Mid-20th Century Animal Paintings

The Haycart by Wilfred Wilson (English, 1920 - 1978) signed oil on paper (laid on board), framed framed: 12 x 14 inches painting : 8 x 10 inches Provenance: private collection, Eng...

Horse & Foal signed by Léon Schwartz -Abrys ( 1905 - 1990) French School expressionist artist oil on board, unframed board: 21.5 x 25.5 inches Provenance: private collection, Paris ...

Signed, titled and dated cubist oil on canvas by French painter Andre Masson. The work depicts colourful insects. Signature: Signed lower right and titled and dated 1946 verso Dim...

6082 Equestrian falconer by italian artist.

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

"The Polo Player" Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 15 x 12 inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to ...

The work represents a wide eye cat staring at a rooster. The work is as simple as it's complex. The negative space is as important as the positive space. It's as sophisticated as it'...

The Afghan Hound English artist, mid 20th century oil painting on board, framed in wooden frame (most likely original to the painting) framed: 14.4 x 11.5 inches board: 12 x 9.5 inch...

Artist: José María Tuser Vázquez (1919-1986) Title: Bullfighting Scene Technique: Oil on board Dimensions: 25.6 x 21.3 inches Period: 20th century Art Movement: Figurative Expression...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

"Shepherd with Montbèliarde Calf"  Julius Paul Junghanns (1876 - 1958)  Oil on canvas 23 7/8 x 30 (35 x 41 frame) inches Signed l.l and dated "34" and signed on the verso Private Ita...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

A Wonderful, Mid-Century Modern Painting of a Jockey & Horse Race by Noted Chicago Artist, Rudolph Pen. Painted circa 1955, the painting exemplifies the artist's love of horse racin...

This gorgeous British 1930's triple dog portrait oil painting is by female artist Hilda Walker. She was born in Yorkshire and studied art in Leeds and London and was also a sculptor....

Italian illustrator Gianni Benvenuti depicts a dramatic scene from the epic Spanish novel by Miguel de Cervantes. With unrivaled skill, Benvenuti captures a peak moment of drama when...

English School, circa 1950's The Riding Lesson oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition. There is a...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his profe...

Untitled is a modern artwork realized by the artist Porfirius in 1962 Mixed media on paper. Hand signed and dated on the lower margin Includes frame

Signed lower right, 'Jay Risling' (American, 1896-1993) and dated 1941. A psychologically penetrating study of a contented, golden-eyed ginger cat shown relaxing beside a Chinese lacquer chest...

This artwork "Decorated Cat" c.1960, is an oil painting on hardboard by noted Mexican Artist Jose Maris De Servin, 1917-1983. It is signed at the upper left corner by the artist. The...

'The Stray Cat', oil on board, by F. DuParc (circa 1960s). A thoroughly modern depiction of a colourful, graceful feline most likely inspired by Italian Futurist, Fortunato Depero (1...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Mid-Century "The Horse Race" #50 B Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery. It i...

If you’ve been a longtime college football follower of the SEC, or the Southeastern Conference, you may have heard of this 1964 game in Shreveport, Louisiana. On December 29, the University of Arkansas Razorbacks in crimson and white played the University of Mississippi’s Ole Miss Rebels in The Bluebonnet Bowl, and handily won the contest 82-48 by racking up 52 points in the first half. As imagined here by American Surrealist Jean Jones Jackson...

Horse & Foal in Landscape signed by Léon Schwartz -Abrys ( 1905 - 1990) French School, expressionist oil on board, unframed board: 21.5 x 25.5 inches Provenance: private collection...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

We are proud to present for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). ...

Herbert Davidson (American, 1930-2018) Signed: Herbert Davidson, (lower, right) " Young Girl Seated on Stone Slab Holding a Barn Owl", circa 1970 ...

A beautiful signed and dated 1947 oil on canvas portrait of a beloved spaniel, by Belgian painter Aline Von Aken. Lovely quality and condition portrait of the handsome canine. Signe...

"Rooster" Pierre Bosco, (1909-1993) Gouache on paper 10 x 9 (18 x 14 frame) inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to painting...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

Franco Angeli's Half Dollar Giuseppe Franco Angeli (14 May 1935 – 12 November 1988) was one of the best modern Italian artist. Half Dollar (1965) is an emblematic work of Franco Ange...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes, and marshmallow clouds set against a rich, saturated blue sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Exotic Birds, ca. 1960. Enameled steel plate, 6.5 x 12.5 inches; 10 1/8 x 16 1/8 inches framed. Original studio label affixed on verso. Unsigned. UBALDO CINCIARINI (1940-2020) was an Italian enameller and embosser who studied his craft at the famous Ferruccio Mengaroni Art Institute in Pesaro, Italy before opening the "Studio Cellini...

A dynamic, Mid-Century Modern horse race painting by noted Chicago artist, Rudolph Pen. Artwork size: 27" x 23"; Framed size: 27 1/2" x 23 1/2". Signed "Pen" lower right. Provenan...

A colorful, 1950s Mid-Century Modern painting of a bull fight by notable Chicago artist, Francis Chapin. Oil on canvas, in a dark walnut brown stained frame. Painted most likely in...

Two Birds in Springtime by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 6.5 x 9 inches condition: This painting is in excellent condition,...

The Stubborn Mule Italian School, 19th century oil on canvas, unframed canvas: 9.75 x 14 inches provenance: private collection condition: very good and sound condition, a little scru...

Medium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post cover June 19, 1937

Enchanting mid century Haitian acrylic painting on canvas of African animals and ducks in a pond in a jungle setting executed in a distinctive naive style, signed Jean Claude in the ...

Andrene Kauffman (American, 1905-1993) Alter Ego. Surrealist circus or zoo scene with flying animals on an abstract color saturated background. Oil on masonite. Hand signed ANKAU lower left. Dimensions: 24 x 30”. Frame 25 ½ x 31 ½”. There is a address label verso from Louise Dunn Yochim She was a well-known artist from Chicago in her time. Louise Yochim was born Luba Dichne in Zhitomir, Russia in 1909. She immigrated to Chicago, along with her parents and four siblings in 1924. Yochim studied at the European Gymnasium and at the Art Institute of Chicago, receiving her Master’s Degree and Doctorate (1962) in Education from the University of Chicago. She was married to notable Chicago artist Maurice Yochim. Yochim exhibited at the Art Institute of Chicago, the Renaissance Society of the University of Chicago, Chicago, IL, the Union League Club, Chicago, IL, the University Club of Chicago, the Cleveland Museum of Art, among others, becoming one of the leading women artists in Chicago. Yochim published three books, the most notable being “Role and Impact: The Chicago Society of Artists”, included in the Illinois Women Artists Project. Camille Andrene Kauffman (1905 – 1993) was an American painter and educator who created a mural for the post office mural project in Ida Grove, Iowa. She completed twenty-five colorful murals and seven sculptures throughout Chicago, as part of the art projects for the New Deal's Section of Painting and Sculpture. Later, she completed seventeen ceramic murals for the 3rd Unitarian Church, which was designated as a Chicago Landmark in 1960. In addition to her artwork and exhibitions, Kaufman taught art for forty-one years at various universities in Chicago, Rockford, Illinois, and Valparaiso, Indiana. Her work bears the influence of Surrealism and Cubism. Camille Andrene Kauffmann was born on April 19, 1905, in Chicago, Cook County, Illinois, to Charlotte Camille (née Henriksen) and George Francis Kauffman Kauffman came from an artistic family. Her father was a dress designer and her paternal grandfather, Francis Xavier Kauffman designed furniture. Her brother G. Francis would become a cartoonist and illustrator. She attended Austin Community Academy High School of Chicago before entering the Art Institute of Chicago, graduating in 1926 and winning the John Quincy Adams Fellowship from the Institute for a year of continued study abroad. In 1927, Kauffman went to Paris, where she studied with Andre Lhote and traveled throughout Europe, before returning in 1928 to take up a teaching post at Valparaiso University. Kauffman was hired as a professor of Painting and drawing at the Art Institute of Chicago upon her return and simultaneously worked instructing art at Valparaiso University. Both assignments were part time and in 1933, when she was approached by the Works Progress Administration (WPA), she joined the federal program. During her time with the WPA, Kauffman produced over 50 easel paintings, 25 murals and 7 sculpture projects earning $24.50 per week. Some of her first works for the WPA were murals painted for the Brookfield Zoo, which was under construction at the time. Between 1936 and 1940, Kauffman painted four murals for the cafeteria of the Emil G. Hirsch Metropolitan High School including Amusement Park, Circus, Rodeo, and Stock Show The murals were painted over with house paint, but the outlines of the canvases are visible on the walls and might be able to be restored In 1937, Kauffman painted Incidents in the Life of Luther Burbank for the Luther Burbank School. The following year, she completed a second mural at the school, Circus. The murals at Burbank were still extant in 2001. The playground houses at Oak Park, Illinois, contain Kaufman's bas relief sculptures depicting fairy tales. These included a cast stone relief based on Thumbelina by Hans Christian Andersen, at the Watts Playground on Hayes Avenue at Division Street; a stone sculpture titled The Cutting of the Cake based on Lewis Carroll's Through the Looking Glass, for the Lincoln Playground at Kenilworth Avenue and Fillmore Street; and a cast stone work Captain Flint based on Robert Louis Stevenson's character at the Pyott Playground on Lake Street at Taylor Avenue. She painted murals at the Cook County Children's Hospital, but they were destroyed when the building was demolished, Kauffman created two bas reliefs for the Lincoln Elementary School in Evanston, Illinois. Children in Fruit Tree and Monkeys are intricate wood carvings with three-dimensional style. In addition, she completed commissions at the Washington School in Evanston and the Lowell School in Oak Park, as well as a mural for the Forest Park Public Library. In 1940, Kauffman won the federal commission to paint Preparation for the First County Fair in Ida Grove–1872 for the post office mural in Ida Grove, Iowa. Many great Chicago artists worked for the WPA including Rainey Bennett...

Paul Riba (American, 1912-1977) Wart Hog Oil on paper Signed lower right 18 x 15 inches 24.25 x 21 inches, framed Paul Riba was a painter of Magic Realism. He explored the unreal j...

'Aude' by Georges Bousquait, French 20th century signed oil on canvas, unframed board: 9 x 11 inches inscribed verso provenance: private collection,...

1930s French Impressionist Barbizon School oil on panel view of a church in a bucolic landscape by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top...

Horse Riders by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15.5 x 19 inches stamped verso provenance: artists estate, France condition: very good...

Modernist oil painting on board depicting an unexpected gathering of personalities all with a common expression. Signed by the noted artist Ken Nielsen and...

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

Vintage American modernist abstract seascape oil painting. Oil on board. Framed. Handsomely framed in wide modern wood molding. Excellent condition, ready to hang and enjoy.

Rural Mountain Scene with Sheep in Ireland by Post War Modern Irish Artist, David Overend. Art measures 16 x 12 inches Frame measures 25 x 21 inches ...

"Chichen" after "Jaguar Eating Heart" Temple of the Eagles Detailed painting of a sculptural relief from the Platform of the Eagles and Jaguars at Chichen Itza by Walter Henry Willi...

Figure and Dog Sketch by Édouard Righetti (1924-2001) Watercolour and pencil painting on artist paper, beautifully painted. very good condition size: 25.5 x inches x 17.5 inches, un...

'Portrait of a Reposing Cat', oil on board, by F. DuParc (circa 1960s). A thoroughly modern depiction of a colourful, contented feline most likely inspired by Italian Futurist, Fortunato Depero (1892-1960). Futurism corresponded to Cubism sharing several elements including faceted or segmented shapes. Cubism however, was generally static and more subdued whereas Futurism was bright and dynamic embracing technology, mechanisation, power and energy. In this work, the vibrant colours and serene look on the subject transmit a sense of optimism - life is good...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original and made by the art...

André Cottavoz (1922-2012) French Riviera : The cabriolet, 1951 Oil on paper applied on panel Signed and dated lower left On panel 21.5 x 33.5 cm (8.4 x 13.1 in) Presented in a fram...

Artist/ School: Ralston Gudgeon (Scottish 1910-1984) Born Ayr, painter of birds and animals. Studied Glasgow School of Art 1928-1933, winning the Torra...

Francisco Chico da Silva was born in 1910 in Alto Tejo, Brazil. He started his career in 1935 in the city of Fortaleza. The artist grew up with north B...

Oil on wooden panel realized by Marco Novati in 1965. Hand signed in lower left corner. Hand signed, dated and dedicated on rear. Very good condition.

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

This artwork titled "Lucha Con El Toro" c.1955 is an oil painting on canvas by Spanish artist Francisco Pujol, 1927-1999. It is signed at the lower center by t...