, goats, donkey and cows and of course his trusty dog. They are all resting beneath trees while he looks on attentively. The light in the sky and the light and shadows on the animals is beautiful. A really superb example of Dutch Old Master art with great detail. Provenance. Surrey estate. Christies stamp verso. Condition. Oil on canvas, 38 inches by 32 inches and in good condition. Frame. Housed in a complementary gilt frame, 46 inches by 30 inches and in good condition. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642–5. Works by him are signed both as "CBerghem" and "Berchem". In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum...

Ready for Race English School, indistinctly signed 'Richardson'? oil on board, framed signed dated 1966 framed: 23 x 27 inches board : 18 x 22 inches Provenance: private collection, ...

Original artwork, oil on canvas Bright yellow pop art canvas. This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great inves...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 24 x 36 Frame: 32 x 44 Medium: Oil "Heavy Grazer" Cattle, Texas Hill Country A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

Large American Orientalist oil painting of a courtyard by F. A. Bridgman American, c. 1900 Canvas: Height 69cm, width 91cm Frame: Height 95cm, width 108cm, depth 8.5cm Wonderfully p...

'Disruption', created by Diana Tremaine, who uses swans as a metaphor for beauty and resilience rising above chaos during difficult times. Rich colors — blue, cream, burgundy and whi...

Robin Hextrum's "Colorful Flowers Growing out of Grey Mountains" is an original, handmade oil painting that depicts flowers and fruit in front of a mountainous landscape.

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

'The Wings of Time' - seagulls stand against an abstracted beach scene in this contemporary oil on canvas painting, by artist Diana Tremaine, whose series of paintings that depict abstracted birds and natural elements is called "Navigating Crosscurrents". The 50 x 50...

Note: Shipping prices reflect shipping the piece in a tube rather than stretched. Stretching can then be done locally upon receipt. If you would prefer to receive a stretched piece, ...

Debabrata Basu - Untitled - 48 x 36 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

Antique French or Belgian tapestry. Depicting Persian horseman capturing wild Arabian horses. It is in the original frame behind glass. The glass has preserved the vivid colors. Date...

Louis Thysebaert 1879 - Sint-Niklaas - 1962 Belgian Painter ‘Landscape with Cows’ Signature: signed lower right ‘L.Thysebaert’
 Medium: oil on canvas
 Dimensions: Image size 95,5 c...

"Noah's Ark", Monkeys in Trees w. Crocodiles, Richard DeTreville 1924 San Mateo A lively, large-scale vertical painting of Macaques monkeys in the trees abo...

Fine 19th century landscape oil on canvas by Alfred de Breanski Sr., this sunset, color and light, are exceptional in this work. Alfred De Brea...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: Acrylic "The Cowboys" Texas Hill Country Biography James Robinson (1944-2015...

Artist: Slonem, Hunt Title: Hutch Kaleidoscope Fratilery Date: 2022 Medium: Oil on Canvas Unframed Dimensions: 48" x 48" Framed Dimensions: 50" x 50" Signature: Signed Verso Edi...

A large oil painting of stampeding Wild Horses by Tunisian-born artist, Jalal Gharbi (1920 - 2005). The painting measures 48 x 60 inches and the frame 56.5 x 68.5 inches.

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

John Wootton (1686 - 1764) The Bloody-Shouldered Arabian Oil on canvas Inscribed below, 'Bred by Lord Oxford in 1755 & Sire of many famous Racers, including the Duke of Bolton's 'Swe...

Oil on canvas Canvas size: 30 x 50 inches Framed size: 38 x 57.75 inches Signed and dated 1907 lower right

Woman & Dog, 2017 Christopher Mudgett In Woman & Dog, 2017, Mudgett delivers a visually, mentally, and emotionally invigorating tour de force that explores the profound and unspoken...

Swans in 'Silver Lining' are used as metaphors by Diana Tremaine for beauty and resilience rising above chaos during difficult times. Rich colors — blue...

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features a clear, blue pool next to a palm tree. A small white boat can be seen sailing in the back...

John Frederick Herring Jnr British, (c1820-1907) Farmyard Friends Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 29.75 inches x 41.75 inches Provenance: Frost & Reed; Stacy Marks, Eastbourne A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church. John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820. Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children. By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street. After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907. Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Hunt Slonem "Lady Gouldians (Australia)" Multicolor Birds on White Background A group of finches in red, yellow and green with branches on a white background Canvas 50 x 70 inches Un...

Plumot André Antwerp, Belgium 1829 – 1906 Belgian Painter Shepherds Couple with Herd in a River Landscape Signature: Signed bottom left and dated 1877 Medium: Oil on canvas Dimensions: Image size 58,50 x 104,50 cm Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium. He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style. He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten. For a short time, he worked in N. de Keyser...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

Che Leviathan (US based) "Fortification" is an original, handmade oil painting that depicts a brown horse in profile, with thick black mane and a black a...