Small Animal Paintings

This equine racing portrait "Thorpedo Anna" by artist Anne Wolff is a 24x20 original oil painting on canvas. Depicted is a profile view of the famous Horse of the Year winning thoro...

Lisa Bostwick has had pieces exhibited at the Legion of Honor, Napa Valley Museum, Marin Museum of Contemporary Art and the de Young Museum. Her North Am...

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Artist: David Thorpe (British) - Ostrich, Year: 2016, Medium: Oil on Canvas, Size: 20 x 15 in. (50.8 x 38.1 cm)

Rudolf Hirth du Frenes German, 1846-1916 A Dog’s Trick Oil on panel 19 ⅜ by 14 ½ in, w/ frame 23 ⅜ by 18 ½ in Studied at the L’Ecole Des Beaux Art de Nuremberg under Kreling; he al...

Acrylic on canvas

Robert McCauley was born and raised in Mt. Vernon, Washington. He graduated from Western Washington University in 1969, and received his Master of Fine Arts Degree from Washington St...

Dog at the sea. Alla prima oil painting with few final tuches when dry. Beach Paintings always inspire thoughts of holidays, long walks, warm breezes and relaxation. beach and ocean ...

Every detail in this extraordinary painting is rendered with exacting care. It is not unusual to find these majestic predatory birds amongst the skyscrapers and bridges of our cites...

"Tessa" by Eric Hargreaves, British mid 20th century signed oil on canvas, framed framed: 24 x 19.5 inches canvas: 20 x 16 inches Provenance: private collection, UK Condition: very ...

Lisa Bostwick has had pieces exhibited at the Legion of Honor, Napa Valley Museum, Marin Museum of Contemporary Art and the de Young Museum. Her North Am...

Capturing fragments of dreams, memories, and emotions in her surrealist paintings, Taiwanese-American artist Amy Tai blends cultures within her soft and sensual imagery. Tai's artist...

Sunset over the Waves English Impressionist artist, circa 1970's signed oil on canvas, framed framed: 17 x 21 inches canvas: 12 x 16 inches Provenance: private collection, UK Condit...

Two dogs at the sea. Alla prima oil painting with few final tuch when dry.Water right by the edge of the shore. Waves crashing at my feet. Beautiful weather with a big shining sun. A...

N131 - 50x40, oil/canvas

Title: Composed Calmness Painting Equestrian Horse Modern Gold Contemporary Striking Invest Energy Calm Blue This painting forms part of an artwork series called BLUE. I borrowed f...

With an expert command of light and movement, Victor Huguet’s At the Shore transports the viewer to a coastal expanse where a group of Arab horsemen and figures gather against a stun...

"As a human exercising what little political power I might have, I struggle to campaign for nature and to remind all humans of our responsibilities as stewards of this planet. Art be...

This Painting, "Yellow Horses", is a 20x20 oil painting on canvas by artist Trip Park. Featured in the painting is a repeating and overlapping pattern of a rider and horse in various...

4031 Oil on canvas in a octagonal wood frame of 3 horses in black and white

Oil Painting by John Sturgess "The Blue Ribbon Army" A Fine painter of equestrian scenes horse portraits and everday scenes of horses at work. Exhibited at the Royal society of Briti...

The Flight Into Egypt, 16th Century School of JACOPO BASSANO (1510-1592) Large 16th Century Italian Old Master depiction of the Flight Into Egypt, oil on canvas. Excellent quality ...

Bold Abstracted portrait of a koala painted on stretched 20x20x2" canvas :: Painting :: Art Deco/Art Nouveau :: This piece comes with an official certificate of authenticity signed b...

This equine racing painting "Out of the Fog" by artist Anne Wolff is a 20x16 original oil painting on canvas. Depicted is a frontal view of a thoroughbred race horse and jockey in r...

"Robbe Louis, “Plein air” Animal Painter" ROBBE Louis Born in Courtrai on November 17, 1806, died in Brussels on May 2, 1887. Pupil of Eugène Verboeckchoven and Jean-Baptiste De Jonghe...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Antique oil painting on board of a white dog caught in a moment of speculation in an outdoor scene. Signed William Melbon and presented ...

David Ackerson (b. 1950, American) Title: "Little Ol' Tex" Medium: Acrylic on Canvas Size: 18 x 24 in. Markings: Signed LR "David Ackerson" Signed & Ti...

As the sun casts its final golden rays across the vast expanse of the desert, Victor Huguet’s Arab Camp at Desert captures a tranquil yet dynamic moment in a nomadic encampment. The ...

Lewis Creighton ( British 1918-1996) signed oil on board, unframed board : 16 x 20 inches Provenance: private collection Condition: very good condition Lewis Creighton was born in ...

James Seymour (1702-1752) A Standing Leap at a Gate Mezzotint with hand colouring Image size 10 x 14 in Framed size 16 1/2 x 20 in James Seymour was an English artist renowned for h...

In this contemporary painting in gouache on paper, a golden yellow monkey and blue, white and yellow birds are surrounded by brightly colored flowers and a peach urn in a lively gard...

Sheila Cottrell (Born 1954) Arizona Artist Image Size: 22 x 24 Frame Size: 28 3/4 x 30 1/2 Medium: Oil on Canvas "Cowboys" Biography Sheila Cottrell (Born 1954) Sheila Cottrell's wes...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Original oil on canvas entitled: Petee Wrack thoroughbred winner of the 1928 Travers Stakes at Saratoga by Edward Herbert Miner (1882-1941) elegan...

Portrait Of Corvette, A Corgi, 19th Century by K Harris (English 19th Century) Large 19th Century English portrait of Corvette A Corgi, oil on canvas by K Harris. Excellent qualit...

"By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/presen...

16" x 20" Unframed Original - Oil on Canvas Hand Signed by Mariko Ando 2023

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower right, 'Made for Ruth M.' and painted circa 1945. Titled verso 'Birds in Flight', additionally...

Sketch Of Three Horses Feeding, 19th Century circle of John Frederick II HERRING (1815-1907) 19th Century English School sketch of three horses feeding, oil on panel. Excellent qu...

America Martin "Night Rabbit" Oil & Acrylic on Canvas 18 x 18 in. ; 19.75 x 19.75 in. Framed ______________ Exploring the identity of both her namesake and country, LA-based America...

Carmine Bilardello’s Big Multi Ducks (2025) is a vibrant and meticulously crafted resin-based artwork that transforms the charm of childhood nostalgia into a sophisticated, contempor...

California Suburbs - Plein Aire Landscape in Acrylic on Canvas Suburban landscape by California Plein Aire artist Nick White (American, 1943-2009). Two homes sit side by side on a w...

Title: Allure of Abundance Painting Animal Dogs Modern Gold Contemporary Striking Invest Energy Great-Dane Nature Blue This painting forms part of an artwork series called BLUE. I ...

Fabulous 19th Century oil on canvas portrait of a child with their dog. It is signed and dated 1872 underneath the gold matting. I cannot decipher the signature. Painting could be ei...

Naïve art meets abstract art. Signed and dated to lower right 'Paul Rand 4.6.52. Paul Rand said. “People who don’t have a sense of humor really have serious problems.” Besides being...

Portrait Of A Horse, Favourite of King Louis XIV, 17th Century Early French School 17th century French Horse portrait of a favourite of King Louis XIV, from the Stables of Versaill...

William Huggins (1820 - 1884) A lion and a lioness in a landscape Oil on panel  Signed and dated, lower right: 'Huggins 1847' With gallery and exhibition labels, verso Provenance: ...

The Scottish Highlands by Ben George Powell, British contemporary artist signed acrylic on board, unframed board: 16 x 20 inches provenance: private collection of this artists work,...

Horse and Foal by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 20 x 20 inches provenance: private collection of this artists work, UK The...

Bart Koning (Dutch artist) Duck 37,9 x 49,9 cm (Framed included in price 38,3 x 50,3) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly ...

'Reds in Overdrive' from Frohsin's Horse Grid series is vibrant and lively, in reds pinks and purples. The work features horses walking, galloping, jumping and standing. The painting...

While I was creating you, we became friends. Your insightful, kind look gives peace and a feeling that everything will be fine. The Green Dragon seems to come alive with a piercing y...

The Yorkshire Terrier Dog in a Yellow Hair Bow by F. S. Woodard, English second half 20th century signed oil on board framed framed: 20.5 x 19 inches board : 13 x 12 inches Provenanc...

Three little cats and their mother playing in a basket with roses. Signed bottom right.

This enchanting photograph captures the essence of an 18th-century-style portrait featuring a regal dog. Poised at attention, the canine exudes an air of majesty, adorned with a splendid blue collar that accentuates its noble bearing. This depiction seamlessly merges the grace of classical portraiture with the timeless charm of a loyal and dignified companion. Fidel Santos...