1960s Figurative Paintings

Portrait of the Artist Manuel Neri Heavy Impasto on Linen San Francisco Abstract San Francisco Abstract Expressionist School a portrait by Honora Berg (American, 1897 - 1985). Heavy impasto with broad strokes an interior scene with the iconic San Francisco sculptor Manuel Neri. Honora captures Manuel's distinctive features with her expressionist style and layered paints. Manuel is in a dark suit and bright shirt and tie resting his arm on the window and looking out at the trees in the distance. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Man. original figurative drawing painting. virtual frame Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He wa...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media with Collage Elements, circa 1965, apparently unsigned, wood frame. Image: 9" H x 10.5; frame: 10" H x 1...

Title: Battle of Constantine Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on board Dimensions (unframed): 9 x 12.6 in Dimensions (framed): 17.3 x 20.9 in Signature: Signed in the lower right corner Period: Second half of the 20th century Provenance: Galeria d’Art Àmbit, Barcelona Description Battle of Constantine is a symbolic and fragmented composition that showcases the dreamlike world so characteristic of Antoni Pitxot. Through an array of rock-like, anthropomorphic forms, the artist constructs a mythical and dramatic landscape that suggests an epic confrontation. The vivid pink sky and tactile textures reinforce the visual tension, evoking ruins, bodies, and reliefs that seem to emerge directly from the earth. In this piece, Pitxot applies his meticulous technique and unmistakable visual language, where ambiguity is a tool for the viewer's imagination. The boundary between figure and landscape blurs, creating a poetic vision that feels both ancient and surreal. About the Artist Antoni Pitxot i Soler (1934–2015) was a prominent Catalan painter born in Figueres, Girona, into a family with a long artistic tradition. He spent much of his life in Cadaqués, where he developed a highly personal style centered on compositions of stone-like forms that resemble human and animal figures, blending nature with mythology and memory. Pitxot was a close friend and collaborator of Salvador Dalí. Their artistic connection led to Pitxot playing a key role in the creation of the Dalí Theatre-Museum in Figueres, where he later served as the museum's lifelong director. After Dalí’s death...

Alvar Suñol ( Montgat- Barcelona 1935). "Flores para mujer". 1969. Óleo sobre lienzo. Firmado a mano, en el ángulo inferior derecho. Titulado, firmado y fechado a mano en la parte po...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

'Beneath the Stars' by Leon D'Usseau, Jr. Lovers, Moghul, Isfahan, Chouinard, Los Angeles County Museum of Art, Dallas Museum ----- Signed lower right, 'Dusso' for Leon D'Usseau, Jr....

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautifully expressive portrait painted by the artist using vibrant colour...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Figure in Shadows (19) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, signed verso Size: 15 in. x 12 in. (38.1 cm x 30.48 cm)

5021 Surreal Abstract woman riding a horse Signed Blake Image size 11x15.5"

Richard Pettibone Bugatti, 1963 Signed and dated lower right Graphite and oil on canvas 40 1/4 x 30 inches Provenance The artist Private Collection (acquired directly from the artis...

Man in Cloak (18) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas, unsigned Size: 20 in. x 10 in. (50.8 cm x 25.4 cm)

Les Soeurs (The Sisters) Charles Levier, French (1920–2003) Date: circa 1965 Oil on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 29.5 x...

Stamped verso with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art ...

Paris, Montmartre, Rue Lepic. 1965, oil on canvas 50x61 cm Expressive street view. Impasto painting Włodzimierz Zakrzewski (1916–1992) was a Polish painter, graphician and poster a...

Oil on canvas painting of “Bouquet and Figure” by the well known Spanish artist, Ramon Pichot. Signed lower right. Titled and signed verso. In excellent condition. Original gold l...

Clarence Holbrook Carter (American, 1904-2000) Departing from the System, 1961 Mixed media on paper Signed and dated lower right 36 x 24 inches A surrealist mid-century figural abst...

Signed lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pac...

Signed lower right, "Di Gesu" for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...

'Portrait of Man in Cap', oil on canvas, French School (circa 1960s-70s). This artwork was discovered in the South of France. A splendid portrait it is and is most likely from one of the countries in French-speaking Africa. Most of those countries that speak French are in Western and Central Africa, with others scattered across the continent. Having arrived in Africa from colonial activity, French took on many different forms and maintained use to some degree in nearly two dozen nations. In addition to the continent of Africa, there are many other French speakers...

Still life with palette and books is an artwork realized by an unknown artist in 1969. Oil on canvas. Handisgned and dated in the lower right margin. 47 x 66,5 cm ; 58,5 x 78 cm ...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dram...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Dick Tiger Year: 1967 Medium: Acrylic on Paper, signed and dated l.r. Size: 26 in. x 44 in. (66.04 cm x 111.76 cm) Frame Size...

Introducing a beautifully gripping post-war oil painting by British artist Joseph Duncan. Within this intense expressionistic work, the powerful use of c...

Signed lower left, 'Freda L. Hansen' (American, 20th century) and painted circa 1965; bearing, verso, Alameda Art Association label with artist information and titled, 'Ladies in a G...

Oil on canvas by Michel Jouenne, France, Early 1960s. Village of France. Measurements : with frame : 38.7x28 inches - 98.3x71 cm, without frame : 36.3x25.6 inches - 92.2x65 cm, Forma...

Signed lower center, 'Ebenstein' titled verso, 'Seduction' and painted circa 1966. Accompanied by 1966 exhibition label from Barzansky Galleries, New York. A substantial, Expression...

Signed lower right, 'Zipin' for Martin Zipin (American, 1920-1991) and painted circa 1960. Displayed in the original, hand-carved giltwood frame. Framed dimensions: 22 H x 18 W x 2 ...

Ramón Llovet (1917-1987) - Father and son - Oil on canvas Canvas measures 50x61 cm. Frame measures 56x67 cm. Ramon Llovet Miserol (Barcelona, ​​August 7, 1917 - Barcelona, ​​August ...

Author: Rosendo González Carbonell Title: Mother and Child Technique: Oil on canvas Style: Figurative with elements of Romanticism and Reali...

#9 Geeks and Gargoyles (for Nelson Algren) Mixed Media and Collage Provenance: Obelisk Gallery, Boston, 1967 (label verso) the word Chicago is featured prominently in this piece. So...

5210 Vintage Impressionist oil painting of a blue eyed young girl peeking thru the flowers Framed signed Susy Jones 1965 Image size 19.5x15.5"

Anita Roy Chowdhury - Untitled Charcoal on Paper 12 x 17 inches, 1960 (Framed & Delivered) In this expressive charcoal drawing, Anita captures a striking human presence with bold, g...

Small portrait of a clown with colorful, expressionist brushstrokes by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower right corner...

Signed verso 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

Anita Roy Chowdhury - Untitled Charcoal on Paper 10 x 15 inches, 1960 (Framed & Delivered) Anita’s charcoal drawing gracefully captures a quiet, introspective moment of a woman abso...

Wonderful impasto Bay Area Figurative Movement painting with bell tower (possibly Berkeley Campanile?) and abstracted figures on path and ...

Alexandre Siches (1921-2009) - Woman in profile - Oil on canvas Oil measures 35x27 cm. Frameless. Alexandre Siches Piera (1921-2009) Catalan painter with an innate capacity for dra...

#5-3401 Red Hair Portrait, a vintage oil on board displayed in a wood gilt frame signed by Longo.Image size 8.75 H x 5.75 W

Signed lower left, 'H. Howard Miller' (American, 20th century) and painted circa 1965. A large, American Impressionist oil study of a young woman wearing an orange blouse and contra...

Legendary illustrator Bernard Bernie Fuchs explores the creative possibilities of radical design to illustrate a narrative of an emotional state of unconnectedness. The present work ...

Clarence Holbrook Carter (American, 1904-2000) King Tut No. 2, 1968 Gouache on paper Signed and dated upper right 11.25 x 8.25 inches 25.5 x 20.5 inches A surrealist mid-century fig...

Signed lower left, 'Leon Franks'; additionally signed and titled, 'Portrait of a Girl', on old label verso. A bravura brushwork study of a young woman wearing a floral patterned shi...

Signed upper right, "Joffrin" for Guily-Jeanne Joffrin (French, 1909-2007) and painted circa 1965. Photo of the artist in her studio, 1995. Courtesy of Wikipedia. Born in Paris, Jof...

A substantial oil painting of two women shown adjacent and seated and painted in bravura Expressionist style with a subtle and complex palette by an intuitive, bravura hand. Signed...

Still life with peonies 1969, plywood, oil, 68x59 cm

Jichak Pressburger, Painter. b. 1933, Bratislava, Czechoslovakia. A concentration camp survivior. Came to Israel aboard the ship, "The Exodus". 1964 Went to Paris. In 1979 Returned as new immigrant. Education Tel Aviv University, B.A. in art, with Marcel Janco and Isidor Ascheim at Avni art school. Beaux Arts, Paris with Professor Coutaud. Itzchak Pressburger Stays in Paris from 1963 – 1979, Resident of the “Cité des Arts” 1969-1972. Lives and works in Jerusalem since 1979. One-Man Exhibitions 1963 Gallery Dugit, Tel-Aviv 1968 Cultural Center Enkhuizen, Netherlands 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) 1970 Gallery Zunini, Paris 1973 Gallery Maitre Albert, Paris. Cultural Center Verfeil sur Seye, France 1974 Gallery Maitre Albert, Paris 1976 Gallery Mundo, Barcelone 1980 Artists’ House, Jerusalem 1981 Gallery Alain Gerard, Paris Group Exhibitions 1966 Rathaus Charlottenburg, Berlin. (The first show of Israeli painters in Germany Artists Center of Silvarouvres, Nantes, Ffance XXXth Salon of Finances at “l’Hotel des Monnaies”, Paris 1969 Maison de Culture, Le Havre, France 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) Salon « Grands et Jeunes d’Aujourd’hui », Paris Museum of Fine Arts, Nantes, France Cultural Center Vitry, France Gallery Il Giorno, Milan Cité des Arts, Paris 1972 Salon “Grands et Jeunes d’Aujourd’hui”, Paris Salon de Mai, Paris 1973 Städtische Galerie, Siegen, Germany 1974 Jewish Cultural Center, Paris Publicis, Paris 1975 Réalitiés Nouvelles, Paris 1976 Salon de Mai, Paris 1977 “Perspectives Israeliennes”, Grand Palais, Paris 1981 Salon Alain Gerard, Paris 1984 Artists’ House, Jerusalem Publication 1990 Haggadah Yom Kippour (Hebrew/French) Abraham Bliah (private edition), Paris Acquisitions 1968 The City of Paris 1972 The State of France The Yitzchak Pressburger artist was born in Bratislava – known for centuries by its German name of Pressburg – but the outbreak of World War II found him and his family in Prague. His father realized they had to escape from the Nazi occupiers and tried to get the family across the border into Hungary. However, they were caught near the crossing point, arrested and incarcerated overnight at the nearby railway station. The Czechs put them on a train to Hungary early the next morning. That was their first miracle in their quest for survival. They survived with relative ease until late 1943, when the father was taken away to a forced labor camp. He subsequently died in a death march. Things became even more precarious in early 1944, when the Holocaust made its full-blown presence felt in Hungary. “It wasn’t the Germans, it was the Hungarian Nazis who did the dirty work,” Pressburger points out. The family lived in so-called “safe houses” that were protected by Switzerland, Finland and Sweden. The havens were dismantled in late 1944, and the Pressburgers moved into one of the two Jewish ghettos in Budapest. The Nazis had found two houses with Jews, including the one where we had been, and took them all out and shot them next to the Danube. Today there is a monument by the river [called Shoes on the Danube Bank]. We should have been with the Jews who were killed by the river,” he says. After the war, Pressburger and his siblings were farmed out to various orphanages run by the Jewish Agency, and things took a decidedly better turn. “We finally had food to eat,” he recalls. “After a while we were put on trains that were protected by the Jewish Brigade [of the British Army], and we were sent to Austria, and then to Germany.” “My uncle was a famous artist, and I learned a lot from him,” he says. While in Germany, Pressburger also took some lessons with a local artist. His mother managed to get him and two of his siblings berths on the Exodus, which set sail from Marseilles for Palestine in July 1947. Pressburger was 13 at the time and clearly recalls the aborted attempt to get to the Promised Land. “It was so crowded on the boat. This was a ship that was made to ply rivers in the United States, with a few hundred people on board, and we had over 4,500 passengers crammed in.” As we know, the British prevented the Exodus from docking in Palestine, and the passengers were shipped – in three far more seaworthy vessels – back to France. After the French government refused to cooperate with the British, Pressburger and the others found themselves back in Germany. The teenager eventually made it here in 1948, just one month before the Declaration of Independence. After a short furlough in Tel Aviv, during the first lull in the fighting in the War of Independence, he moved to Kibbutz Kfar Ruppin, where he worked in the cowshed. All the while he continued feverishly drawing and honing his artistic skills, which he says came in handy when he joined the IDF. After completing his military service, which included a spell as one of the founding members of the Flotilla 13 naval commando unit, he worked in Sdom for a while at the Dead Sea Works before starting his formal arts training in earnest. I was in the first group of students at the Avni Institute [in Tel Aviv],” he says. “There was quite a famous bunch of students and teachers like Moshe Mokadi and Isidore Ascheim and Aaron Giladi.” In such illustrious company, one might have thought Pressburger was set to unleash his burgeoning talents on art connoisseurs across the globe, but it was a while before that happened. Pressburger arrived in the French capital in 1964 and spent close to 15 years there, with a short interlude in Germany, before returning to Israel. His time in Paris was a professionally rewarding period of his life, and he also found love. “[Avni Institute teacher] Yochanan Simon gave me the name and address of a French-Israeli family in Paris, but when I got to the house, a young woman opened the door and told me the family was on vacation in Israel,” he explains. Despite missing his expected hosts’ welcome, he and the German-born young lady who greeted him soon fell for each other, and romance quickly led to wedding bells. By all accounts, Pressburger did well in Europe. He secured a rare three-year berth at Cité Internationale des Arts, where artists are normally provided with accommodation and studio space for between two months and a year. He was also accepted to the prestigious Beaux Arts academy of fine arts, mounted solo exhibitions, and took part in group shows all over Europe. One of these last was a group exhibition at Rathaus Charlottenburg in Berlin in 1966 – the first exhibition of Israeli artists in Germany after the Holocaust. When he arrived in Berlin, the lineup for the Israeli show was already signed and sealed, but somehow his work came to the attention of the German culture minister, who arranged for him to join. The Pressburgers’ year-long sojourn came to an abrupt end following an encounter he had one day while walking through the crowded Berlin streets...

Clarence Holbrook Carter (American, 1904-2000) Medieval Heads, 1966 Acrylic on scintilla Signed and dated upper right 23.5 x 30 inches Clarence Holbrook...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 15, 1969 Acrylic on paper Signed and dated verso 27.5 x 22 inches Clarence Holbrook Carter achieved a level of national ar...

Exquisitely precocious portrait of a little flower girl or "Petite Fille de Journal", paper girl in Paris by Roger Etienne (French, 1923-2011). Signed and dated lower left, "Etienne ...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", ...

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

This painting features two children with big brown eyes peeking behind red-slatted shutters. The innocence on their faces contrasts with some sense of embarrassment, like if they had...

Figures is an original artwork realized by Sergio Barletta in 1963. Mixed colored oil and tempera on paper. Hand signed and dated on the lower left. Label on the back. Includes fr...

Artist: Ian Hornak (1944-2002) Title: Untitled (Neo-Impressionist Figures in Landscape) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good P...

Clarence Holbrook Carter (American, 1904-2000) Terror of History No. 1, 1962 Acrylic and sand on scintilla Signed and dated upper left 23 x 30 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Wonderful mid century abstract figurative nude at night with red chair by Honora Berg (American, 1897-1985). A nocturnal setting adds more interest and dimension. Signed on verso "H Berg." Unframed. 36"H x 30"W. Honora Berg an early Bay Area Figurative and Abstract Expressionist painter. She studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Vibrant French cubist face oil pastel painting in bold colors of yellow, orange and blues, circa 1960. Original artwork on paper displayed on a white mat...