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American Modern Figurative Paintings

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Style: American Modern
"The Faces We Wore" WPA Family American Scene Figurative Abstract Woman Artist
Located in New York, NY
"The Faces We Wore" WPA Family American Scene Figurative Abstract Woman Artist Juanita Guccione (1904 - 1999) The Faces We Wore 20 x 16 inches Oil on...
Category

1930s American Modern Figurative Paintings

Materials

Canvas, Oil

"Canals in Annecy, France" by Emma Fordyce MacRae (1887-1974) American Framed
Located in Yardley, PA
A lovely scene of the canals in Annecy, France by renowned American artist Emma Fordyce MacRae (1887-1974). This work highlights the geometric nature of the historic architecture al...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Gesso, Oil, Board

1950s "Pink Floor" Mid Century Female Nude Figurative Painting
Located in Arp, TX
Donald Stacy "Pink Floor" c.1950s Gouache paint on paper 17.25" x 17.25" unframed Signed in pencil lower right Came from artist's estate *Custom framing av...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Paper, Gouache

Vintage Expressionist Portrait of a Man with a Bowtie Oil on Wood
Located in Soquel, CA
Expressive portrait, a caricature of a man with bowtie by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of the artist's work. Another version of th...
Category

Late 20th Century American Modern Figurative Paintings

Materials

Oil, Fiberboard

"THE CLOWN" MICHAEL FRARY MID CENTURY MODERN TEXAS ARTIST
Located in San Antonio, TX
Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...
Category

1960s American Modern Figurative Paintings

Materials

Oil

Figurative Cubist Surrealist Abstraction Mid 20th Century American Modern Large
Located in New York, NY
Figurative Cubist Surrealist Abstraction Mid 20th Century American Modern Large O. Louis Guglielmi (1906 - 1956) OBSESSIVE THEME 44 x 33 inches Oil on canvas Signed and dated '48 lo...
Category

1940s American Modern Figurative Paintings

Materials

Canvas, Oil

Standing Male Nude, Modern Oil on Board Painting by John F. Leonard
Located in Long Island City, NY
Standing Male Nude (42) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 10.5 in. (40.64 cm x 26.67 cm)
Category

1960s American Modern Figurative Paintings

Materials

Oil, Board

A Charming, Modern 1950s Martha s Vineyard Street Scene, "New England Village"
Located in Chicago, IL
A large, delightful, Mid-Century Modern 1950s Martha's Vineyard street scene painting by famed Chicago artist, Francis Chapin. Depicting a picturesque view of the historic Main Stre...
Category

1950s American Modern Figurative Paintings

Materials

Masonite, Oil

New York City Tenement Family Modernist WPA Era Oil Painting Wolins
Located in Surfside, FL
Subject: American Family Medium: Oil Surface: Canvas Country: United States In this painting, Joseph Wolins uses vibrant and complimentary colors and broken brushwork. Joseph Wo...
Category

20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

1950s "Slit" Mid Century Painting Bay Area Artist
Located in Arp, TX
From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Paper, Gouache

Jazz Composition - Bass and Trumpet
By Leo Meiersdorff
Located in San Francisco, CA
Artist: Leo Meiersdorff – German/American (1934-1994) Title: Bass and Trumpet Year: ca 1965-70 Medium: Watercolor and ink Sight size: 14.25 x 17.5 inches. Matted size: 22 x 24 inch...
Category

1960s American Modern Figurative Paintings

Materials

Ink, Watercolor

Joseph Wolins WPA Artist Dancing, Torah Modernist Judaica Cubist Oil Painting
Located in Surfside, FL
Joseph Wolins 1915-1999 Subject: Jewish, Dancing with the Torah (New Torah, Simchat Torah) Hand signed oil painting In this painting, Joseph Wolins uses vibrant and complimentary co...
Category

20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

George Cecil Carter Mid-Century Modern Abstract Figurative Oil Painting, 1950s
Located in Denver, CO
This rare 1950s oil painting by Colorado abstract expressionist George Cecil Carter presents an abstracted figurative portrait of a couple—believed to represent Georgia O’Keeffe and Alfred Stieglitz. Rendered with bold brushwork and a dynamic modernist palette, the piece reflects Carter’s distinctive ability to merge abstraction with figuration, capturing both movement and emotional depth. Housed in a custom frame, the painting comes from a private collection in Denver, Colorado. Carter (1908–1993) was a central figure in Colorado’s mid-century modernist movement. A self-taught artist influenced by modernist painter Charles Ragland Bunnell, Carter developed a uniquely expressive style that drew upon his working-class background as a miner and machinist. He exhibited nationally and worked alongside artists including Al Wynne, Mary Chenoweth...
Category

1950s American Modern Figurative Paintings

Materials

Oil

Riders of Pigeon Hill
Located in Los Angeles, CA
Riders of Pigeon Hill, c. 1940s, oil on canvas, signed lower right, 24 x 36 inches, label verso with title, artist’s name and address; same information inscribed verso; ex-collection...
Category

1940s American Modern Figurative Paintings

Materials

Canvas, Oil

"The Deer Herd" Pablita Velarde, Pueblo Native American, South-Western Art
Located in New York, NY
Pablita Velarde The Deer Herd, circa 1965 Signed lower right Earth pigments on sand board 9 3/4 x 19 1/2 inches Provenance Private Collection, New Mexico Santa Fe Auction Private Co...
Category

1960s American Modern Figurative Paintings

Materials

Board, Pigment

Garcon in Cafe
Located in Long Island City, NY
Artist: David Azuz, Israeli/French (1942 - 2014) Title: Garcon in Cafe Year: circa 1979 Medium: Oil on Paper, signed l.l. Size: 24.5 x 19 in. (62.23 x 48.26 cm) Frame Size: 36 x 30 i...
Category

1970s American Modern Figurative Paintings

Materials

Oil, Archival Paper

Spiritual Origins - Geometric Abstract
By Julie Fudge
Located in Soquel, CA
Abstract oil on wood panel depicting the beginnings of the ascendancy of the Earth by Julie R. Fudge (American, 20th Century). Signed "Julie Fudge" on verso. Unframed. Image, 42"H x ...
Category

1980s American Modern Figurative Paintings

Materials

Oil, Wood Panel

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures
Located in New York, NY
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...
Category

1930s American Modern Figurative Paintings

Materials

Masonite, Oil

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary
Located in New York, NY
NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on can...
Category

1960s American Modern Figurative Paintings

Materials

Canvas, Oil

WWII Aircraft Factory Workers Industrial 20th Century American Scene WPA Modern
Located in New York, NY
WWII Aircraft Factory Workers Industrial 20th Century American Scene WPA Modern Frederick Buchholz (1901-1983) WW2 Aircraft Factory 18 x 24 inches Oil ...
Category

1940s American Modern Figurative Paintings

Materials

Cotton Canvas, Oil

What a Life
Located in Los Angeles, CA
What a Life, c. 1930, mixed media on board, 18 x 24 inches, signed lower left; titled on label; exhibited at The San Francisco Art Association Fifty-Second Annual Exhibition at the P...
Category

1920s American Modern Figurative Paintings

Materials

Mixed Media

“Evening, 1971” Madoo Conservancy Gardens Sagaponack Hamptons American Modernist
Located in Yardley, PA
“Evening, 1971” by Robert Dash (American, 1931-2013) In 1967, Dash purchased an old barn on a small field in Sagaponack, NY. Over the next several decades, he turned the feral groun...
Category

1970s American Modern Figurative Paintings

Materials

Canvas, Acrylic

"In Front of the Store"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum / Tyler School of Art) pg. 195 Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...
Category

1970s American Modern Figurative Paintings

Materials

Canvas, Oil

A Stylish Vintage 1940s Fashion Study, Designs for Women s Active Wear
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

A Stylish Vintage 1940s Fashion Study, Design for Women s Clothing Accessories
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring elegant designs for women's clothing, shoes and accessories. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

A Stylish Vintage 1940s Fashion Study, Design for Women s Sun Dresses
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring elegant designs for women's sun dresses by Hattie Carnegie. Inscription reads: One- Cotton gaberdine in a green afternoon dress Two...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

A Stylish Vintage 1940s Fashion Study, Design for Women s Red Gown, Evening Wear
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's formal dress, evening wear. Inscription reads: "Gold rayon and wool Bengaline dress suit for movie ...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

Post Impressionist Oil Painting Still Life with Fruit William Meyerowitz WPA Art
Located in Surfside, FL
William Meyerowitz (1887 - 1981) Oil painting on canvas Depicting a still life scene with fruit bowl, bananas, flowers and quilt. Post Impressionist oil painting. Hand signed low...
Category

1930s American Modern Figurative Paintings

Materials

Oil, Canvas

An Introspective, Modern 1940s Portrait of a Seated Young Ballet Dancer
Located in Chicago, IL
A captivating, Modern 1940s portrait painting of a young female ballet dancer by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and expressive studio portrait of a ...
Category

1940s American Modern Figurative Paintings

Materials

Oil

Large Richard Merkin Painting Harlem Jazz Club, New Yorker Magazine Cover Artist
Located in Surfside, FL
Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...
Category

1990s American Modern Figurative Paintings

Materials

Canvas, Oil Pastel, Oil

"Catskill Mountains" Georgina Klitgaard, Country Landscape Modernist Hills
Located in New York, NY
Georgina Klitgaard Catskill Mountains Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artist...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

Colorado Hill Town with Storm Clouds, 1940s Modernist Landscape, Lush Green
Located in Denver, CO
This WPA-era signed oil painting by Paul K. Smith captures a stormy summer landscape in Colorado, featuring houses and lush trees under dramatic storm clouds. Painted in rich shades ...
Category

1940s American Modern Figurative Paintings

Materials

Oil

Returning from the General Store
Located in Missouri, MO
Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Oil, Panel

A Stylish Vintage 1940s Fashion Study, Designs for Women s Hat, Suit and Coat
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring colorful designs for women's hat, suit, shoes & coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. Pro...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

Modernist Beach Scene Painting, Playing Ball in Surf, WPA Jewish Woman Artist
Located in Surfside, FL
Modernist beach scene; signed lower right; image size is 11.5 x 8.5 inches, framed it measures Ruth Gikow (January 6, 1915 Ukraine - 1982 New York City) was an Important American Jewish woman visual artist known primarily for her work as a genre painter. Her paintings often depict human figures interacting with an urban environment. Ruth Gikow was born in 1915 in the Ukraine. Her father, Boris, was a photographer and her mother was named Lena. In 1920 she emigrated to New York City due to civil war and pogroms against the Jewish community. The pilgrimage took around two years. Once in New York City, the Gikow family found themselves in poverty, rather than the middle-class comfort they enjoyed in Ukraine. Ruth Gikow's skill was prominent even in youth, as she excelled in drawing in elementary school and entered Washington Irving High School at age thirteen in which she furthered her art prowess. Later, she studied at the Cooper Union Art School, where she studied under school director Austin Purvis, Jr. and regional artist John Steuart Curry. In her second year of Art School, she was awarded a scholarship which she used to work with fellow painter Raphael Soyer. She joined the New York City WPA Federal Art Project in 1935, where she was allowed to dedicate herself to her artwork full-time. In 1939, inspired by the muralists Diego Rivera and José Clemente Orozco, she applied and later won a commission to paint murals for Bronx Hospital, Rockefeller Center and the New York World's Fair. After the events of Pearl Harbor and once the Federal Arts Project was abandoned, Gikow's murals were sought after by New York department stores wishing to commission wall paintings. Gikow became disillusioned with mural painting due to the commercial aspect of these commissions. With other associates, she founded the American Serigraph Society (along with Anthony Velonis, Lena Gurr, Robert Gwathmey, Leonard Pytlak, Harry Shoulberg, Russell Twiggs...
Category

1960s American Modern Figurative Paintings

Materials

Paint, Paper

"Central Park South" Georgina Klitgaard, Female Modernist New York Cityscape
Located in New York, NY
Georgina Klitgaard Central Park South Signed lower right Oil on canvas 40 1/2 x 28 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ar...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Oil

St. Atomic oil and tempera painting by Julio de Diego
Located in Hudson, NY
Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...
Category

1940s American Modern Figurative Paintings

Materials

Masonite, Oil, Tempera

Philip Evergood American Modernism WPA Social Realism Modern Still Life Interior
Located in New York, NY
Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...
Category

1930s American Modern Figurative Paintings

Materials

Oil, Panel

Bay Area Figurative Movement -- Cigarette Break
Located in Soquel, CA
Wonderful figurative by Patricia Gren Hayes (American, 20th Century). Signed on verso. Unframed. Size: 30"H x 40"W. Bay Area Figurative / Bay Area Feminist Art Movement artist, Pat...
Category

1960s American Modern Figurative Paintings

Materials

Canvas, Oil

Davy Crockett at the Alamo
Located in Missouri, MO
Canvas Only Size: 24 x 36 inches Provenance: Kennedy Galleries, New York c. 1960 Illustrated: Treasures of the American West SELECTIONS FROM THE COLLECTION OF Harrison Eiteljorg B...
Category

1920s American Modern Figurative Paintings

Materials

Canvas, Oil

A Bustling, 1950s Mid-Century Modern Summer Harbor Scene of Martha s Vineyard
Located in Chicago, IL
A Bustling 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of sandy shoreline, docks and boat...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

"Spanish Moss, Georgia" Georgina Klitgaard, Modernist Southern Flora Painting
Located in New York, NY
Georgina Klitgaard Spanish Moss, Georgia Signed lower right Oil on artist's board 12 x 16 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to as...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

Social Realist Street Scene Modernist Landscape Oil Painting
Located in Surfside, FL
Oil Painting Mid 20th century, signed P. Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures an architectural street scape...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Oil

Large Pop Art Cartoon Acrylic Painting By Syndicated Cartoonist R.P. Overmyer
Located in Surfside, FL
R.P. Overmyer (American, 1948-2010). An original oil painting (this might be acrylic) on canvas. A figural Pop Art work painted in an abstract whimsical style, featuring an interior scene of bloody murder, with corpse figure, bullet riddled wall and chair, picture frame with photograph, and additional forms. Artist signature to bottom R.P. OVERMYER. The artist was a syndicated cartoonist and creator of the popular strip, "Hollywood Dog." Work Size: 29.5 x 39.5 in. Dimensions: 30 X 40.25 X 1.75 in. Overmyer was a longtime LA-based cartoonist and designer. His newspaper clients included LA Weekly and the San Jose Metro Weekly; his animation employers included Fox and Universal Studios. He may be best known for his Hollywood Dog feature, which was nationally syndicated in its current, political-cartoon illustration art form since I believe January 2006 and included the Los Angeles Times among its clients. The feature was originally a comic strip for the Los Angeles Reader, was trademarked for t-shirt production in 1989, and was briefly the basis for a television show in the post-Simpsons 1990s. That show appeared in 1993 and feature Simpsons utility performer Hank Azaria as the voice of the title character. He is from a long line of outsider, alternative, underground comics, cartoonist movement like Robert Crumb, Art Spiegelman, Chris Ware, Harvey Pekar, Ben Katchor, Ralph Bakshi...
Category

20th Century American Modern Figurative Paintings

Materials

Canvas

The Artist s Wife oil painting by Hans Burkhardt
Located in Hudson, NY
Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...
Category

1930s American Modern Figurative Paintings

Materials

Canvas, Oil

"Washington Square Park" Georgina Klitgaard, People in Cityscape Modernist Scene
Located in New York, NY
Georgina Klitgaard Washington Square Park, New York Oil on canvas 25 1/2 x 31 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

"Union Square" NYC American Scene Social Realism Modernism WPA Mid-20th Century
Located in New York, NY
"Union Square" NYC American Scene Social Realism Modernism WPA Mid-20th Century Agnes Hart (American, 1912-1979) "Union Square, New York City" Sight: 14 1/2 x 21 1/2 inches Gouache...
Category

1940s American Modern Figurative Paintings

Materials

Gouache, Board

"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA
Located in New York, NY
"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA Ernest Fiene (1894-1965) Glass Blowers 28 x 23 inches Oil on canvas board Signed and dated 1944 lower...
Category

1940s American Modern Figurative Paintings

Materials

Oil, Canvas

bathers (the kiss), female nude figures indoor pool green grey tones
Located in Brooklyn, NY
female bathers by visionary artist Stephen Basso surreal dreamlike imagery ABOUT Stephen Basso Stephen Basso's highly original pastels and oil painting...
Category

Early 2000s American Modern Figurative Paintings

Materials

Canvas, Oil

"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism
Located in New York, NY
"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism. 30 x 24 inches. Oil on Canvas. Signed land dated ’38 lower left. The photograph in the listing depicts the artist's friend who taught drama and about whom the painting is based Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...
Category

1930s American Modern Figurative Paintings

Materials

Canvas, Oil

Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco Antonio Petruccelli (1907 - 1994) Play Ball New Yorker cover proposal, c. 1939 12 x 8 inches (sight) Framed 18 1/2 X 14 3/4 inches Gouache on board Estate sticker verso BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category

1930s American Modern Figurative Paintings

Materials

Gouache, Board

Groovy Lucille Ball, TV Guide cover - The the Mod look 1960s
Located in Miami, FL
Bob Peak's Lucille Ball, TV guide cover is a seminal work. With its stylized design and use of punchy color, this work constitutes a powerfully innovative pai...
Category

1960s American Modern Figurative Paintings

Materials

Gouache, Mixed Media

A Stylish Vintage 1940s Fashion Study, Design for Women s Lounge Wear Pajamas
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring a colorful design for women's lounge wear & pajamas. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. Prov...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

NYC 1939 World s Fair Mural Study American Scene WPA Modern Mid 20th Century
Located in New York, NY
NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...
Category

1930s American Modern Figurative Paintings

Materials

Canvas, Oil

The Lonely Road by William Charles Palmer
Located in Hudson, NY
The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Tempera, Panel

Howard Schleeter 1949 Original Gouache Wax Painting – Abstract Southwest Art
By Howard Schleeter
Located in Denver, CO
This striking original 1949 gouache and wax painting, titled "Fetishes", is a powerful work by acclaimed New Mexico modernist Howard Schleeter (1903–1976). Rich with symbolic abstrac...
Category

1940s American Modern Figurative Paintings

Materials

Wax, Gouache

Transection w/ Architectural Forms, Geometrical Figurative Abstract Acrylic
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Transection with Architectural Forms, c. 1980s Acrylic and graphite on board 12 x 20 inches A surrealist mid-century figural abstract ...
Category

1980s American Modern Figurative Paintings

Materials

Acrylic, Graphite

A Captivating 1940s Modern Painting of a Seated Female Nude by Francis Chapin
Located in Chicago, IL
A captivating, 1940s Modern painting of a seated nude on a garden bench by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female mode...
Category

1940s American Modern Figurative Paintings

Materials

Masonite, Oil

A Stylish Vintage 1940s Fashion Study, "Personal Choice of Gertrude Lawrence"
Located in Chicago, IL
A stylish, vintage, 1940s woman's fashion study featuring an elegant, colorful design titled "Personal Choice of Gertrude Lawrence, Star of Lady in the Dark". Gertrude Lawrence, fam...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

A Stylish Vintage 1940s Fashion Study, Design for Women s Red Gown, Evening Wear
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's red gown, evening wear. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches. P...
Category

1940s American Modern Figurative Paintings

Materials

Paper, Watercolor, Pencil

American Modern figurative paintings for sale on 1stDibs.

Find a wide variety of authentic American Modern figurative paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Clarence Holbrook Carter, Patricia Gren Hayes, Jack Hooper, and Donald Stacy. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern figurative paintings, so small editions measuring 2 inches across are also available. Prices for figurative paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $330,000, while the average work sells for $4,517.