Animal Paintings

Very Rare Portrait of 6 Dogs on Enameled Ceramic Maison Pichenot-Loebnitz Enamels, ceramic France, ca. 1875. 25 x 8 (31 x 13 framed) inches This rectangular panel made of enameled c...

Dina Brodsky's realist oil on mylar animal miniature, "Tiny Yellow," 2018, depicts a petit, black and yellow bird perched on a small branch. The bird's delicately textured black and ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: signed painting: 12 x 2...

Oil on canvas

A nordic light nocturnal scene by Rolf Mellström (1896–1953) Two Eurasian woodcocks cross above the dark forest, their compact bodies reading as quick silhouettes against a late blue...

This luminous oil painting by William Gislander captures a tranquil evening scene in the coastal wetlands of Falsterbo, southern Sweden. A group of geese gathers at the edge of a mea...

Herb Booth (1942 - 2014) Texas Artist Image Size: 29 x 41 Frame Size: 39 x 51 Medium: Watercolor "Waterfowl" Geese, ducks, more Herb Booth (1942 - 2014) Wat...

A beautiful signed and dated 1880 oil on canvas portrait of a terrier sitting on a chair, by Rupert Arthur Dent. Excellent quality work by this noted Victorian animal painter. Signe...

Alexandrea Pangburn's "Bloomin Bison," a 2023 creation, showcases an exquisite encounter between the wild and the delicate. This handmade original artwork, an acrylic paint on wood p...

William MALBON (1805 - 1877) A classic mid-nineteenth century oil painting of a racehorse. Painted on canvas. This statement piece is wonderfully titled and clearly signed and dated....

Original Painting tigers in jungle by river with reflection, tropical jungle setting. Titled "Paper Boat". Hand signed recto and titled verso. Framed 25.5 X 21.5 Canvas is 24 X 20 Gustavo Novoa, Born 1941 in Santiago, Chile, He attended the Academy of Fine Arts. Novoa made his debut as an artist in the early 1960¹s selling oil painting, watercolors and crayon drawings on the streets of Paris, France, principally Montmartre. His first one-man show was sponsored by the Chilean Ambassador at the Maison de L¹Amerique Latin in 1961. The late Queen Victoria Eugenia...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51 x 76 cm without frame, 57 x 82 cm with frame. Old oil painting on canvas, in a gilded wooden frame. - ...

Che Leviathan (US based) "Fortification" is an original, handmade oil painting that depicts a brown horse in profile, with thick black mane and a black a...

US buyers pay no import tariffs on this item. This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother...

Timothy by Lucie Sheridan [2022] A colourful painting of a cat Additional information: Original Acrylic on canvas Image size: H:50.8 cm x W:40.6 cm Complete Size of Unframed Work: H:50.8 cm x W:40.6 cm x D:6 cm Frame Size: H:53.8 cm x W:43.6 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Lucie Sheridan is an illustrator and print maker. She creates her work within her studio at Centrespace located in central Bristol, England, which is a long standing co-operative studio and gallery space...

“Herd of Horses in a Marshy Landscape” Frances Mabel Hollams (England 1877-1963) Oil on canvas on board 14 x 20 (24 x 30 frame) inches Signed “FM...

A charming depiction of cockerels and chickens outside a barn building. Signed to the lower right. Signed with a small monogram to the lower right. Presented in a black veneer frame....

Artist: Jack Graves III (American, 1988-) Title: "John James Audubon Flamingo Icon II" Series: Icon *Signed by Graves lower right. It is also signed, ...

This charming portrait of a Collie dog by Frederick French, painted circa 1896, captures the loyal and calm nature of one of the most beloved breeds. French's delicate attention to d...

Antique Horse Painting “Standing Grey Horse, Facing Right” Georg Wolf (Germany 1882-1962) Oil on canvas Signed and dated 1907 lower right 27 x 19 (35 x 27 frame) inches With it's bobbed tail cut short so it doesn't become tangled, it's apparent that this fine specimen was a draught horse...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Rose Freymuth-Frazier Wise Ones oil on linen 32h x 50w in 81.28h x 127w cm RFF059 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary explorati...

Original oil painting on panel by artist Brandon Bailey, CA. Framed

The Lioness English artist, circa 1930's oil on board, framed framed: 10.5 x 9.5 inches board: 8 x 7 inches provenance: private collection, UK condition: overall good and sound

Drizzle Supernova is a radiant and uplifting contemporary painting by Eric Robitaille, celebrating the energy of flight and the beauty of nature. A swallow bursts across the ca...

This charming oil painting features a rabbit and continues my Wild Nature series. It is inspired by animals that coexist with humans and can often be pets. I love the silver backgrou...

French oil on wood panel view of a sunny farmyard with chickens and ducks by H Tikat. The painting is signed bottom right. A very charming rural view of a hen house in a farmyard wi...

Work on canvas : 44.5 x 67 x 2 cm This 19th-century painting by artist François de Niederhausern (1828-1888) depicts a pastoral scene at dusk, bathed in the soft light of a setting ...

Pair of 19th century British equestrian oil paintings British, 19th Century Boards: Height 25cm, width 32cm Frames: Height 35cm, width 42cm, depth 4cm This attractive pair of 19th-century oil paintings beautifully captures the elegance and charm of Victorian sporting art. Rendered with fine detail and vibrant hues, the paintings are enhanced by their original wooden frames and equal dimensions, making them ideal for display as a complementary set. Each artwork features a 19th-century racehorse alongside its jockey, portrayed with striking use of colour and a keen eye for character. In the first composition, a chestnut horse is shown being led across an open landscape by a gentleman in stylish rural dress, likely the owner. The jockey, seated confidently atop the animal, wears vivid blue silks. The lower right corner bears a faint signature, and the reverse of the canvas includes indistinct handwritten text, presumably of the horse’s name. The second painting shows another similarly hued racehorse, this time in profile, with its jockey dressed in bold yellow silks and a burgundy riding cap. The back of this canvas is clearly marked with the name ‘Red Robin’. Rich in colour and full of period charm, this matched pair of antique equestrian paintings would appeal to collectors of horse racing...

J. Foley (British, 20th Century) Siamese Cat Oil on canvas Signed on the reverse This elegant portrait captures the distinctive grace and poise of the Siamese cat, renowned for its ...

Jill Soukup's "Reverie" (2024) is an original, handmade oil painting that depicts a horse kicking up dirt while in motion on an abstracted background. About the artist: Jill Soukup...

Sockeye - sill life composition - exquisite highly contemporary still life acrylic on canvas painting, 22 x 28 inches unframed and professionally framed in maple measuring 22 3/4 x 2...

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

Alexander Koester 1864-1932 German Sixteen Ducks in the Evening (Sechzehn Enten in Abendstimmung) Signed "A KOESTER" (lower left) Oil on canvas Epitomizing the mastery of Germany...

Brian Keith Stephens' "Wild Things Return Act III" (2020) is an original oil painting capturing the essence of a bison with expressive and vibrant brushwork. Painted on Artefex ACM p...

"A Stork in Alsace" is an original handcrafted impressionist oil still-life by Linda Tracey Brandon, depicting a stork at rest at a lakeshore. Linda Tracey Brandon is a nationally r...

Arthur Wardle (1864–1949) Study of two collies signed and inscribed 'Arthur Wardle to G.H.Proctor Esq' (upper right) Oil on board Painting size 16 x 13 in Framed size 19 x 16 in Pro...

A bright, exotic bird is depicted on a 40×40 cm square canvas, painted with acrylics. Its plumage captivates the viewer with vivid shades of yellow, black, and burgundy. The most str...

"Sysonby" Edward Herbert Miner (American, 1882-1941) Depicting the champion thoroughbred horse Sysonby (1902-1906) Oil on canvas, signed "E H Miner 1905" 24 x 32 inches (31 1/4 x 39...

An original oil painting by the British sporting artist Colin Graeme (1858-1910). The scene depicts a Gordon Setter and English Setter guarding a wicker hamper. The composition is si...

Lillian Cheviot (1894-1930) A collie lying on a stone wall signed 'L. ChevioT.' (lower left) Oil on canvas Canvas Size - 20 x 24 in Framed Size - 31 x 35 in Provenance Sale, Doyle &...

Margaret Collyer, (1872 - 1945). A London painter of animal scenes, whether horse portraits or dramatic highland scenes such as her "Lord of the Isles". She exhibited at the Royal Ac...

This pastoral oil painting depicts cattle grazing in an overgrown landscape beneath a moody, cloud-filled sky that dominates the upper portion of the composition. The artist employs ...

Jules Gustave LeRoy (1856-1921, French) "Curious Kittens and Wasp" Oil on Canvas 21.5" x 25.75" unframed 28.75" x 33"

In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. Wh...

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

Watercolour on paper Paper size: 4 x 5 inches Framed size: 19 x 19.75 inches PROVENANCE A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner). Private collection, London LITERATURE: For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988. The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV. Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch. At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824. The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner. Anne Lyles has confirmed the attribution and writes: "Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

Tabby Cat With its strong and confident brushstrokes, Tabby Cat captures the essence of a poised and self-assured feline. The cat sits calmly, facing the viewer with a gentle yet ass...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This vibrant and expressive painting features a small exotic bird perched on a moss-covered branch. Its plumage delights the eye with a rich palette: bold red accents blend harmoniou...

Jill Opelka Green Koi Oil on Canvas Year: 2023 Size: 24 x 18 inches Framed: 30 x 24 x 1.5 inches Signed COA provided Tags: Koi, Pond, Lush, Green, Red, Movement, Fish *Framed in a gold wooden frame - ready to hang ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings perfect for gifts to commissioned portraits...

Antique English dog portrait landscape oil painting. Oil on board. Framed. Signed. Measuring: 28 by 31 inches overall, and 20 by 24 painting alone. In excellent original condition...

Today, in an age of easy mechanical reproduction, there is still something of the magical in the representation of an animal by hand. A part of the power of Joseph Piccillo's work li...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable specie...

Paul Riba (American, 1912-1977) Walrus Oil on paper Signed lower right 29.25 x 24.5 inches 34.75 x 30 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

Charles Edward Stewart (fl. 1887-1938) A collie lying down signed 'C.E. Stewart' (lower right) Oil on canvas Canvas Size 28 x 36 in Framed Size 35 x 43 in Provenance with Ross Hamil...

A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Orange Crush". To achieve this remarkable painting, the artist inks the octopus using traditional sum...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...