Large Interior Paintings

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

Daisies 1997, oil on cardboard, 85x75 cm The focal point of the painting is the bouquet of daisies, which stands out against the lush greenery of the tree alley. The sunset illumin...

Michel De Gallard, France (1921-2007). Oil on canvas signed lower left, Silver gilt and dark wood frame. Provenance: Label on verso Galerie de la Presidence, Paris, Titled: 'Femme...

Aditya Basak - Untitled - 36 x 30 inches (unframed size) Acrylic & Tempera on Canvas ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes...

A nude female reclines on an overstuffed chair, her hand raking through her hair. Beside her sits a tabby cat, thoroughly involved in its own hygiene. Another cat in the bottom lef...

Nicely painted mid century modernist interior view. Finely painted. Framed.

Antique American oil painting of a southern courtyard by Charles Baskerville Jr (1896 - 1994). Oil on canvas, circa 1950. Signed. Displayed ...

Signed impressionist oil on canvas still life by French painter Jeanne Baudot. The work depicts a bowl filled with red and green apples and grapes. Signature: Signed upper left Dimensions: Framed: 33"x29" Unframed: 26"x22" Provenance: By direct descent from Jeanne Baudot to her godson Jean Griot Jeanne Baudot's father, Emile, was doctor to French artist Auguste Renoir's relatives when they lived in Louveciennes. In 1893, she met Auguste Renoir through her cousin Paul Gallimard, an art collector. Renoir travelled from his studio in Montmartre to meet the aspiring painter and give his opinion on her work. Renoir was so impressed with what he saw that soon she became his only pupil. Form 1897 to 1914, she lived at 4, Rue du Général Leclerc in Louveciennes, where Renoir had his workshop. She became the godmother of Auguste Renoir's second son, Jean Renoir, at the Saint-Pierre de Montmartre church, while Georges Durand-Ruel was the godfather. Throughout her life she stayed close to Jean Renoir, who became a film director. He wrote the preface of the exhibition catalogue of her retrospective in 1960 at Galerie Durand-Ruel. Auguste Renoir painted several portraits of Jeanne Baudot. They became great friends, accomplices and confidants. They painted side by side, in the studio of the painter, in the studio of Jeanne and outside, in the countryside, in Louveciennes, in the South and elsewhere, chatting cheerfully. He gave her advice, and shared his own concerns, such as those caused by his talks with the representatives of the State to make them accept the paintings bequeathed by Gustave Caillebotte. Maurice Denis painted Auguste Renoir and Miss Jeanne Baudot in 1906. Jeanne Baudot was a childhood friend of painter Julie Manet, the daughter of Berthe Morisot and Eugène Manet, and appears in many instances of Manet's diary. Her name was given to a street in Louveciennes. Lifetime Exhibitions: 1905, Paris, Salon d'Automne. 1906, Paris, Salon des indépendants. 1925, Paris, Salon des Tuileries. 1930, Paris, Galerie Dru from November to December 1930. 1950, Paris, Galerie Durand-Ruel, from April 28 to May 15, 1950. Retrospective Exhibitions: 1966, Paris, Galerie Durand-Ruel, Dame & Demoiselles – Blanche Hoschedé, Jeanne Baudot, Paule Gobillard...

Villa Olivos by Karen Lynn [2021] This is a painting from my modernist pool series of paintings. In this particular painting I loved the shape of the kidney shaped pool and I placed...

Hemed’s paintings inhabit a space between realism and intimacy. Depicting contemplative male figures in moments of vulnerability, his work is marked by an emotional depth that resist...

Letting Go [2022] original and hand signed by the artist Acrylic on canvas Image size: H:57 cm x W:57 cm Complete Size of Unframed Work: H:80 cm x W:80 cm x D:2cm Frame Size: H:...

Story illustration for "The Valley of the Giants," by Peter B. Kyne, published in The Red Book Magazine, June 1918, vol. 31, issue 2, pages 30-39 Kyne's tale was first serialized in...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features art historical references to iconic artists such as Rene Magritte, Pablo Picasso, and Loui...

Oil on canvas – 25.6 X 31.9 IN (65X81 cm) Framed dimensions: 28.3 x 34.6 in (72 x 88 cm) Black or light wood floater frame – Signed by the artist – Certificate of authenticity – Rea...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

Lilies and Seashell by Lu Haskew Oil 30x24" image size 36x30" framed, gold leaf on wood, as pictured​ Floral Still life ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. B...

Oil on Canvas. Inside a 'tavern, some patrons are playing cards: the man seated to the left cheats, hiding a card in the collar of his lisa tunic, under the amused gaze of the 'innke...

March 1989. Oil on canvas, 80x90 cm

Abstract Middle Ages images are scattered across the canvas in the clouds of dreams. By the word Middle Ages, we mean such different images. On the one hand, knights, castles, and beautiful ladies, and the other, we can say with a despicable intonation, meaning some savagery, remembering the incredible cruelty of those times. Sometimes, one falls into despair at this uneven evolution. On the one hand, someone is already inventing anthropomorphic robots for tomorrow, and on the other, many remain wild in their lust for burning witches at stake... I dream of a Renaissance! Medieval Dreams participated in the curator exhibition "Winged Swing" in May 2022 in Moscow. The artwork is on canvas on a stretcher 100x50x1.5 cm with painted sides. It's ready to hang. The work is signed on the front and will come with a Certificate of Authenticity by Stasy Vo...

Written based on sketches from the Volodymyr Cathedral in Kyiv

The original colour inspiration for this canvas , was the beautiful blossom on the red horse chestnut trees , surrounding the studio. I also wanted to use fragments of treasured char...

Architectural Underpinnings are the focus on this abstract oil on canvas painting by artist Anne Subercaseaux, whose gleaming oil paintings realistically bridge urban with rural in t...

French contemporary painter Sophie Dumont In Lignes de Lecture, Sophie Dumont explores the library as an inner landscape. The painting unfolds through a rhythm of vertical forms sug...

Sunflowers 2003. Oil on cardboard, 100x81 cm Still life painting with stylized sunflowers on light-colored background. The focal point of the artwork is the depiction of sunflowers...

The Conviction of Things Not Seen #5 by Judith North [2022] original Oil, oil bar and chinagraph pencil on canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 ...

Romantic sunset 1995. Cardboard, oil, 90x83 cm The painting portrays a romantic scene featuring a captivating red sunset. The artist skillfully utilizes oil paints to capture the v...

Camille Joseph Etienne ROQUEPLAN 1803 - 1855 A fantastic oppotunity to buy a piece by Camill Roqueplan.His works do not come up often in auction but in 1989 one reached FF 200 000. ...

MICHAEL SANDERS A Walk at Felbrigg Original mixed-media painting Mixed-media on canvas Canvas Size: H 90cm x W 90cm x D 3.8cm Sold Unframed Ready to Hang Please note that in situ ima...

The road to the sun 1996, cardboard, oil, 74x85 cm The composition depicts a landscape where a road leads towards the sun, with the sea visible in the background. The focal point ...

Kamal Mitra - Untitled - 28.5 X 20 inches (unframed size) & 19 x 12.5 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Elevate your space with this large original, gradient of blue, abstract painting! Made on stretched heavy canvas, the edges are painted for a polished look. The glossy varnish not on...

"By Any Means" – Original Abstract Graffiti Collage Painting by Michelle Thomas By Any Means is a bold and expressive original mixed media collage painting by contemporary artist Mi...

Medium: Oil on Canvas Signature: Signed Lower Left Size: 34.00" x 24.00" Maxwell House Coffee, "Home for Christmas..." (1945) For years, Walter Martin...

This work appeared without a clear plan. Sometimes I simply begin painting objects that seem able to coexist within a single composition. I like the feeling that things somehow know ...

Expressionist interior corner that has an orchid as its protagonist. Predominant chromaticism between fuchsia-pink and yellow. Oil on linen by Spanish artist Chico Montilla. Beautifu...

"Cairo 2" Abstract Painting 39" x 28" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion fr...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Provencale French interior view, mid century, watercolour on paper by Auguste Drouot. The painting is signed bottom right and presented in a period frame, currently without glass. This charming and captivating painting showcases a sumptuous provincial French interior, brimming with warmth and charm. At the centre an 18th century French vaisselier...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

PURRMANN, Karl (1877-1966) Baroque interiors of Castle Oil on wood panel signed and dated 1947 Low left Framed by Gault (Paris) Dim wood : 52 X 66 cm PURRMANN, Karl (1877-1966) Ger...

Leonard Feldman (American, XX), Reclining Female Nude, Oil on Canvas, initialed "L.F." to verso, unframed. 24.25" H x 38.25" W. Provenance: From the Allen Tucker Memorial Collection.

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

""In The Pub"" is an oil painting on canvas. About the artwork: TECHNIQUE: oil painting Edition : Unique, signed Weight: Approximately 2 kg. The painting is unframed. Frame: Op...

Roses & Lilies in Vase by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 36 x 29 inches condition: ove...

This superb British Post Impressionist oil painting is by noted artist Glyn Morgan. Morgan was a noted Welsh artist, initially taught by Ceri Richards in Cardiff and later a Benton E...

Esta obra es una explosión de emociones vibrantes, creada con óleo para capturar la energía pura del color. Quise transmitir alegría y movimiento, como un estallido de vida que llena...

Esta obra es una explosión de emociones vibrantes, creada con óleo para capturar la energía pura del color. Quise transmitir alegría y movimiento, como un estallido de vida que llena...

Esta obra es una explosión de emociones vibrantes, creada con óleo para capturar la energía pura del color. Quise transmitir alegría y movimiento, como un estallido de vida que llena...

Esta obra es una explosión de emociones vibrantes, creada con óleo para capturar la energía pura del color. Quise transmitir alegría y movimiento, como un estallido de vida que llena...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

A Delicious Meal Poreau Oswald Schaarbeek 1877 – 1955 Waterloo Belgian Painter Signature: Signed bottom left, verso inscribed and dated "Préparatifs d'un fin souper" Oswald Poreau...

Interior Of The Musée Des Monuments Français View Of The 17th Century Hall Anonymous between 1795 - 1816 Gouache on paper mounted on cardboard 74 x 88 cm According to the old label...

In this work, I wanted to capture the vibrant energy of the meeting between sky and earth, using acrylics to create textures and dynamic movement. The blues convey calm and depth, wh...

So much has been said about the benefits of natural food that I will not repeat. You all know yourself...)) I'll tell you about the second picture "Magic Berries". In Mexico, there...

OPAC, the Organization of Photorealist Artists and Collectors, presents Johanness Wessmark, who often been called the Thomas Arvid of Sweden. Johannes has perfected the photorealistic portrayal of all things wine, be it corks, bottles, labels, storage units and racks. His work is shown throughout Europe and North America at such important galleries and shows as Galleri Backlund, Galleri Sjöhästen, Gallery Eklund, Gallery Knud Grothe, Gallery Nord, Gallery Oscar, Affordable Art Fair, All Media Fine Art Exhibit, Älvängen, ArtHouse Karlstad, Clarion Hotell Plaza, EngGården Gallery, Fowlerville Fair, Frykenstrand Hote, Gothenburg Book Fair, IGOR´s 9th Annual International Juried Exhibition, Jones & Terwilliger Galleries, Karlstad Hospital Gallery, Kil Art-association, Konstfrämjandet Eskilstuna, Konstfrämjandet Karlstad, Konstfrämjandet Västerås, Liljevalchs Konsthall, Los Angeles Artshow, Melon Festival Art Show, National Watercolor Show, No White Walls, Malmö, Pfizer Art Association, Red Wine & Brew Opera House Show, Sillegården, Västra Ämtervik, Spånga Art-association, Speed Art Design, Mariestad, Stjärnfors Grinder Gallery, Sundsbergs Gård, Sunne, Tierps Art-association, Värmlands Artist Association and Värmlands Museum. Artist Statement: Traditional photorealists who have impacted me include Richard Estes, Ralph Goings, Robert Bechtle, Charles Bell, Tom Blackwell, Chuck Close, Robert Cottingham, Don Eddy, Audrey Flack, Ron Kleeman, Richard McLean, John Salt and Ben Schonzeit. More recent photorealist influences include Pedro Campos...

Signed lower right, 'Van Pitterson' for Lloyd H. Van Pitterson (Jamaican, 1926-1997) and created circa 1985. Additionally, inscribed, verso, 'Pink Balcony'. Born in Jamaica in the West Indies, Lloyd van Pitterson worked in the rum industry for twenty-two years while studying and painting in his spare time. In 1965, he decided to fully commit himself to a career as a fine artist and first studied with Edna Manley...