Nature Animal Paintings

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 16 x 20 Frame Size: 18.5 x 22.5 Medium: Oil "Horse Stable" Biography Edward Lee Reichert (...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

Lunas horse. Oil on canvas, 73X93 cm Horse in blue-cyan color The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creatin...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

The old granary. Oil on cardboard, 24,5x45 cm

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

Haymaking time 1930, pastel on paper, 30x39 cm "Haymaking Time" is a serene and evocative artwork that transports viewers to a simpler time, celebrating the beauty of the countryside and the age-old agricultural activities that have shaped the lives of people for generations. The use of pastels and the light figurative style imbue the artwork with a sense of warmth and nostalgia, inviting viewers to appreciate the natural rhythms of rural life. Aleksandra Belcova...

The painting is comprised of two horizontal canvases bolted together. This work is part of earlier works done by the artist in the 1990's when he was...

Hills. Oil on canvas, 68x99 cm Summer landscape with hills

This piece, "Sunny Cows", is an 8.5x14.5 summer field landscape oil painting on board by artist Mark Verna. Featured is a bright and sunny green field with black and white holstein cows grazing, and a red barn in the background. Light flowers bloom in the foreground of the field. About the artist: As a Rochester Institute of Technology Alumni (College of Imaging Arts & Sciences, Graphic Design / Painting Bachelor of Fine Arts 1972) Mark has always been an artist at heart. Mark's Adirondack art...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

"Without Title" is a small, unique oil on canvas painting of German artist Willi Bucher. It depicts with powerful strokes a minimalist white abstract landscape with pins. an alpine ...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Evening sun. 1954, oil on cardboard, 33x61 cm

Kartick Chandra Pyne - Untitled - 22.5 x 30 inches ( unframed size) Watercolor on thick imported paper Inclusive of shipment in roll form. Style : After graduating from the Governm...

Crimea. 1957, oil on cardboard, 35x71 cm

This 19th-century British School painting depicts a handsome chestnut horse standing proudly in a verdant rural landscape—a classic subject in ...

Sunset. Oil on canvas, 50X80 cm Sunset in warm orange colors The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also...

A common interpretation of Botticelli's masterpiece, "Birth of Venus" is that the goddess reappears to herald a new age of love and enlightenment after the prolonged unrest of the Mi...

Eric Harrison (Born 1971 ) Texas Hill Country Artist Image Size: 34 x 48 Frame Size: 44 x 58 Medium: Acrylic "Dapple Grey Horse" Bio “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” -Henry D. Thoreau Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas. Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists. Exhibitions and collections of his work include: The United States Embassy in Togo, Africa The University of Texas at San Antonio The Buckhorn Museum San Antonio Best of the Best Art Show Salado, Texas Texas Lanscape Show The Nave Museum, Victoria Texas The Harrisons, “A Family of Texas Painters” Charles Morin Fine Art...

Title: Meadow Walk Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

"Pink flowers" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE: ...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Alongside my wife Nansi, I have been lucky to explore some of the most beautiful and pristine coral reefs in the world. People often think we take pictures of the corals and paint them, but that is far from our process, which involves (at least in this case) working from an abstract design and weaving in memories and imagination until I had this image resolved. This painting is scheduled to be a part of our (Nansi’s and mine) international museum exhibition highlighting the beauty and fragility of our coral reef ecosystems, kicking off at the new ICONIC Museum in Texas in 2024. David C. Gallup has devoted his life to the study, teaching, and creation of art. He graduated from Otis/Parsons in Los Angeles in 1990, and soon found himself supervising a staff of over thirty artists under pop art legend Hiro Yamagata on the Earthly Paradise collection and other projects. He began plein-air painting on mornings, weekends and after work, and eventually left his friend and patron Yamagata to pursue a career as a gallery artist. For over a decade, he was the Vice President of the historic California Art Club...

Jim C. Norton “Pipe Springs” Oil on Masonite Image: 12x16 inches Overall: 18x22 inches with frame Oil on Masonite Signed lower right and verso Up for sale is a wonderful Western pai...

This vibrant landscape, "Spring", is a 9x12 equine oil painting on canvas featuring a grey horse and a brown horse walking in a lush green grassy pasture in the warm sunlight. Trees...

On a recent trip to the Tuamotu Islands (our Honeymoon, incidentally) we signed up for an eco-tour to snorkel with Black-Tip Reef Sharks in the Rangiroa Lagoon. While swimming with ...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

This winter scene, "January Dawn" is a 24x36 rural landscape scene featuring five deer standing in a snow dusted field with red barns amidst the tree line in the background. The purple sky peeks through the bare trees, showcasing the perfect dawn lighting...

Like almost all of us, I grew up fearing sharks and hoping never to meet one. We still see it everywhere, the image of the blood-thirsty man eater, stalking us in the shadows. The ...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

"Freshly Shorn", is a 12x24 oil painting on board by artist Leslie Peck featuring a lively flock of freshly shorn sheep and lambs. The animals are framed under a canopy of bright gre...

Original Oil on Board size: 35 x 57 in. Frame size: 39 x 46 in. Signed: lower right This impressionistic oil painting by Contemorary master, Bartolome Sastre, captures a serene, out...

Contemporary Landscape Watercolour Painting of Hereford Cows watering in a Meadow, A Large Framed Watercolour of Hereford Cattle watering in a Meadow by an established Painter of Animals. Neil Westwood British, Born 1947 Neil Westwood is an established watercolour painter...

A Landscape with Two Roosters Hoess Eugen Immenstadt 1866 – 1955 Langenwang German Painter Signature: Signed bottom right and dated 27 Medium: Oil on canvas Dimensions: Image size 72 x 94 cm Biography: Hoess Eugen Ludwig was born in 1866 in Immenstadt, Germany. He was a painter of landscapes and hunting scenes. He painted not only oil paintings but also watercolours and made etchings. Hoess passed the entrance examination at the Academy of Fine Arts in Munich. He was a student of master teachers and artists Kirchbach, Raupp, v. Hackl and Ritter v. Herterich. In 1889 he moved to Frankfurt and in 1891 he returned to Munich. In 1898 he went on study trips to Sweden, Austria and Italy and returned to his hometown. Two years later he had his first exhibition in Munich with paintings of hunting scenes...

Julius Lange (17 August 1817, Darmstadt – 25 June 1878, Munich) was a German landscape painter. In 1834, inspired by his older brother, the architect Ludw...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

This vibrant landscape piece, "Lush Pasture", is a 16x20 featuring three brown horses grazing in a green pasture surrounded by the warm afternoon sun light. Lush green trees fill the...

With the seemingly pleasant surroundings, do not allow yourself to be “fed” with the pretense of human-like personalities. Be there where there is more sincerity and less compromises...

"Grévy's Zebra" is an original oil painting on canvas by Peruvian painter Lucre Chura. The artist signed the painting in the lower right. The Grévy's zebra, also known as the imperia...

Two swimming dogs. Alla prima oil painting with few final tuches when dry.Beautiful weather with a big shining sun. And I'm standing there taking it all in.The many spectacular sight...

This piece, "Sunday Graze", is a 12x17 acrylic painting on board by artist Del Bourree Bach featuring a peaceful rural landscape. A large white gambre...

This piece, "Foggy Morn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, sil...

Wright Barker (British School 1864-1931) Barker was a well-known painter of equestrian and highland scenes, though landscape and genre subjects are known. ...

This piece, "A Lazy Summer Day", is a 15x25 acrylic painting on board by artist Del Bourree Bach featuring a peak into quiet barn pasture. Patches of ...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at...

Oil on canvas

This piece, "No Breezing Today", is an 8x10 oil painting on canvas by artist James Jahrsdoerfer featuring a snowy winter view at the Saratoga Race...

This piece, "Dawn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, silhouett...

This realistic equine piece, "Stables with Blue Buckets", by artist Dahl Taylor is a 24x40 oil painting on canvas featuring two race horses standing near t...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Pacific Rays 47.0 x 32.0 x 1.5, 7.0 lbs Oil Paint Hand signed by artist Description: An original oil painting by Lee Campbell. This contemporary painti...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child during a "Friday-night-smoked-filled-room-critique" where his father and friends would meet to look at slides of contemporary artists and their work. His father worked as a painter and a designer. His father's familiar designs included the "Grey Hound Bus" logo and the "Circle K" logos. Brett studied painting, film and theater at the University of Wisconsin, Madison. He supported himself working in professional theater as a set builder, in television as an art director and after moving to Southern California in 1987, worked in Hollywood as a special effects miniature artist. Notable films include, Star Trek IV, Karate Kid...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

This painting is an oil work by Hunt Slonem, created in 2023. The piece is in excellent condition, brand new, and measures 127 x 178 cm (50 x 70 inches). The painting features a grid...

Goat Herders, Morocco Trevor Waugh Oil on canvas Unframed Orientalism Landscape Paintings

Starostin, A.M. (1924 -1987) was a Russian artist from Moscow. In 1963, due to his recognized talent, he became a member of the Union of Painters of USSR. In 1950-1960 Starostin mast...