1950s Animal Paintings

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

FRANCISCO BORES Spanish, 1898 - 1972 NATURE MORTE AU POISSON signed and dated "Borès 53" (lower right) oil on canvas 19-3/4 x 24 inches (50 x 61 cm.) framed: 21-1/2 x 25-3/4 inches (...

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Signed lower right 'Spazzali' for Luciano Spazzali (Italian, 1911-1997) and dated 1958. A complex and lyrical equestrian work by this notable Italian Modernist and exponent of Magi...

Antique American modernist signed oil painting. Oil on board. Signed. Framed. Image size, 14L x 18H.

Dog,Child,Little girl,impressionisme Signed in the lower right corner. KLARA VLASOVA (Moscow, 1926) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, M...

Pekingese: "Mimi" by Dorothy Alexandra Johnson (1902-1988) signed lower left watercolour and gouache on artists heavy paper 5.5 x 7.5 inches Delightful painting by the highly rega...

Work on wood New wooden frame with golden patina 58,5 x 45 x 3,5 cm Illegible signature

Vintage American modernist surreal landscape oil painting. Oil on canvas, circa 1940. Signed. Unframed. Image size, 28"L x 20"H.

Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art. "The Birdcage...

Mid Century Bay Area Abstract Expressionist Cats and Birds Composition in Acrylic on Paper How many cats and birds do you see? This striking painting by San Francisco's Bay Area abs...

Antique French American modernist horse barn painting. Mixed media painting on paper. Framed. Signed. Measuring 41 by 49 inches overall and 31.5 by 39.5 painting alone. In excellent ...

After Hector Hyppolite, Philomé Obin may be Haiti's most significant painter. In the present work, Philomé Obin creates an all-over pattern of harmoniously spaced elements with no ce...

Two monumental whales are depicted in a graceful love dance set in idyllic blue-green waters. The work is as abstract as it is representational. Seductive and mesmerizing, the colors...

Maurice ALBE (Beaugency 1900 - Périgueux 1995) Falcon hunting, from a 16th century tapestry Oil on canvas (hessian type) H. 150 cm; L. 120 cm Signed and dated lower right 1554 (for 1...

Signed lower left, 'Wilenchick' for Clement Samuel Wilenchick (American, 1900-1957) and painted circa 1955. A dynamic, post-impressionist oil showing horses frolicking together agai...

An interesting, American School Mid-century tempera painting showing a view of a seated clown rehearsing his dogs for a dance routine while a bareback rider in costume observes in th...

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

By Gustav Likan A painting of a green aThis pieces is from the Eva Perón commissioned mural sketch collection from Likan's time as a commissioned artist in Argentina between 1950 and...

Yard. Oil on cardboard, 14 x 17, 5 cm

Evening sun. 1954, oil on cardboard, 33x61 cm

Crimea. 1957, oil on cardboard, 35x71 cm

From a series of paintings and drawings by Clifford Ellis and his wife Rosemary. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it clic...

Signed oil on canvas landscape circa 1950 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts horses and their carts being led across small stone bridges...

Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century Antonio Petruccelli (1907 - 1994) The World We Live In Birds of Paradise Life Magazine Illustration ...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...

Starostin, A.M. (1924 -1987) was a Russian artist from Moscow. In 1963, due to his recognized talent, he became a member of the Union of Painters of USSR. In 1950-1960 Starostin mast...

Caterwaul by Orovida Pissarro (1893-1968) Oil on canvas 51 x 61 cm (20 ¹/₈ x 24 inches) Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th...

George Giusti is in the Art Directors Hall of Fame. George Giusti’s graphic designs and illustrations have graced the covers of Time, Fortune, Holiday. He collaborated with Herbert ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Exercising Ponies by Orovida Camille Pissarro (1893-1968) Oil on board 101.5 x 76 cm (40 x 30 inches) Signed and dated lower right Orovida 1954 Provenance Estate of Orovida Pissarro With John Bensusan-Butt, cousin of the artist Sotheby's London, 12th October 1988 G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 161 (illustrated) Exhibitions London, Bowmore Gallery, Women in Art 1850-1989, 2nd-11th November 1989 Fort Lauderdale, Museum of Art, Camille Pissarro and his Descendants, January-April 2000, no.123 This work was included in the above important museum exhibition and a catalogue of the Fort Lauderdale museum show will be included with this painting. Biography Orovida Camille Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling. Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud. Orovida's most distinctive works are her paintings from the 1920s...

A high-impact graphic of a whimsical Lion sporting a bowler hat is depicted for a cover for Holiday Magazine, April 1958. The issue was about England, and the editors finally ran a ...

Gritty working class truck driver with tiger painting on truck door, is rendered in a flat and quick style with rapid brushstrokes defining the trucker. The tiger is painted in a t...

Signed and dated to lower edge 'Paul Rand 11.52'. Collection of the artist - Mounted along upper eduge to matboard, Unframed.

This beautiful semi-abstract harbor scene of a flock of birds is rendered in Martin's signature style

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Students League. "An imal Act", is a rare original oil painting on panel, c.1957; a period when the artist was utilizing strictly pallet knife on panel. This technique gave works of this period a true post impressionist feeling. This painting is from Ron Blumberg's, "Historical California...