Medium Figurative Paintings

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

Italian Madonna, early 18th Century, probably Genovese. Beautiful color palette. Not signed.

This painting presents a sophisticated visual paradox: a woman dressed in the refined style of a 17th-century portrait — black dress, lace collar, white bonnet — is interrupted by un...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Origin" by Abi Whitlock invites viewers to explore a moment o...

Storm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condition: relined canvas, overall very good and presentable condition provenance: private European Collection A very beautiful, period depiction of the Norfolk landscape, with far reaching views over Norwich Cathedral...

Venetian painter (18th century) - Venus and Chronos (preparatory sketch). 59 x 43 cm unframed, 70 x 54 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden ...

Devin Michael Roberts' (US based) "On the Beach at Night Alone" is an oil painting depicting an ocean landscape with crashing waves and a moonlit sky. Artist bio/statement: Devin M...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Nudes French School, circa 1970's oil painting on board, framed measures: 25.5 x 16 inches provenance: private French collection Beautiful French oil painting depicting two female ...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Born in 1993 in...

Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study signed & dated oil on canvas, unframed inscribed verso canvas: 32 x 25.5 inches private collectio...

British painter (late 19th century) - View of Loch Lomond at Sunset. 50.5 x 76.5 cm. Old oil painting on canvas, unframed. - Signed indistinctly lower left. - Handwritten inscrip...

Vintage 20th Century Painting of Lush Green Ireland Village by Irish Artist, Liam Reilly Art measures 24 x 18 inches Frame measures 28 x 22 inches This stunning painting captures t...

Impressive American modernist winter landscape. Detailed and well painted skating scene. Oil on canvas. Nicely framed.

Artist Name: Sam Karres Title: Cozy Corner Bar Wyandotte MI PAINTED 9-7-83 Year: 1983 Medium Type: Watercolor on Paper Paper Size-Width Size-Height: 15'' x 23" Signed, titled, and ...

Shire Horse & Man by Woodland River in the English Countryside by British Artist, Peter J Greenhill Art measures 24 x 18 inches Frame measures 30 x...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

A mesmerising acrylic on canvas by the world-renowned contemporary Haitian master, Franz Zephirin. Celebrated for his highly original style, Zephirin is a key figure in modern Caribb...

Leo Schutzman (1878 - 1962) The Marriage Proposal, circa 1958 Oil on canvas 24 x 20 inches Signed lower left Leo (Kyle) Schutzman (1878-1962) developed ...

An impressive, panoramic view of the River Stour looking towards Harwich and Felixstowe in Suffolk. It is very much a snapshot of times gone by with the hay barge loaded with hay. F...

Portrait of a Lady English School, 18th century oil on canvas, unframed canvas : 31 x 25 inches provenance: private collection, UK condition: good and sound condition

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

With each dip into the water, the swimmer experiences a renewing sensation, as if every droplet washes away fatigue and brings forth strength. In this fluid motion, an almost etherea...

The Artists Model (lady in stockings and suspenders) Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed double sided oil painting on card, unframed si...

Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) signed with the artists pseudonym oil on canvas, unframed canvas: 20 x 30 inches provenance: private colle...

Original painting by Daria Kusto. Acrylic on canvas. Painting rolled in a sturdy tube from Spain– safely and promptly.

This artwork titled "People of the Village" c.1980, is an oil painting on canvas by Hungarian artist Anton Kowalski, b.1926. It is signed at the lower right corner by the artist. The canvas size is 21 x 24 inches, framed size is 26.5 x 30.5 inches. Framed in original dark wood and green frame, with fabric liner. It is in excellent condition. About the artist: The artist was born in Sopron in Hungary in 1926. He was a student of the Academy of Budapest and during the uprising in 1956 against Communism he escaped from Hungary to Vienna where he now lives and works. He has become internationally known for his (typically East European style) “Naive” paintings depicting Village life in the four seasons in glorious color. Children especially like his works as each one tells a story. He has exhibited in many Galleries throughout Europe, particularly in Munich, Vienna, Tokyo, and Harrods in London. His work has been on permanent exhibition at the Stewart Gallery...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

'Ardvreck Castle, Loch Assynt' by Henry Bright (1810-1873). The painting depicts the ruins of the castle and of Calda House, the 17th century manor house of Clan Mackenzie. Ardvrec...

This accomplished portrait captures a distinguished young gentleman at the twilight of the Napoleonic era. His penetrating gaze and confident bearing betray not only his aristocratic...

The Blacksmith by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches board : 23 x 18 inches Provenance: private collection, UK Condition: very good cond...

Fishing at Dawn English artist after an earlier work (see inscription verso) signed oil painting on canvas, framed inscribed verso framed: 23 x 31 inches canvas: 18 x 26inches proven...

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

The Grape Harvest Flemish/ Dutch School, 17th century oil on wood panel panel: 13 x 16 inches provenance: private collection, Belgium condition: very good and sound condition

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A substantial, American oil paint...

Title: Mountain River with Timber Bridge. Golden mountain peaks rise above a quiet river where light and solitude meet Medium: Oil on canvas Dimensions: Painting 20 x 16 in (51 x 4...

Beth Sistrunk's "Duality" is an oil on two translucent acrylic panels featuring a model with red petals. About the artist: Beth's interests in painting the figure, women’s fashion,...

This early 20th-century oil painting by English artist John Falconar Slater (1857-1937) depicts a rustic cottage interior with an elderly lady reading. Slater was an accomplished, Ro...

Artist: William Harnden, American (1920 - 1983) Title: Concert Medium: Oil on Masonite, signed Image Size: 15.5 x 20 inches Frame Size: 22.5 x 27 inches

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Samson Olatubos...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Nude Figures in Wooded Landscape French School, 17th century oil on wood panel, framed framed: 25.5 x 21.5 inches board: 20 x 15.5 inches provenance: private collection, France condi...

This contemporary, expressive oil painting titled "Flowering Fields" was created by French artist Natalya Mougenot and is part of her series inspired by the scenes of the summer seas...

Roos van der Meijden Belvès 80 x 80 cm ( framed 86 x 86 cm, frame is included in price ) Acrylic on panel Dutch artist Roos van der Meijden is famous because of her cityscapes. In h...

The Pass at Killiecrankie, Pitlochry by F. E. Jamieson (British 1895-1950) signed oil on canvas, framed framed: 22 x 29.5 inches canvas: 16 x 24 inches provenance: private collection...

Adriana van Zoest Overdue 65 x 45 cm Framed 77 x 55 cm ( Frame is included in price) Oil paint on wood panel (2024) Various subjects Adriana van Zoest's paintings are not easy to cl...

Artist/ School: French School, 19th century Title: Portrait of a smartly dressed gentlema from the 19th century, sporting a moustache. Medium: oil on canvas, unframed and inscribe...

The painting 'By Rainy Night' captures the moody beauty of a rainy night in the city. The reflections dance on the slick pavement, and the blurred lights glow like distant stars. Sha...

Signed oil on canvas figures in landscape circa 1920 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Porte Saint-Denis (St ...

Original and unique artwork by Hunt Slonem. Oil on wood white, yellow, purple, blue, green, red, orange butterflies on a scored gold background, framed. 2025 Painting is framed, as ...

"Beyond" by Brian Sostrom (United States) is a handmade landscape painting that is framed and ready to hang.

‘The Arrest of Father Curtis’ by Robert Alexander Hillingford (1825-1904). The painting – which depicts occupying French soldiers serving the hero of the Catalan resistance Don Pat...

The woman sits as if she’s just signed a decree to cancel all problems. Her sunglasses have slid down her nose, revealing a gaze that radiates calm while subtly asking, "What now?" T...

Duska Markotić (Croatia, 20th century) - Winter landscape. 50 x 50 cm without frame, 69.5 x 69.5 cm with frame. Oil on canvas, within passe-partout in wooden frame. - Work signed ...

Although I have no proof whatsoever, I like to think that this remarkable picture might have been painted by a young Georgio de Chirico shortly after his arrival in France in 1911. I...

Italian painter (dated 1853) - Historical interior scene. 29.5 x 43 cm without frame, 50 x 65 cm with frame. Antique oil painting on panel, in a contemporary carved wooden frame, l...

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...