Feminist Figurative Paintings

Kenzo's ode to the four seasons was part of his third art exhibition, composed of paintings, sculptures and collages that have already been exhibited in Germany and Morocco with grea...

The subject is primarily about multiple personalities. It is signed and dated on the reverse side. *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings ar...

Cowgirl Tricks by Carol Magnatta Painting, Feminine, Human Figure, Pastel and Oil, Wall Hanging, Wall Art, Sexy, Provocative,

Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a worl...

Feathery by Carol Magnatta Painting, Pastel, Pastel Colors, Pink. Girly, Women, Feminine, Nature, Flora, Textured, Wall Art, Home Decor, Home Art, Wall Hanging

Juliette Gordon (American, b. 1934) Untitled (Modern Woman), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York (ASG-JuG8) Sold with certificate of authenticity signed by the artist. Juliette Gordon is a witty, perceptive, and highly intelligent artist. Her most iconic works are wickedly funny and sometimes highly political photocollages that were inspired by her involvement in the women’s movement of the early 1970s. At the time, she was exhibiting with the likes of Nancy Spero and May Stevens...

This is part on an ongoing series of works by the artist depicting strong allegorical women in various landscapes. The painting is oil on linen canvas signed on reverse

Red Feathers #2 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

All Red Feathers by carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

Red Feathers #3 by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Home Art, Wall Art, Home Decor, Wall Decor

Bubble bath by Carol Magnatta Painting, Pastel Painting, Oil Painting, Women, Girly, Girlhood, Womanhood, Women, Female, Bubble Bath, Bathroom, Spa, Bubbles, Fancy, Home Decor, Wall...

the subject of this work is Yemaya orisha or saint of the seven oceans . Her colors are blue and white and she exudes great power and love.

Artist/Designer; Manufacturer: Freddy Wittop (1911-2001) Marking(s); notes: signed, marking(s) Country of origin; materials: Dutch/American; mixed media on illustration board Dimensi...

A stunning large figurative painting of a working farmer woman sourcing water by a well. The painting features earthy colors in a green dark tone contrasting with the white outfit of...

Unique work made from handprinting and printed collage on paper.

Hair Finery by Carol Magnatta Painting, Women, Feminine, Feathers, Dancing, Sexy, Pastel, Provocative, Textured, Home Art, Wall Art, Home Decor, Wall Decor

Feathery #2 by Carol Magnatta Painting, Pastel, Pastel Colors, Pink, Girly, Women, Curvy, Sexy, Textured, Wall Art, Wall Decor, Home Decor, Home Art

Depravity Jane by Carol Magnatta Painting, Pastel, Pastel Colors, Dark Colors, Pop of Color, Women, Feminine, Sexy, Provocative, Body, Home Decor, Wall Decor Wall Art

Juliette Gordon (American, b. 1934) Untitled (Love Potion), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York Sold wi...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...

Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for was Wo...

Tapered hands and pointy-toed female figures along with the cropped legs of a stagehand are depicted in a dance performance. Blanchard was a fashion illustrator and worked for many years in the advertising department of Lord & Taylor. Work is modestly framed Stamped on back "Copyright Conde Nast...

Michèle TAUPIN was born in Paris, but she could have been born somewhere in ancient Greece, on the banks of the Nile or in Florence… “An immense desire...

Michèle TAUPIN was born in Paris, but she could have been born somewhere in ancient Greece, on the banks of the Nile or in Florence… “An immense desire...

We can see two friends having a good time while they seem to be talking about something, one touching her hair.

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...