Digital Figurative Paintings

This artwork makes part of my new period in my artistic expression. This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transfor...

The Judgement of Paris Fontainebleau School, circa 1580 *see notes below oil painting on canvas, framed framed: 30 x 40 inches canvas: 27 x 37 inches Provenance: private collection, ...

This painting is likely to be from the late 18th or early 19th century, and is likely inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Classical mythological painting by Houston artist Edsel Cramer. Known for his classically inspired portraits of prominent Houstonians, this work featuring the myth of the Judgement o...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Baroque Landscape with Figures French School, 17th century oil on canvas, framed Framed: 29.5 x 23.5 inches Canvas : 25.5 x 19 inches Provenance: private collection, France Condition...

Miniature Landscape with Waterfall - Vintage Oil Painting by British Artist, David James. Art measures 10 x 7 inches Frame measures 13 x 10 i...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...