Outdoors Animal Paintings

Three horses having a nocturnal meeting. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Julius Lange (17 August 1817, Darmstadt – 25 June 1878, Munich) was a German landscape painter. In 1834, inspired by his older brother, the architect Ludw...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Gian Marco Capraro is fascinated by altered universes, dream states and idyllic states of being. Leibniz was a philosopher who wrote and deeply explored the “best of all possible wor...

This piece, "Silent Run", is a 40x40 equine oil painting on canvas by artist Marie Channer. Featured is a group of horses running in the snowy hours of early morning. Snow drifts lif...

This vibrant landscape piece, "Lush Pasture", is a 16x20 featuring three brown horses grazing in a green pasture surrounded by the warm afternoon sun light. Lush green trees fill the...

Nellie E. Brown was a British artist who flourished in the late 19th century to early 20th century. Brown participated in exhibitions at the Walker Art Gallery in Liverpool and Royal...

With the seemingly pleasant surroundings, do not allow yourself to be “fed” with the pretense of human-like personalities. Be there where there is more sincerity and less compromises...

"Grévy's Zebra" is an original oil painting on canvas by Peruvian painter Lucre Chura. The artist signed the painting in the lower right. The Grévy's zebra, also known as the imperia...

Two swimming dogs. Alla prima oil painting with few final tuches when dry.Beautiful weather with a big shining sun. And I'm standing there taking it all in.The many spectacular sight...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

This piece, "Sunday Graze", is a 12x17 acrylic painting on board by artist Del Bourree Bach featuring a peaceful rural landscape. A large white gambre...

This piece, "Foggy Morn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, sil...

Wright Barker (British School 1864-1931) Barker was a well-known painter of equestrian and highland scenes, though landscape and genre subjects are known. ...

From the Glynn and Suzanne Crain Collection, unsigned

This piece, "A Lazy Summer Day", is a 15x25 acrylic painting on board by artist Del Bourree Bach featuring a peak into quiet barn pasture. Patches of ...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at...

Oil on canvas

This piece, "No Breezing Today", is an 8x10 oil painting on canvas by artist James Jahrsdoerfer featuring a snowy winter view at the Saratoga Race...

GERALD ROSE (BRITISH, 1935 – 2023) SHEEP IN WINTER Acrylic on board Signed and dated ‘Gerald Rose 69’ (lower right) 29.1/2 x 19.1/4 in. (75 x 49 cm.)

Signed on reverse Jean-Marc Teillon is a French artist born in 1856 who lives & works in Arcueil, France. He was formerly director of Galerie Municipale Julio Gonzalez in Arcueil.

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Hutong is typical building of old Beijing, beautiful and quite, which is also a reflection of traditional clulture, for hundreds of years. There were more than 3,300 hutongs in old Beijing. Today, it is really hard to find an original hutong. They are vanished, replaced by new buildings. This artwork shows ruins of old hutong. The red sign "北大吉巷" that fell on the ground is its name. The upper part of the picture shows the modern city being built by human beings. On the left of old wall, there is Chinese character '拆', means tear down. On the bottom, there is beautiful gate...

This piece, "Dawn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, silhouett...

This realistic equine piece, "Stables with Blue Buckets", by artist Dahl Taylor is a 24x40 oil painting on canvas featuring two race horses standing near t...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

"Uninhabited Ice" oil on wood 8 x 10 inches 2023

Pacific Rays 47.0 x 32.0 x 1.5, 7.0 lbs Oil Paint Hand signed by artist Description: An original oil painting by Lee Campbell. This contemporary painti...

Artist: Michael Knigin, American (1942 - 2011) Title: Broken Silence Year: 1990 Medium: Acrylic on canvas mounted on board, signed verso Size: 60 in. x 36 in. (152.4 cm x 91.44 cm)

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child during a "Friday-night-smoked-filled-room-critique" where his father and friends would meet to look at slides of contemporary artists and their work. His father worked as a painter and a designer. His father's familiar designs included the "Grey Hound Bus" logo and the "Circle K" logos. Brett studied painting, film and theater at the University of Wisconsin, Madison. He supported himself working in professional theater as a set builder, in television as an art director and after moving to Southern California in 1987, worked in Hollywood as a special effects miniature artist. Notable films include, Star Trek IV, Karate Kid...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

This painting is an oil work by Hunt Slonem, created in 2023. The piece is in excellent condition, brand new, and measures 127 x 178 cm (50 x 70 inches). The painting features a grid...

Henrietta Caledon Seagulls Original Oil Painting Oil on Wood Canvas Size: H 51cm x W 61cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look). Landscape painting of seagulls fishing in the sea by Henrietta Caledon. There is a family of seagulls that live on my roof, and I became fascinated by them during the lockdown. They are so agile, and they represent ‘soaring above the drama’, ‘looking at things from a different angle’, adaptability, stamina, resourcefulness, and freedom. The turquoise and blue colours of the sea almost swallow the gulls in the waves and their orange beaks are a wonderful contrast. Henrietta Caledon was born in London in 1964. Studied art and history of art for O’level and A’level at West Heath School and then Queensgate School. Trained at Xium International design service company in 1982/83. Started interior decorating business Henrietta Designs in 1984 and have carried out many projects around the world for thirty five years, working a lot with design and colour. 2016-2019, Trained with Nick Bashall at Rossetti Studios and the sketch club at Dilke Street. 2018 exhibited three paintings in group exhibition at The Hurlingham Club, London. 2019 solo exhibition at Kiki McDonough...

Goat Herders, Morocco Trevor Waugh Oil on canvas Unframed Orientalism Landscape Paintings

Starostin, A.M. (1924 -1987) was a Russian artist from Moscow. In 1963, due to his recognized talent, he became a member of the Union of Painters of USSR. In 1950-1960 Starostin mast...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Portrait of an elephant

Portrait of a group of lions and buffaloes

Gian Marco Capraro is fascinated by altered universes, dream states and idyllic states of being. Leibniz was a philosopher who wrote and deeply explored t...

Oil paint on canvas Hand-signed on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in temporary and alter...

Oil on canvas Canvas size: 21 x 17 inches Signed lower right

Medium: Oil on Board Signature: Signed Lower Right

"Carps" Artist: Bartolome Sastre Medium: Oil on canvas Canvas Size: 35" x 45.75 in. Frame Size: 44 x 54.5 in.

Wild Horses by Mark Tobey (1890-1976) Oil on panel 10 ¾ x 16 ½ inches unframed (27.305 x 41.91 cm) 14 x 19 ½ inches framed (35.56 x 49.53 cm) Signed on bot...

Oil paint on wood panel Signed on the back

Hane paints a dreamy nocturne - a fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. For example if you bring the painting outside on a bright day.. the colors will pop. If you view inside of a dark hallway.. it will look sombre with less detail. Again, it's a nocturne. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Oil on canvas Canvas size: 20.5 x 27.5 inches Framed size: 24.75 x 32 inches Signed lower right

Li Xiao was born in 1957 in Shanghai, China. Xiao commenced showing interest in the fine arts at a very young age and has been consistently developing his talent as a painter ever si...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens that arc gracefully through meter showers and owls that bury into beds of daffodils. In this place worry is edged out by the fantastic and mystical snails trail neon candy canes through the scorched earth. The apocalyptic is supplanted by the surreal and the allegorical. Anxiety followed me. The escapist reflects and distorts its shadow world, the real, a funhouse mirror...

Landscape oil painting depicting a misty shoreline with three birds near the water, and a sloop visible off in the upper left of the scene.

Oil paint on wood panel Signed on the back "Incanto" or the enchantment of shifting "Nicolas Kennett revisits the organic world through painted and s...

Deckard's Dream, One Small Step (part 2 of 2) 2024 Acrylic on linen 36 x 24 inches Signed, dated, and annotated on verso Currently on view through January 14th as part of Allegories...

'Glisten Hutch' by Hunt Slonem, 2023. Signed on back. Oil, resin, and acrylic on canvas, 30 x 40 in. This painting features Slonem's signature bunnies outlined in white painted over ...

Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist We guarantee the authenticity of this painting and would be pleased to provide you with a formal, certified insurance appraisal. "Winter Pasture" was originally purchased from one of the Oscar E. Berninghaus' principal dealers, Noonan-Kocian in St. Louis, and the painting retains its original 1954 invoice along with a signed affidavit from the grandson of the original owner (see images). As with many artists of the period, Berninghaus sometimes created works intended for reproduction in calendars, books, or advertising. He completed commissions for Brown & Bigelow, the prominent Minneapolis-based calendar and publishing company, which often requested that works remain unsigned for reproduction purposes. This practice explains the absence of a visible signature on certain compositions. ------------------- A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...

William Henry Howe (1846-1929) "Made in the Shade" 1887 Oil on Canvas Signed and Dated Site Size: approx. 14.5 x 21.5 inches Frames Size: approx. 17.5 x 24.5 inches Provenance: Private Collection, St. Louis, Missouri thence by descent William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders. He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889. Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...