Boat Figurative Paintings

Title: French Coastal Landscape with Moored Boat and Cliffside Trees By F.T. Roussel Signed: yes Size: 8.75 x 10.25 inches (height x width) Oil painting on cardboard, unframed Condit...

In the soft evening light, a lone figure rows a small boat across the calm water, while tall reeds fringe the quiet shoreline in the foreground. Rolling wooded hills embrace the lake...

View of the Gulf of Naples, with Vesuvius on the background is an original modern artwork realized by Anonymous artist in the mid-19th Century. Mixed colored gouche. Includes a bla...

Title: French Coastal Gouache Painting of Fishing Boats at Low Tide by Fanch Lel (French b. 1930) Signed: Yes Size: 8.75 inches (height) x 12.25 inches (width) Gouache painting on pa...

Continental harbour scene in oil. Well presented in a distressed cream and gilt frame. Signed to the lower left. Signed and inscribed to the reverse. On canvas on stretchers.

Louis Jean LOTTIER (La Haye-du-Puits, 1807 – Mont-Saint-Père, 1892) View of Cairo, Egypt Oil on cardboard Annotated on the back: Offered by L. Lottier / to Mr. Ch. Ginoux / 1852 / ...

Attributed Charles François Grenier de Lacroix or Charles - François Lacroix de Marseille (1700 - 1782) as signed lower left on the stone “Lacroix”. The scene of the departure of nobles on a ship, somewhere among the Mediterranean landscapes at sunrise. Lacroix's sense of color and attention to detail are particularly impressive: the sea is calm, the sun is rising and as a soft pink hue begins to emerge in the clouds, the morning haze has not yet cleared and the air is clear and clean, large ship...

Riverscape in oil. Well-presented in an ornate foliate gilt frame. Signed to the lower right. On canvas on stretchers.

Trip to the lake is a modern artwork realized by French painter Pauline Minartz. Mixed colored oil painting on paper.

Seascape in oil. Presented in a white painted frame. Indistinctly signed in the lower left and dated 1976. On canvas board.

William Edward Webb British, (1862-1903) Douglas Harbour, Isle of Man Oil on canvas, signed Image size: 21.5 inches x 37.5 inches Size including frame: 33 inches x 49 inches A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

Harbor View with Merchants and a Mosque, Greek-Roman Buildings and Ships on Background. In excellent conditions. Includes a beautiful contemporary wooden gilded frame...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. This beautifully painter piece shows a view from the Pont Neuf looking towards the ...

Very rare view of Ponza Island from the part of the Molo. This is a very rare and fine work of art because until 1900 it was not usual to choose Ponza as a tourist destination or as...

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

Charming Harbor Scene signed by Fanch Lel (French b. 1930) size: 8 x 9 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously bee...

Glimpse of coast with boats is an interesting original oil painting on zinc, realized in the first half of XX century by an anonymous artist. Image dimensions: 25.7x35.5 cm. The met...

Last Voyage of the Lady Elgin On Saturday, September 8, 1860 at 2:30 a.m., the sidewheel steamship was full of Milwaukee’s Union Guard and civilians returni...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE OF THE DOGE'S PALACE, VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) fr...

Signed oil on canvas figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts two young girls with their mother in a landscape overlooking boats...

"Houseboats in Moon Light", a rare early 20th century tonalist nocturnal harbor landscape scene at Greenbrae Boardwalk, San Rafael, California by Charles Rollo Peters (American, 1862-1928), 1912. Inscribed "Charles Rollo Peters Greenbrae, 1912" in the lower left corner. Presented in an antique giltwood frame. Image size: 19.5"H x 25.25"W Auction record high for this noted Nocturnal and Tonalist artist is $58,000. Rare works like this one range $30,000-$35,000. (Note: the photos showing the inscribed signature have been adjusted to show contrast and the artists inscribed signature in other photos enhanced by acrylic over inscription in the oil paint for visibility). Although not noted on verso, the title is taken from two others done the same year at Greenbrae Boardwalk near San Rafael, California. Charles Rollo Peters (American, 1862-1928), called "The Poet of Night", is best known for his Tonalist landscapes, especially nocturnes, with much of his subject matter being scenes around his home in Monterey, California. James McNeill Whistler, who promoted the Tonalist aesthetic in Europe, was a major influence on his painting, and "is reported to have said that Peters was the only artist other than himself who could paint nocturnes." (Gerdts) As Peters matured, his life became increasingly tumultuous, but the one stable part of his existence was his painting. He continued to pour his emotions into his work, creating lonely, mysterious nocturnes with a palette of deep blues and blacks. The scenes were invariably dotted with a speck of light emanating from the moon or a lighted window. His landscapes usually displayed a more prominent sky view and often included a winding path or road trailing off in the distance. Peters was born in San Francisco in 1862 to a wealthy family, and in San Francisco attended Bates Private School for Boys and the City College, where his talent for sketching and painting became obvious and was encouraged. After graduation from the College, he spent time as a commercial artist, but this pursuit did not hold his interest. In the mid 1880s, he began to study privately with Jules Tavernier and also attended classes with Virgil Williams and Christian Jorgensen at the California School of Design. During this period, he painted Bay-Area scenery. In 1886, he began a four-year period of study and travel in Europe, enrolling in Paris at the Ecole des Beaux-Arts and the Academie Julian. His teachers were Jean-Leon Gerome and Fernand Cormon. In San Francisco, where he returned in 1890, he met and married Kathleen Mary Murphy, and the couple immediately departed for an extended trip to England and France. Peters painted the countryside and produced numerous landscape paintings, especially moonlit views of Brittany and Paris---his first nocturnes, encouraged by the aesthetic of Whistler, whose influence was pervasive in England and France. Upon his return to California about 1895, Peters held a large show in San Francisco and was able to sell many of his works. Soon after, he and his family relocated to Monterey, California where Peters became interested in California adobe ruins and missions as subjects for his paintings. Night paintings with rich blues highlighted by moon light became his signature work. Like most Tonalists, he painted in his studio. It was written of him that Monterey residents often saw him "wandering about in the semi-darkness, taking down notes here and there, studying the different phases of light, and creating a vivid mental picture of the scene he wished to paint." (Lowrey 158) In 1899, he made a tour with his collection of paintings through Chicago, Maine, Long Island, and New York City where he held a solo exhibition at the Union Club and received very favorable publicity. One reviewer of the Union Club work wrote: "The artist has studied the atmospheric effect of the night to good purpose, and in the representation of the silvery gray of moonlight he has arrived at singular proficiency." Peters returned to Monterey in 1900, and purchased thirty acres of land where he built an estate. He exhibited in the annual exhibitions of the San Francisco Art Association and the Bohemian Club. Along with William Keith, Xavier...

A serene moonlit dockland with figures gathered at the lower right. A fire flickers on the shore adding as flash of colour to the overall blue composition. The painting is unsigned a...

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

Signed fauvist oil on canvas riverscape c.1908 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the River Seine in Rouen, with Saint Catherine'...

A colourful continental scene on the coast with fisherman sorting nets aboard his small fishing boat. Illegibly signed to the lower right and dated (2004...

Michiel Schrijver 'The View' 40 x 50 cm (framed: 44 x 54 cm (Wooden frame is included in price) acryl on canvas Dutch Painter Michiel Schrijver lives and works in the center of the ...

This charming coastal scene captures Le Pradet Var harbour with white-washed buildings nestled among lush green trees along the waterfront. The artist employs a soft, impressionistic...

Early 20th Century oil painting of men having a conversation on the San Francisco, California pier with boats in the distance by Gus Johnson (American, 19th century), 1928. Signed on the lower right. Unframed. Image size, 23"H x 32"L. Johnson was a regular outdoor painter on the California coastal regions during the 1920s-50s. He enjoyed painting scenes on San Francisco Bay near Sausalito and Marin California.

Gino Scalatelli (Venice 1870 - Venice 1920) - Venice, view of the basin of St. Mark. 63.5 x 101.5 cm without frame, 84 x 121 cm with frame. Watercolor on paper, in a contemporary c...

Laura Woodward Gloucester Harbor, circa 1880 Signed lower left Oil on canvas 18 x 24 inches Provenance: Private Collection, United Kingdom Priory Fine ...

A striking oil study of two brightly coloured sailing boats trawling through Mediterranean waters. Simmers captures the scene in a confident impressionist style with expressive brush...

In this oil painting, I captured the serene warmth of a Mediterranean noon, blending impressionism with realism to bring the shimmering water and gentle sunlight to life. The woman’s...

Paramesh Paul - Varanasi - 14 x 18 inches (unframed size) Acrylic on Canvas Style : Paramesh Paul is a freelance artist from Mumbai. Looking at his paintings the viewer d...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf ...

The Seine at the Louvre. Oil on canvas, 50 x 65 cm Serge Mendjisky was born in 1929 in Paris. His father, Maurice Mendjisky, was a painter from the School of Paris, this is how Serge became acquainted with the world of arts since childhood. After completing his studies at the School of Fine Arts of Paris, he soon became a recognized artist and his work was exposed in Europe, Japan and the United States. He used photography to make his preliminary studies in painting. By decomposing and recomposing the horizons of some of the most famous cities of the world like New York and Paris, Serge Mendjisky creates new urban landscapes which put into question our perceptive faculties. Volumes, lights and colors create different visual rhythms which create new connections between time and space. Through Serge Mendjisky's creativeness, Broadway becomes an explosion of colored lights...

An original landscape painting by contemporary artist John L. Harris. Signed to the lower right. Presented in a contemporary wooden frame with a crisp white mount. On board.

Giovanni Riva (Turin 1890 - Turin 1973) - Venice, view of St. Mark's Basin with the Doge's Palace. 18 x 24 cm unframed, 29 x 34 cm framed. Oil on cardboard, in a contemporary carve...

Signed figures in landscape oil on canvas circa 1920 by British post impressionist painter William Lee Hankey. The piece depicts sail boats in La Rochelle, a seaport in the Bay of Bi...

paper collage

19th Century Antique Gouache Watercolour Ink Painting Galleon Ship Maritime Seascape Continental, 19th Century Canvas: Height 88cm, width 117cm Frame: Height 102cm, width 131cm, depth 7cm Painted in gouache, watercolour and ink on canvas, this large 19th- century maritime scene depicts a Dutch galleon under full sail upon a restless sea. The composition draws inspiration from 17th century naval painting...

Fantasy. 1995, acrylic on canvas, 100x60 cm Painting with fantastic creatures, castle, gandolier and explosion in the sky Igor Leontiev (1957) - one of the leading independent paint...

Contemporary figurative landscape acrylic on board painting by Polish artist Janusz Szpyt. Artwork style is classic and realistic achieved with wide brush strokes. Janusz Szpyt was...

Guy Pene du Bois Seaside (Amagansett Beach), 1939 Signed and dated lower left; artist label on the reverse: "Seaside CAT No 192" Oil on canvas 16 x 20 inches Pène du Bois descended...

Harbour at Finistiere, France by Georges Eugène DELHOMME (1904-1989) * see notes below signed oil on canvas, framed framed: 38 x 46 inches canvas: 32 x 39 inches Provenance: the arti...

Adolphus Knell English, 19th century Shipping at Sunrise (or Sunset) Circa 1870 Oil on canvas In an antique gilt frame A finely composed English marine scene by Adolphus Knell, de...

H. Gaulties French, circa 1900 Fishing Boats at Sea Oil on board Signed lower right A lively French Impressionist harbour scene depicting fishing vessels at anchor, their masts an...

The Castle Hotel English School (19th century) unsigned oil on board, framed framed: 11 x 15 inches canvas : 7 x 11 inches Provenance: private collection, England Condition: very goo...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Harbor Melbourne. 1982, oil on canvas, 50x60 cm Expressive colorful summer landscape of Melbourne harbor with yachts and people Ludmila Meilerte (1908 – 2008) - Painter 1940 – The Art Academy of Latvia, the masterclass of V. Purvitis. 1944 – Emigration to Germany. 1948 – Emigration to Australia. L. Meilerte took part at Latvian and Australian art exhibitions. She painted landscapes, still life’s, portraits. Her paintings are expressive and colorful. The artist was awarded in regional exhibitions and competitions. Dunlop Prize 1952, the Gosford Art Prize (1st prize) judged by Sir Russel Drysdale 1971, and the Victorian Artists Society`s Pirstitz Prize and gold medal in 1982. Royal exhibition in Melburn – 1975, 1976. Ludmilla Meilerts is represented in the National Gallery of Victoria, Melbourne; Tasmanian Art...

Louis Bosa (American, 1905-1981) Fishing Wharf Rockport Oil on masonite Signed lower left, signed & titled verso 12 x 16 inches 18 x 22 inches, framed Born in Codroipo, a small vill...

"Le retour de pêche", Oil painting on canvas, signed in the bottom right corner, 55x82cm. Chérioux's student in Brest, Noel moved to Paris and debuted in the 1840 Salon, at which he...

Excellent condition. No restorations. Signed low right.

Of all the Haitian Voodoo ceremony paintings, few depict the ceremony at sea. This is a rare example. Vodou ceremonies at sea often depict rituals for Agwe (sea spirit) or La Sirène...

Oil on canvas, signed lower left Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known pr...

This superb large early 18th century Old Master Italian marine oil painting is attributed to a follower of Dutch artist Abraham Storck. Painted circa 1700, the composition is an Ital...

Signed oil on panel seascape circa 1930 by New Zealand post impressionist painter Sydney Lough Thompson. The work depicts sailboats in the water at Concarneau, a commune in the Finis...

Venetian painter (dated 1892) - Venice, view of Campo SS. Giovanni e Paolo with the statue of Colleoni. 40 x 22 cm without frame, 59.5 x 41.5 cm with frame. Oil on canvas, in an an...

Peter Stevens (1920-2001) is an American painter, known for Illustrating magazines. He worked for slick magazines, such as The American Magazine, Cosmopolitan, Family Circle, Liberty, McCall's, Redbook, and The Saturday Evening Post. By 1961 the trend in magazine design was turning away from classic illustration, just as his portrait commissions were growing more successful. He was represented by Portraits Incorporated of New York City with a steady stream of significant clients. He painted the portraits of several speakers of the Rhode Island House of Representatives...

Boat,sea,green Birgitte LYKKE MADSEN (Odense, Denmark, 1960) 1981-86, Educated from the Academy of Fine Arts, Odense First solo exhibition in 1983 Artist statement: “I am a painter. I am fascinated by the difference in cold and warm colors and the different atmospheres that it creates in our mind. My hereby presented oil paintings are describing people in water...