1960s Figurative Paintings

Clarence Holbrook Carter (American, 1904-2000) King Tut No. 2, 1968 Gouache on paper Signed and dated upper right 11.25 x 8.25 inches 25.5 x 20.5 inches A surrealist mid-century fig...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dram...

Signed lower left, 'Freda L. Hansen' (American, 20th century) and painted circa 1965; bearing, verso, Alameda Art Association label with artist information and titled, 'Ladies in a G...

Oil on canvas by Michel Jouenne, France, Early 1960s. Village of France. Measurements : with frame : 38.7x28 inches - 98.3x71 cm, without frame : 36.3x25.6 inches - 92.2x65 cm, Forma...

Signed lower center, 'Ebenstein' titled verso, 'Seduction' and painted circa 1966. Accompanied by 1966 exhibition label from Barzansky Galleries, New York. A substantial, Expression...

Ramón Llovet (1917-1987) - Father and son - Oil on canvas Canvas measures 50x61 cm. Frame measures 56x67 cm. Ramon Llovet Miserol (Barcelona, ​​August 7, 1917 - Barcelona, ​​August ...

Clarence Holbrook Carter (American, 1904-2000) Medieval Heads, 1966 Acrylic on scintilla Signed and dated upper right 23.5 x 30 inches Clarence Holbrook...

Signed lower right, 'Zipin' for Martin Zipin (American, 1920-1991) and painted circa 1960. Displayed in the original, hand-carved giltwood frame. Framed dimensions: 22 H x 18 W x 2 ...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 15, 1969 Acrylic on paper Signed and dated verso 27.5 x 22 inches Clarence Holbrook Carter achieved a level of national ar...

5210 Vintage Impressionist oil painting of a blue eyed young girl peeking thru the flowers Framed signed Susy Jones 1965 Image size 19.5x15.5"

Author: Rosendo González Carbonell Title: Mother and Child Technique: Oil on canvas Style: Figurative with elements of Romanticism and Reali...

Signed verso 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

#5-3401 Red Hair Portrait, a vintage oil on board displayed in a wood gilt frame signed by Longo.Image size 8.75 H x 5.75 W

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg No. 2, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches 34 x 29 inches, framed A surrealis...

Alexandre Siches (1921-2009) - Woman in profile - Oil on canvas Oil measures 35x27 cm. Frameless. Alexandre Siches Piera (1921-2009) Catalan painter with an innate capacity for dra...

Exquisitely precocious portrait of a little flower girl or "Petite Fille de Journal", paper girl in Paris by Roger Etienne (French, 1923-2011). Signed and dated lower left, "Etienne ...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", ...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

Signed lower left, 'H. Howard Miller' (American, 20th century) and painted circa 1965. A large, American Impressionist oil study of a young woman wearing an orange blouse and contra...

Signed upper right, "Joffrin" for Guily-Jeanne Joffrin (French, 1909-2007) and painted circa 1965. Photo of the artist in her studio, 1995. Courtesy of Wikipedia. Born in Paris, Jof...

Signed lower left, 'Leon Franks'; additionally signed and titled, 'Portrait of a Girl', on old label verso. A bravura brushwork study of a young woman wearing a floral patterned shi...

Artist: Ian Hornak (1944-2002) Title: Untitled (Neo-Impressionist Figures in Landscape) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good P...

Figures is an original artwork realized by Sergio Barletta in 1963. Mixed colored oil and tempera on paper. Hand signed and dated on the lower left. Label on the back. Includes fr...

Clarence Holbrook Carter (American, 1904-2000) Terror of History No. 1, 1962 Acrylic and sand on scintilla Signed and dated upper left 23 x 30 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Bob Thompson Untitled, 1964 Felt tip pen on printed paper 11 x 20 1/2 inches Provenance: The artist Kathy Komaroff Goodman (gift from the artist) Hollis Taggart, New York Exhibited...

Wonderful mid century abstract figurative nude at night with red chair by Honora Berg (American, 1897-1985). A nocturnal setting adds more interest and dimension. Signed on verso "H Berg." Unframed. 36"H x 30"W. Honora Berg an early Bay Area Figurative and Abstract Expressionist painter. She studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

Clarence Holbrook Carter (American, 1904-2000) Pinnacle, c. 1960s Acrylic and collage on scintilla 22 x 8 inches 23.25 x 9 inches, framed A surrealist mid-century figural abstract p...

Virgilian wood is an original modern artwork realized in the 1960s by the italian painter Luigi Venturini. Mixed colored oil on board. Hand signed by the artist on the lower left m...

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x...

Clarence Holbrook Carter (American, 1904-2000) Icon Mandala, 1967 Acrylic on paper Signed and dated lower right 30 x 22 inches Clarence Holbrook Carter achieved a level of national ...

Clarence Holbrook Carter (American, 1904-2000) Over and Above: Kangaroo, c. 1960s Acrylic on paper, mounted on matte board Signed lower right 14 x 5 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

Mid-Century Modern Dancers Figurative Abstract, Bay Area Figurative School 1960s A gorgeous and colorful mid-century modern figurative abst...

The artist tells a whole action-packed story in one picture. A handsome young soldier shoots his pistol at a passing bomb-dropping airplane. The close call splashes water on him and his two sexy girl...

Clarence Holbrook Carter (American, 1904-2000) Double Ovoids with Blue and Black, 1960s Acrylic on scintilla 15.25 x 12.25 inches A surrealist mid-century figural abstract painting....

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

Vibrant French cubist face oil pastel painting in bold colors of yellow, orange and blues, circa 1960. Original artwork on paper displayed on a white mat...

"Olympic Star", Large Scale Woman Surfer Figurative by Erle Loran Vibrant hard edge painting of a surfer "Olympic Star," a bold and bright figurative piece by Erle Loran (American,...

This painting depicts a whimsical portrait of a young lady posing with an alluring look in a colorful blouse. The bright colors and quick brush strokes are what makes this painting s...

Clarence Holbrook Carter (American, 1904-2000) In and Out, 1963 Acrylic on paper Signed and dated lower right 22 x 30 inches Figural abstract vibrant yellow geometric painting. Cl...

Estado de conservación muy aceptable La obra se presenta enmarcada (el marco presenta algunas leves faltas) Medidas obra: 46 cm altura x 54 cm ancho. Medidas marco 80 cm altura x ...

Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation. Biography: Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2] D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver. In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

Work on canvas Molded plaster frame and gilded wood 73.7 x 92.5 x 6 cm

Wonderful mid century cubist figurative of older woman with flowers and basket in style of Jacques Villon (French, 1875 - 1963). Signature (Possibly "Louyot") and dated "1964" lower right corner. Presented in original, gilt-toned painted frame (included as-is). Image size: 36"H x 25"W An early 1900s modern art movement, Cubism focused on exploring relationships between images, perspectives and materials, and opened the door to Abstraction. Cubism began in Paris with Pablo Picasso and Georges Braque. The term 'Cubist' was a derisive description by a critic of a geometric landscape painting done by Braque in 1908. Juan Gris, the originator of Collage, joined Picasso and Braque in 1910. Originating influences on Cubism included geometric-shaped paintings of Paul Cezanne, Post-Impressionisms’ emphasis on flat picture surfaces, and Picasso's fascination with the abstraction he perceived in African tribal masks. Aspects of Cubism were Analytical Cubism and Synthetic Cubism (see Glossary). By 1914, the Cubist movement as an organizing force officially terminated with the beginning of World War I. But its effects remain today. "Almost all later art, figurative and abstract, two and three-dimensional, random or hieratic, was conditioned in some way by these new dimensions of reality." (Phaidon) Other French artists associated with Cubism concepts were Fernand Leger, Marcel Duchamp and Nicholas Delauney. In America, leading Cubist painters...

Striking mid-century painting of pair of sailboats by French artist M. Charco, 1961. Signed by artist lower right. Original artwork on paper displayed on a white mat with a gold ...

Northen Sea is an oil on canvas realized by Dimitri Godicky Cwirko in 1961. Hand signed and dated. Includes a wooden contemporary frame cm. 54.5x65.

Dancer (26) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)

Artist: Lucio Ranucci, Italian (1925 - ) Title: Birdwatcher Year: 1969 Medium: Gouache, signed and dated l.l. Image Size: 15 x 20 inches Size: 20 x 27 in. (50.8 x 68.58 cm)

Really kool little gem here. Oil on canvas of a young girl adding her artistic talents to a graffiti wall. It measures 16 inches wide by 12 high. Frame is 18 1/2 by 14 1/2 inches. It...

Realizado sobre papel, bien enmarcado y con cristal, esta algo sucio el paspartu pero se puede limpiar y queda bien. Firmado en margen inferior derecho. Medidas: 31,5 x 48,5 cm; 58...

Clarence Holbrook Carter (American, 1904-2000) Green and Red Mandala, 1969 Acrylic on scintilla Signed and dated lower right 24.75 x 18 inches Clarence Holbrook Carter achieved a l...

This authorised Lithography " Portrait of a Young man" by Van Gogh was published in Munich, Germany by Franz Hanfstaengl, in 60s. This painting was a major line up in London's Nation...

Original Oil Painting of the North Rocky Coastline of Ireland by Northern Irish Artist, Joseph McLoughlin (1926-2018) Art measures 16 x 12 inches ...

Dynamic, mid century multi colored abstract by Erle Loran (American, 1905-1999). Depicts a group of hunters and their horses participati...

6090 Flower people expressionist gouache painting Setin a custom brass frame Image size 29x20.5

6057 Oil on board Displayed in a faux bamboo wood frame Image size 15.5x19.5"

Roger Murrey Modern British view of Whitby Harbor, Yorkshire, UK This striking modern British view of Whitby Harbor by Roger Murrey, circa 1960, is a captivating representation of ...

If you’ve been a longtime college football follower of the SEC, or the Southeastern Conference, you may have heard of this 1964 game in Shreveport, Louisiana. On December 29, the University of Arkansas Razorbacks in crimson and white played the University of Mississippi’s Ole Miss Rebels in The Bluebonnet Bowl, and handily won the contest 82-48 by racking up 52 points in the first half. As imagined here by American Surrealist Jean Jones Jackson...