Cow Animal Paintings

Monogrammed JS Work on canvas Gilded carved wooden frame 45 x 35 x 4.5 cm

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Artist/ School: F. Brown, English 19th century, signed and dated 1880 and inscribed verso Title: 'Market Day', a farmer on horseback leading cattle through a rural lane to the market. Medium: oil on canvas, framed Framed: 19.5 x 25.5 inches Painting: 14 x 16 inches Provenance: private collection, East...

Paper Size: 38.8 x 49.7 cm Painted by Suresh Sharma, this is a 20th Century miniature painting from one of the leading contemporary miniature painting Ateliers in Jaipur, owned by M...

Melvin Warren (1920 - 1995) Texas Artist Image Size: 29 x 40 Frame Size: 37 x 49 Medium: Oil Untitled Biography Melvin Warren (1920 - 1995) Melvin Charles Warren...

The Sheep Dog French, mid 20th century signed oil painting on canvas, framed framed: 21 x 31 inches canvas: 20 x 30 inches provenance: private collection, France condition: overall...

Artist/ School: Frank Murray, Scottish late 19th century Title: A figure returning a crofters cottage besides a river or lake in the Highlands. Medium: watercolour painting, frame...

Stag In Snow by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 12 x 16 inches provenance: private collection of this artists work, UK The ...

Artist/ School: French School, early 19th century Title: Cattle being Driven through the town. Medium: oil painting on canvas, unframed Size: canvas: 21 x 25.5 inches Provenanc...

Verwée Louis-Pierre Courtrai 1807 – 1877 Brussels Belgian Painter 'Landscape with Shepherds and Animals by the Water' Signature: signed lower right and dated 'L. P. Verwee 1851' Medium: oil on panel Dimensions: image size 43 x 52 cm, frame size 58 x 66 cm Biography: Louis-Pierre Verwee (also spelled Verwée) was born on March 19, 1807, in Kortrijk, Belgium, and died in Brussels in November 1877. He is widely regarded as the leading representative of the Romantic school in Belgian landscape painting, particularly known for his evocative winter scenes and rural landscapes with cattle. Verwee left school at an early age to pursue his passion for art. He enrolled at the Academy of Fine Arts in Kortrijk, where he studied under Jan Baptiste de Jonghe, a prominent landscape and animal painter. He later continued his artistic training with Eugène Verboeckhoven in Ghent, who would not only become his mentor but also a lifelong friend and collaborator. The two artists often worked side by side, and Verboeckhoven occasionally painted the figures and animals in Verwee’s landscapes, to such a degree that their early works are sometimes difficult to distinguish. Verwee followed Verboeckhoven to Brussels and established himself as a successful landscape and animal painter. His preferred subjects were winter and summer scenes, typically populated with figures and animals. His style, particularly in his early work, was closely aligned with that of Verboeckhoven. Over time, he became known for landscapes that reflected the romantic tradition, with compositions echoing the work of Andreas Schelfhout, Barend Cornelis Koekkoek, Frans Keelhoff, and Johann Bernard Klombeck. His depictions of forests and rivers often employed a dreamy, atmospheric quality that captured the mood and light of nature. In his later career, Verwee sought artistic innovation but found himself increasingly focused on variations of winter landscapes after 1837. These scenes, popularized by Koekkoek and Schelfhout, were characterized by low-hanging snow clouds, icy waterways, and a cool palette of light blue and metallic grey, creating a moody and intimate ambiance. Occasionally, other artists such as Florent Willems...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

Mark Making (2019) oil on panel, nature art, wildlife landscape, cave animals, cave art, prehistoric art, earth tones "Mark Making" by Alexis Kandra is an or...

Jan van Gool (Dutch, 1685-1763/65) Pastoral Scene, 1719 Oil on panel, 15 x 21 3/4 inches FRAMED: 23 x 29 1/2 (Approx.) Signed and dated at lower left: "J V G...

Axel Hansen (Dutch, 1896-1936) Country Farm Landscape w/ Cattle c.1920s Fine impressionist oil painting by Danish painter Axel Hansen. The painting shows...

Ali Ghassan's "Black Cow" is an original, handmade oil painting that depicts a black and white cow with a yellow ear tag with a blue sky background. Abou...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

A beautiful snapshot of the English countryside with cattle grazing under a dramatic sky. Presented in a most attractive hand made frame. Dominic Parczuk (born 1982) Pasturelands Si...

Lani Vlaanderen's (US based) "Medicine Hat" is an oil painting that depicts a small group of wild horses grazing peacefully in golden sunlit meadow Bio/artist statement: Living in the mountains near Rocky Mountain National Park Lani is never lacking something inspiring to paint, be it a grand sunrise on Long's Peak or a small sparrow perched on a pine branch. All fill her with the desire to put paint to canvas. Her goal is not to replicate what she sees, but to express her emotional response from the source of inspiration visually in paint and convey it to the world. She wants to communicate the awe she feels when in the natural world and the joy she experiences from seeing even the seemingly most insignificant moment in time that will never come again. She strives to convey her belief that all things, all beings, all life and non-life, share equal significance and are essential to the whole. "I began my art quest by taking a few classes at Rocky Mountain College of Art and Design, then enrolled in Kim English's class at the Art Student's Leaque of Denver. After four years with Kim and functioning as his class monitor, I had the opportunity to participate in a painting group with Richard Schmid in Loveland Colorado. I painted there with him for six years. I have taken workshops from such masters as David Leffel, Sherrie McGraw...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...

Albert Ernest Bottomley was an English Impressionist and traditional painter of landscapes and animal scenes. Painter born in Leeds who studied art with the landscape artist William...

Attributed to Friedrich Voltz (1817–1886) – Bucolic Cattle Scene Artist: Attributed to Friedrich Voltz Period: 19th Century Medium: Oil on Canvas Dimensions: Framed: 35 x 40 cm Artw...

Cowboys trying to run out of the storm on this cold rainy day of cattle herding on the ranch. A cowboy in a wagon being pulled by four brown and black horses is herding the longhorns...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Cheri Christensen was born in Enumclaw Washington, a small rural town of horse, dairy and cattle ranches at the foot of Mt. Rainier. She attended the University of North Carolina at ...

Interesting and well-painted American turn of the 19th-century animal scene of an interior of a barn with cows, calves, and chickens The piece has a great deal of charm and is very ...

A really appealing view of the English countryside in the springtime with rolling hills, cattle grazing in lush pasture and a windmill off in the distance. George Graham (1881-1949)...

Highland Pastures by Louis Bosworth Hurt British 1856-1929 Oil on canvas Canvas size: 24 x 36 inches Framed size: 36.25 x 48 inches Signed and dated lower right

Henry Brittan Willis British, (1810-1884) Midday Rest Oil on canvas, signed & dated (18)59 Image size: 18.5 inches x 31 inches Size including frame: 26.25 inches x 38.75 inches A b...

"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...

"French White", is a 30x40 oil painting on canvas by artist Leslie Peck featuring a majestic white bull standing in a stately, regal pose. A dark background with a grass covered foreground provides drama and mystery. Peck's use of hand-mixed paint provides a silky, buttery finish. About the artist: Leslie Anne Peck is a native of Buffalo, New York. She moved to New York City to attend the Fashion Institute of Technology where she received her Bachelors Degree in Fine Art. In 1987 Leslie spent a year studying art in Italy at the Scuola di Lorenzo De Medici in Florence and subsequently apprenticed in Rome with renowned illustrator Alessandro Biffignandi. Leslie began a freelance career in romance book...

CHARLES MARCH GERE, RA, RWS (1884-1963) Tuscan Vintage Signed with monogram l.lr, signed again with monogram and dated 1912 on the overlap; signed and inscribed with title on the b...

James McDougal Hart (1828-1901) was a prominent American landscape painter and a key figure in the Hudson River School. His landscapes are characterized by their serene and idyllic q...

Original Oil Painting signed by the Artist in the lower right corner.

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...

Mohammad Osman - Gangireddu (Sacred Bulls) Acrylic on Canvas, 48 x 48 inches, 2020 Born in 1972 Originally from a village in Mahabubnagar district ,I draw inspiration heavily from village life.. I have completed my bachelors of fine arts from JNAFAU Hyderabad.My first solo show happened with gallery g in 2010.later after that I had many solo and group exhibitions. Recently I have been painting various versions of a bull that is traditionally decorated during sankranthi. I am touched with Indian culture and tradition and since past many years I have been working on this bull series and its also symbolic image of "SANKRANTI" festival. My childhood my village are the reasons for this gangireddu. I lived in a village for twenty five years and am strongly connected to my village and my roots there.And I have chosen Gangireddu because I found it very interesting with beautiful traditional elements in it. I feel it's nothing less than a beautiful composition of art. EDUCATIONAL QUALIFICATIONS: B. F. A ., (Painting) J.N.T.U , College of Fine Arts ,HYDERABAD. SOLO SHOWS: 2010 - Gallery – G , Bangalore. ( Kole Basava - Kala Basava ) 2009 - “RENAISSANCE GALLERY”, Bangalore. 2019 - Gallery - G , Bangalore. GROUP SHOWS . 2019 - Gallerie. Nvya. New Delhi... 2019 - TIGER.. TAO art gallery mumbai…(travelled show) 2019 - TIGER.. the state art gallery, Hyderabad. 2019 - state art gallery Hyderabad, 2017- KARA art show, club botanica. 2017 - Studio 3 art gallery , Mumbai( singapur art fair} 2017- Studio 3 art gallery , Mumbai (Dubai art fair) 2017- A project for private collection, ( huge size painting), Hyderabad 2017- Beyond the contours, Mon art gallery, Kolkatta 2016- Samara art gallery, Ahmedabad 2016- Art for cause, hotel AVASA hyderabad 2016- Studio 3 art gallery , Mumbai 2016- Madhyam, Bangalore 2016- Mahua art gallery. Bangalore 2016- Catharsis art gallery ,Ahmedabad 2016- gallery G , Bangalore 2016- Mahua art gallery Bangalore.. 2016- Madhyam, Bangalore 2015- Gallery NVYA, (flight of expressions) 2015- Gallery NVYA, (oorjha) 2014- show of gallery collection, gallery space,Hyderabad 2014- Concern india foundation ( Hyderabad ) 2014- Concern india foundation ( Ludhiana ) 2014- Gallery space, Hyderabad( art for cause ) 2014- Gallery NVYA, (Zen movments) 2014- Hotel HYATT, Ahmedabad by kalakrithi art gallery 2013- Gallery NVYA, (The winter tale) 2013- Gallery NVYA, (Amalgam prathama collection) 2013- Gallery NVYA, ( 9 th anniversary show) 2013- Gallery NVYA, (Varsha-sharad) 2013- Gallery NVYA, (Basanthagreeshma collection, IGIA) 2013- NVYA Art Gallery , New Delhi ( Within Reach-IV.) 2013- Taj falaknuma palace, Hyderabad (an art saturday by kalakrithi art gallery) 2013- NVYA art gallery, New delhi, (Completely Contemporary) 2013 - NVYA Art Gallery , New Delhi .( The timeless journey of indian contemperory art) 2013 - NVYA Art Gallery , New Delhi . ( Hemanta-Shishir) 2013 - Kalakriti Art Gallery , Hyderabad.( Flavours of hyderabad) 2013 - Time And Space Gallery ,Bangalore 2013- Gallery NVYA, (The timeless journey of indian contemperory art) 2013- Galley NVYA (Comletecontemperory )new delhi 2012- Gallery NVYA, (Hemantha- shishira, IGIA) 2012 - Nvya Art Gallery, New Delhi . ( Within reach lll) 2011 - Forum Art Gallery ,Chennai .( Deccan musings ) 2011 - Time And Space Gallery ,Bangalore 2011- Kalakriti Art Gallery , Hyderabad. ( po10tial - 2 ) 2010 – Biddle & Webb , Birmingham ,U.K. 2010- Galley NVYA (Comletecontemperory )new delhi 2010- gallery G bangalore. 2010 - Time And Space Art Gallery ,Bangalore. 2009 - Goup show of artists from HYDERABAD at Windsor Manner, BANGALORE. 2008 - USA (San Francisco), a Group show with Indian Contemporaries. 2008- Artist from India...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 20 x 30 Frame: 27 x 37 Medium: Oil "Brahmas" A native of Texas, Chuck Mauldin has been painting in oi...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 20 inche...

'When Heaven descends in Showers" Cattle in a Dramatic Scottish Highland Landscape original painting by Henry Hadfield Cubley (1858-1934) British signed oil on canvas, framed dated 1...

Cattle in an Atmospheric Scottish Highlands Landscape by Henry Hadfield Cubley (1858-1934) British signed oil on canvas, framed inscribed verso (the artists address) framed: 31.5 x 4...

The Close of Day by F. E. Jamieson (British 1895-1950) signed (with one of the artists pseudonyms) oil on canvas, framed framed: 21 x 26 inches canvas: 16 x 24 inches provenance: pri...

Double Trouble ,an oil painting shows the simple interaction of the animals in their environment. Double Trouble by Cheri Christensen portrays the way the light dances across the fo...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 22 x 28 Frame: 31 x 37 Medium: Oil "Flowers On Her Dinner Table" Texas Hill Country View details A nati...

David Konigsberg was born in Warren PA and lives and works in Brooklyn NY. His rural and urban experience play out in a love for both landscape and conceptual narrative, genres he of...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 24 x 30 Frame: 34 x 40 Medium: Oil "Bravo Creek" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 16 x 20 Frame: 23 x 27 Medium: Oil "Jaywalker" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

Jiban Biswas - Important Meeting - 36 x 78 inches (unframed size) Acrylic on Canvas Style : According to him, “ The Mud colour are changing its shade, T...

"BACA" Figurative Painting 30" x 24" inch by Isaac Pelayo Medium: oil, oil pastel, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Ren...

Highland cattle grazing on Coltishall Common on a cold misty morning Rachael’s paintings are large, colourful and expressive. Her free and lively use of paint through various techn...

Robin Hextrum's "Profile of a Bull" is an original, handmade oil painting that depicts a black bull in profile with blue and gray Rococo patterns in the background.

Peter Poskas III painting of a Brown Swiss Cow in a rural landscape

Koza, 2019

This piece, "Sunny Cows", is an 8.5x14.5 summer field landscape oil painting on board by artist Mark Verna. Featured is a bright and sunny green field with black and white holstein cows grazing, and a red barn in the background. Light flowers bloom in the foreground of the field. About the artist: As a Rochester Institute of Technology Alumni (College of Imaging Arts & Sciences, Graphic Design / Painting Bachelor of Fine Arts 1972) Mark has always been an artist at heart. Mark's Adirondack art...

Ali Ghassan's "Vaca" is an original, handmade oil painting that depicts a black and white cow with yellow and blue graffiti in the background. About the ...