Pastel Figurative Paintings

Subrata Biswas - Untitled - 14.75 x 10.5 Inches ( unframed size ) Dry Pastel, Tea Liquor, Charcoal on Paper , 2016 ( Unframed All in Delivered Price ) Style : The motive of a child ...

Subrata Biswas - Untitled - 13.75 x 9.75 Inches ( unframed size ) Dry Pastel, Tea Liquor, Charcoal on Paper , 2009 ( Unframed All in Delivered Price ) Style : The motive of a child ...

Jogen Chowdhury - Face Coloured Dry Pastel Charcoal , Wash on Paper 11.6 x 8.2 inches ( Unframed ) 2021 Signed in Bengali ( All in door delivered ; framed and ready to hang ) Style ...

Jogen Chowdhury - Untitled - 10.8 x 8.5 inches (unframed size) Ink & Pastel on Paper, 2021 Signed in Bengali ( Unframed & delivered ) Style : He has immense contribution in inspir...

Born in London in 1923, Collins began his artistic journey working in a commercial studio while attending evening classes at art school. His education was interrupted by World War II...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Bratin Khan - Enlightened - 30 x 24 inches (unframed size) Charcoal and Pastel on Canvas , 2012 ( Framed & Ready to Hang ) Style : Marked for the refined handling of line work and p...

Ramanando Bandopadhayay - 8 x 10 inches ( Unframed ) Mixed media on paper We shall include shipping in frame form all across the world. Just hang and relish the work. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

Pastel on Arches paper

Ramananda Bandopadhayay - Mother & Child Pastel & Ink on Paper, 15 x 11 inches ( unframed size ) This typically frames to be a 25x 22 inches ( Get a quote with the frame from us ) A beautiful rendition of the Bengal Maestro adept in making works in the Bengal Style of Art . Ramananda Bandopadhayay is one of the remaining senior artists of Bengal . Inclusive of shipment without the frame. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

Jogen Chowdhury : Untitled Pastel & Ink on Paper ; 11 x 8 inches ; 2007 Signed by the Artist. ( Framed and delivered ) Style : He has immense contribution in inspiring young artists...

Haymaking time 1930, pastel on paper, 30x39 cm "Haymaking Time" is a serene and evocative artwork that transports viewers to a simpler time, celebrating the beauty of the countryside and the age-old agricultural activities that have shaped the lives of people for generations. The use of pastels and the light figurative style imbue the artwork with a sense of warmth and nostalgia, inviting viewers to appreciate the natural rhythms of rural life. Aleksandra Belcova...

Outlook of the city 1960. paper, pastel. 29x40 cm "Outlook of the City" is an evocative and vibrant artwork that offers a glimpse into the urban landscape of the 1960s. Through the expressive use of pastels on paper, the artist aims to capture the essence and energy of the city, inviting viewers to immerse themselves in the sights and sounds of this bustling urban environment. Aleksandra Belcova...

Ramananda Bandyopadhyay Untitled (Mother & Child) Pastel Ink on Paper 15 x 11 inches ( Unframed & Delivered ) This enchanting work by Ramananda Bandyopadhyay blends folk-inspired mo...

Subrata Biswas - Untitled - 11.5 x 8.25 Inches ( unframed size ) Dry Pastel, Charcoal & Tea Liquor on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its...

Subrata Biswas - Untitled - 11.75 x 8.25 Inches ( unframed size ) Dry Pastel, Charcoal & Tea Liquor on Paper , 2020 ( Unframed All in Delivered Price ) Style : The motive of a child...

Portrait. Paper, pastel, 35.5x23 cm The composition focuses on portraying the facial features and characteristics of a man. The artist has employed a linear style, using bold and de...

Subrata Biswas - Untitled - 11.75 x 8.25 Inches ( unframed size ) Dry Pastel, Charcoal & Tea Liquor on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in it...

Pastel on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of ...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

Irene Georgopoulou's "M is for Monopoly" is an original, handmade oil painting depicting a monopoloy board. Please allow 3-5 weeks before this artwork will ship.

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

Dry pastel on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy...

Pastel on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of ...

Kartick Chandra Pyne - Untitled - 15 x 22 inches (unframed size) Pastel on paper Inclusive of shipment in roll form. Style : After graduating from the Government College of Art and ...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exh...

What talent is apparent here! The accurate foreshortening of the nude figure and body proportions alone were enough to get my attention. But the rendering of light is also wonderful, and I love the confident pastel strokes that he has left clearly visible. I have done figure painting myself and am so impressed by the few artists who can do it at this level. Measures 31" x 25" with frame, 24" x 18" without. Proudly presented by Guy Lyman Fine Art...

"Houses at Night" is an original mixed media painting by Dan Muller. The artist signed the piece lower right. The artist used cut & pasted paper, waterc...

Consolation. 2020., canvas, pastel, 55,5x31 cm Composition with figures

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Untitled (Jazz Scene) is an original Charcoal & pastel drawing on paper by British artist Charlie Mackesy. Mackesy's clever work and style here give us a glimpse into this intimate &...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Picnic. 1999, paper, pastel, 28.5x33 cm Colorful abstract composition in fauvist style with figures

"Image" is an original acrylic and pastel painting on paper by Reginald K. Gee. The artist initialed the piece on the back. It features abstracted, simplified figures and faces in fr...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exh...

Mixed media, oil, acrylics, pigments, pastel on canvas

Marker, ink, acrylic, pastel & watercolor on paper, Unstretched Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studi...

"Sledding by the Big Tree" is an original mixed media piece by Dan Muller. The artist used cut & pasted paper, watercolor, and pastel to create this colorful work. The artist signed the piece lower left. This artwork features four children sledding...

An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a glimpse into this atmospheric depiction of a Jazz Trio...

"In the Fields" Pastel Painting 8" x 12" in (circa 1970) by Inji Efflatoun Stamped by artist's estate Not signed Inji Eflatoun pursued free studies in art. Since 1942, she has par...

Red Feathers #2 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

All Red Feathers by carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

Red Feathers #3 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Daniela Gullotta - "Interior with Venus" (2024) A profound meditation on classical beauty within domestic ruins, this extraordinary work by Daniela Gullotta juxtaposes the eternal g...

Marker, ink, acrylic, pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Marker, ink, acrylic, pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Marker, ink, acrylic, pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Three's a Crowd, whimsical colorful pastel on toned paper A Brooklyn native, much of Basso's wildly imaginative artwork was inspired by travel to Jamaica, Puerto Rico, and especiall...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Wasim Kapoor - Untitled - 15 x 14 inches ( unframed size ) Pastel on Paper, 2004 (Unframed & Delivered) Style : Wasim Kapoor is an artist possessed by the dark emotions of pain, sup...

Jogen Chowdhury - Untitled Dry Pastel on Paper 8.2 x 5.8 inches, 2022 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always...

Jane Gilday (American, b. 1951), "When the Pitcher has Command, Speed and Mastery, He is Bringin' It", Mixed Media on Canvas, signed lower left, giltwood f...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...