Head Figurative Paintings

‘Awakening’ by Herbert James Draper (1864-1920). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptions under the US Constit...

Portrait of Cud Colley - the Whitby Fisherman by Henry Borrows (British, painted 1878-1891) signed oil on canvas, framed dated 1891 framed: 27 x 21 inches canvas : 22 x 16 inches Pro...

Italian painter (18th century) - Chrono. 90.5 x 106 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conservation of t...

The Grape Harvest Flemish/ Dutch School, 17th century oil on wood panel panel: 13 x 16 inches provenance: private collection, Belgium condition: very good and sound condition

Oil on canvas, applied to wooden plate. The saint is depicted in the foreground, half-length: the naked torso of the body is partially covered by a fur falling from the shoulders, ov...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

Where your focus goes, your energy flows. Fix your gaze on growth, not on fear; on progress, not on perfection; on the path ahead, not the distractions beside you. Shipping Procedur...

If something about this painting seems familiar, it is for good reason! Dating from circa 1905-10, it is a work by Lucien Boulier (1882-1963), who was effectively Renoir's last stude...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

A finely painted picture, possibly of the penitent Mary Magdalene, painted in oil on to a copper plate and dating to c1750. Condition Two old touch ins, tiny chip to the forehead...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 1994 Title: David Size: 31" x 14" x 0.8...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist May...

La Rue (The Street) Charles Levier, French (1920–2003) Date: circa 1965 Oil on Canvas, signed l.l. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 37.5 x 32.5 inches

Oil painting on a wooden panel realized by Marco Fariello in 2024, and depicting a girl lying on a Bed.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

5030 Scandinavian female figurative painting Set in a hand carved wood frame. Image size 23x17" Signed Johanssen

Anatomy Lesson, Segment 3 (modern figurative oil painting of male bust in profile with hand) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent condition T...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a male figure wearing a white jacket, blue shirt, and red tie. Signed in ...

Artist/ School: French School, EARLY 20TH CENTURY Title: Sur la Plage Medium: watercolour on artists paper Size: painting: 8 x 10 inches Provenance: private collection, ...

SALE ONE WEEK ONLY Yaeger was an American Modernist painter from Detroit, Michigan, who is credited with being one of the first painters in this style. The portrait “Untitled” easil...

Still-life in Studio 85 x 100 cm (framed in a black wooden frame 95 x 110 cm) Oil on canvas Ksenya Istomina graduated in 2018 at the 'Imperial Academy of Arts in St Petersburg'. S...

"Sergei," an original oil painting on canvas created in 2016 by Viktoria Savenkova, is an expressive realist portrait rendered with skillful precision and emotional depth. Measuring ...

Beautiful nude female portrait boudoir scene by Cynthia Kleinmeyer. Watercolor on paper measures 8 x 12 inches. Framed measurement: 12 x 16 inches. Signed and dated 1932 by artist...

Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of imagery he has witnessed in his travels, dreams, and read about in literature. The ar...

Signature bottom right Frederick Arthur Bridgman was born in Tuskegee, Alabama, then later moved to Boston and New York. Before long, he had enlisted a group of Brooklyn businessme...

Do not scatter your mind on what you cannot change. Focus instead on what you can build, and watch your life transform. Shipping Procedure Ships in a well-protected tube from Nigeri...

David van der Linden 'Confidence' 60 x 60 cm ( Framed in black wooden frame, included in price, 70 x 70 cm) Oil on canvas 2024 Artist David van der Linden has a hard time to paint...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Flemish school 17th or 18th century Circle of Thomas WILLEBOIRTS BOSSCHAERT (Berg-op-Zoom, 1613 - Antwerp, 1654) Oil on canvas 72 x 59 cm (90 x 77 cm with frame) This work has been painted in a style close to the Antwerp school of the middle of the 17th century, to Anton van Dyck especially. We have found in particular several paintings similar to our painting in the works of Thomas Willeboirts Bosschaert. After having studied with Gerard Seghers...

Oil on Canvas by Fortunato Pirazzini (1907-2003), School of Paris, c. 1950 - "Sleeping Woman, Nude". This captivating oil painting, titled "Sleeping Woman, Nude", was created by Fort...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

"Where Silence Meets Soul" is a contemplative piece that invites viewers to step into the sacred space within. This artwork was inspired by the idea that silence has the power to awa...

This painting is part of the cycle of works, Come and See, It was invented when I was a student at an art college. Studying the work of Michelangelo, I was inspired by his fresco in ...

Title: Reclining Woman Artist: Ramon Pichot Soler (Barcelona, 1924 – 1996) Medium: Oil on panel (double-sided work: main painting + study on the reverse) Dimensions: 41 × 33 cm — (16...

Figurative oil on board painting in brass frame placed under plexiglass by Polish artist living in the USA, Monika Rossa. Frame is an integral part of the painting. Artwork depicts s...

Bacchanal Cupids Playing French School, early 1900's after the earlier work by Rubens, unsigned oil painting on canvas, framed canvas: 22 x 39 inches framed: 27 x 44 inches Large s...

My solid backbone, a pillar of strength, A foundation of power, a source of great length, It supports me through life's ups and downs, A constant companion, a source of profound. Sh...

Symbolist school, follower of Eugene Carriere, "The Mother's Kiss," unsigned oil on canvas, early 20th century. Fascinating and magnetic painting, extremely decorative. The first t...

Roman Girl At Fountain After Leon Bonnat by L. Luige c.1876 Original oil on canvas This is a period copy of the painting by Leon Bonnat (the original wa...

Oil on canvas Ramaz Chantladze is a Georgian artist was born in 1960 who lives and works in Tbilisi, Georgia. He studied at Jacob Nikoladze School of Art. In 1979-1985 he studied at...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Strength is not always measured by the noise we make, the battles we fight in the open, or the weight of the words we speak. Sometimes, true strength is found in stillness—in the gra...

‘Piano Lesson’ By artist 'Virginia Campbell', 20th Century Signed and dated '1980' verso Oil painting on board, unframed Board size: 10 x 14 inches Eleg...

A naive yet charming 19th-century study of a small family gathered around a baby. The mother cradles the infant in a chair while a small white cat watches quietly in the background, ...

Once upon a time there was one tough girl. She did a lot of mistakes in her life and survived a lot of falls, including falls on the asphalt from her motorcycles and many times she balanced on the edge of life. But she didn't lost her good temper and ability to dream. *** In 2021 Evgeniy Monahov...

This evocative oil painting, titled Studio Muse, depicts a seated nude in a quiet moment of contemplation. The model is shown in profile, resting on a simple wooden stool against a n...

Elena Burykina's "Katherine the Warrior" (2025) is an original, handmade oil painting on panel. Artist Statement: Barbute Armorer Pietro da Castello Italian ca. 1470-80 Most Italian...

Acrylic on canvas depicting a party on a New York terrace with Ionic columns and the New York skyline in the background. The work was commissioned by the Fortunoff family and is publ...

An important Old Master oil on canvas painting by the Flemish artist, Jan Cossiers, a follower of the style of Caravaggio (1600-1671). Born in Antwerp in 1600, Jan Cossiers was a pupil of his father, the painter Antoon Cossiers (died 1646/1647), and also studied under Cornelis de Vos...

Mary Cassatt 1844–1926 American Smiling Sara in a Big Hat Holding Her Dog Signed "Mary Cassatt" (lower right) Pastel on paper “I love to paint children. They are so natural and t...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Hebe with Zeus mythological nude by Eduard Buchler 19th Century Hebe is the daughter of Zeus and his sister-wife Hera. Pindar in Nemean Ode 10 refers to her as the most beautiful of...

Signed oil on board portrait circa 1940 by French post impressionist painter Jean Gabriel Domergue. The work depicts a blonde lady - Audrey - in a mint green dress...

A Charming, 1950s Modern Portrait of a Girl in White Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 6 1/2 x 5 3/4 inches; oil on Masonite; Framed si...

My beauty is one of a kind, my color is one of a kind, and I cherished my skin which brings out the strength in me Painting Ships in a well-protected tube from Nigeria This work is ...

Antonio Balestra (1666–1740) – "Samson & Delilah" Artist: Antonio Balestra (1666–1740) Title: "Samson & Delilah" Medium: Oil on canvas Framed Dimensions: 147 x 165 cm Canvas Dime...

Head Portrait of a Terrier Dog by W. Mitchell (English, late 19th Century) oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: very good and ...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 36" x 60" It is unframed. A certificate of authenticity will follow d...