Small Paintings

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Seascape Size: 17.5" x 23.5" x 0.8''...

Vintage American modernist abstract oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, re...

This contemporary semi-abstract impressionist painting "Early blooming lilacs" offers a luminous vision of spring: a vibrant bouquet of purple and blue lilacs rising from a vase like...

L.S. Lowry, Street Scene, 1965 Oil on canvas 50.8 x 60.9 cm (20 x 24 in) Hand-signed and dated 'L.S. LOWRY 1965' (lower right) and titled 'STREET SCENE' (on the canvas overlap) E...

An original landscape painting by the Dutch artist Edward de Looz-Block. Leeboard barges on a broad river, probably the Schelde. Signed to the lower right. Well presented in a decora...

Robert FALCUCCI (1900-1989) “Bouquet” A pleasing impressionistic depiction of a bouquet of flowers painted using vibrant colours and with great gusto by Robert Falcucci. Floral pai...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Tranquil Pastures by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches very good condition provenance: from the artis...

oil on canvas

Henry Schnakenberg Pear, circa 1925 Signed lower right Oil on board 12 x 14 inches Provenance The artist Kraushaar Galleries, New York Private Collection Cecelia Lord, Summerland, California Henry Ernest Schnakenberg...

Antoniny In the heart of Khmelnytskyi region, among the picturesque landscapes of the village of Antoniny, this sunny canvas was born – evidence of the artist's magical encounter wi...

Beautiful example of the Hudson River School romantic bucolic New York autumn landscape with cows foraging. Illegible artist signature on stretcher bar (See enhanced images). Condition: very good; professionally cleaned and minor restoration upper right hand corner where paint was missing. Unframed. Image size: 14"H x 24"W x .75"D Hudson River School was an informal association was America's first so-called school of painting and the dominant landscape style until the Civil War. The name derives from a group of 19th-century landscape painters working in New York state. With realistic composition, they depicted romantic views of unsettled areas of the Hudson River Valley especially lakes, rocky gorges, and forests in the Catskill Mountains. About a fourth of these artists utilized luminism or effects with special lighting techniques to convey lofty emotions through contrasts of light and dark. Included in this Hudson River luminist category were Washington Allston, Albert Bierstadt, William Hart, and Frederic Edwin Church...

Antique Danish modernist abstract cubist oil painting by Eugène Sala (1899 - 1987). Oil on canvas. Signed. Framed. Measuring: 19 by 13 inches overall. In excellent original conditi...

In this passionate oil creation, I infused the canvas with the serene beauty of an awakening spring nestled in a cozy village. The majestic mountains stand as silent guardians over t...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

This original contemporary abstract expressionist painting is defined by a richly textured surface and layered painterly structure. Earthy neutrals, muted blues, warm rust tones, and...

Whimsical Kate A. Williams arts and crafts impressionist painting circa 1930. Perfect for the holiday season. 20"x 16" oil on board, signed lower left. Frame is about 25x21. Painter...

Bold, bright colours and clean lines capture the essence of a setting sun as it slips behind a mountain range. This is one of a series of minimalist paintings that celebrates the ‘ro...

Rural Landscape Les Parson (b.1945) signed oil painting on canvas, framed framed: 17 x 22 inches canvas: 12 x 16 inches provenance: private collection cond...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

ARTIST: Georgette Tave (1925-2008) French TITLE: 'Olive Groves Provence" MEDIUM: oil on paper CONDITION: excellent - please excuse the horizontal white line along the bottom of the ...

The Late HM Queen Elizabeth II Edne G. Simpson, British 20th century signed oil on canvas, unframed painting: 24 x 20 inches provenance: private col...

I painted vineyards in Italy in May , it was warm and sunny and I spent the time painting plein air , the colours are very heighten in the early afternoon so I used a rich warm palet...

Miquel Torner de Semir (1938) - Surrealist figure - Oil on canvas Oil measures 46x38 cm. Frameless. Miquel Torner de Semir (1938) Catalan painter attracted by the Middle Ages and I...

August Frederick Biehle (1885-1979) Houses in Zoar, c. 1921 Gouache, litho crayon, colored pencil and graphite on paper Signed lower right 14 x 19 inches 20.25 x 25.25 inches, framed...

Artist/ School: Mervyn Goode (British, b. 1948), signed lower right Title: Tranquil Pastoral Landscape with Cattle grazing Medium: signed oil painting on canvas, framed. Size: ...

P-GELD is a painting by Spanish contemporary artist Ramon Enrich. This artwork is an acrylic on canvas. Dimensions are 50 x 60 cm (19.6 × 23.6 in). In this work, Ramon Enrich explor...

Beautiful Paris Market scene by American Impressionist master Frederick Usher de Voll. Painted in 1907 and passed down through his family since...

Paul Prosper TILLIER Le Boupère (Vendée), 1834 – Paris, 1915 Oil on canvas 46 x 29 cm (53 x 36 cm with frame) Signed lower right “Paul Tillier” Born in Vendée in France, Paul Tilli...

Title: Little Garden Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

This original abstract landscape painting evokes a quiet shoreline moment where misty blue-green tones meet soft light. Layers of teal, sea glass, and deep ocean blue drift across th...

Antonio Monasterio – Angel Among Humans. No. 8 Medium: Mixed media on paper (pastels, wax crayons, red pen) Dimensions: 56 x 44 cm Signature: Signed lower right in cursive Support: W...

Oil on Canvas Canvas Size: 16 x 20 inches Framed size: 20 x 24 inches Signed lower left

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24 inches condition: overall very good, a very few light markings to ...

Repaint an expression of mood, structured with different layers of colour. Signed.

Contemporary acrylic abstract using eye catching hues of orange, red, green and blue, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival p...

This is a very nicely rendered interior scene by an American artist with a very inspiring and interesting background. Richard H Bassett was born in 1900 on the campus of Trinity Co...

Parisian Café Terrace Street Street with Figures 20th Century Post-Impressionism by Italian Artist, Mario Passoni (Italian, born 1927) Art measures 16 x 12 inches Frame measures 23 ...

Oil on wooden table realized by Luciano Schifano (1943) in 1988. Hand signed and titled. Good condition.

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Works usually begin on the streets and then expand to limited edition prints and originals on canvas. "The New Messiah" – Acrylic Stencil on Paper...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

In "Whisper of the Soul," my newest addition to the "Myths" series, I have crafted an image that delves into the mystical world of self-discovery and introspection. This artwork can...

Red Geraniums and Yellow Curtain Original Paul Schmitt California Impressionist Geraniums in an interior setting with a yellow curtain or drape behind by Paul A. Schmitt (American, 18983-1983). Oakland, California artist. Size 23.5"H x 16.5"W Signed lower left "Paul A. Schmitt" Exhibition label on verso, "Alameda Art Association, Paul A. Schmitt Oil Still Life No 10" Painter, watercolorist, illustrator and teacher, Paul Schmitt was born in Philadelphia, in 1893 and moved to San Francisco in 1898 where he lived until the 1906 earthquake took his family home. He then moved to the Fruitvale district of Oakland. He died of natural causes at the age of 90 in San Leandro, California. Paul Schmitt studied under Perham Wilhelm Nahl, at the California College of Arts and Crafts. He also learned various crafts, woodworking and carving skills from his father, Herman Schmitt, a German wood carver working in San Francisco. Herman's works are still found in various San Francisco public buildings including the city hall chambers and the garden court of the Palace Hotel. Schmitt joined twelve other local San Francisco artists to form the group called "The Thirteen Watercolorists", a group that eventually evolved into the Society of Western Artists. Their early members included Alfred Owles, Will Cameron, Maurice Logan, Maynard Dixon and many others. Paul worked with engineers and architects doing models of many projects. He was versatile in that he also did illustrations for various publications and advertisers. He fathered thirteen children. In the late 1930's he decided to accept a teaching position in the local adult schools where he retired in his eighties. Paul was very fond of the Sierra Nevada Mountains and yearly took his large family there on camping /sketching trips. He did a series of oils of the California missions. He also traveled extensively on sketching trips including Mexico where he did a series of Mexican churches...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Seascape Size: 17.5" x 23.5" x 0.8''...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Cliffs, Size: 12" x 21.5" x 0.8''inch, 30x54x2cm Unframed, Stretched on the wooden bar, Gallery W...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Lucien Neuquelman, French (1909 - 1988) - Women in Meadow, Year: circa 1938, Medium: Oil on canvas, signed lower right, Size: 9.5 x 13.75 in. (24.13 x 34.93 cm), Frame Size: 16.5...

The Old Church in Provence French Post-Impressionist School, circa 1950's oil painting on board, framed in a Montparnasse style frame framed: 16 x 20 inches board: 10.5 x 14 inches provenance: private collection, France condition: very good and sound condition Montparnasse picture frames...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Title: Eve’s Spiral Artist: Nerea Caos (Ferrol, Spain, 1993) Medium: Oil on canvas Dimensions: 50 × 40 cm 19.7 × 15.7 in Framing: Unframed Period: Contemporary (ca. 2020s) Signatur...

Beatien Yazz (1929-20120. Navaho Woman Ritual Bathing of Feet, 1955. Gouache on paper, sheet measures 13 x 17 inches. Framed measurement: 20 x 24 inches. Signed and dated lower r...

Nalini Jayasuriya (1927-2014) Untitled - Girl with Flowers c 1970 Watercolour and mixed media on Paper Image Size: 35.5 x 24.5 cm Frame Size: 51.5 x 41 cm A compelling and gentle w...

Michiel Schrijver 'The View' 40 x 50 cm (framed: 44 x 54 cm (Wooden frame is included in price) acryl on canvas Dutch Painter Michiel Schrijver lives and works in the center of the ...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...