Medium Interior Paintings

Manner of Emilio Greco, 20th Century oil on board, framed framed: 24 x 29 inches board: 16 x 20 inches provenance: private collection, England The painting is in very good and presen...

19th century style of Zampighl Italian scene of Musketeers in an interior drinking and playing music Oil on canvas No visible signature 20 x 30 unframed, 26.5 x 36.5 framed

The Ballerina And The Angel - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a ballerina sitting in the bottom left corner against stone pillars, wearing a deep red leotard, white leggings and pink ballerina shoes...

Landscape Signed by Édouard Righetti (1924-2001) Inscribed Verso on back oil/gouache painting on artist paper, beautifully painted. very good condition size: 25 x inches x 19 inches...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

Original oil painting on canvas, still life painting made under natural light. This artwork is painted using high-quality fine linen canvas and sold unframed, already stretched and r...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK “Summer/25” from the Flower Madeleine series is a...

Anne Bödekker, born in 1966, is a nationally certified fashion designer (Lette-Verein, Berlin) and a qualified painting conservator (Palazzo Spinelli, Florence). For more than twenty...

Beautiful 1940's French post impressionist oil on board by Simon Simon-Auguste. The work depicts a simple bedroom interior with shoes, candle and a single picture on the wall. Signed lower left and presented in a swept impressionist style frame. Provenance: Chilham Castle, Kent Artist: Simon Simon-Auguste (French, 1909-1987) Title: Bedroom Interior Medium: Oil on board Size: 25.5 x 30.5 inches (65 x 77 cm) including frame Simon Joseph Simon-Auguste (20 April 1909 – May 1987) was a French artist, known for his intimate paintings, mainly portraits, nudes and still lifes. His production is characterized by a calm, intimate feel, and the effective use of glaze. Born in Marseille, Simon-Auguste was the son of Antonin Auguste, a cabinetmaker specialized in restoring furniture in the chateaux of the Provence. Simon studied at the École communale of his neighborhood at rue Eydoux, in Marseille, where he excelled in design. In 1931 Simon-Auguste finished his studies at the École des Beaux-Arts and won the Stanislas-Torrents award. He was commissioned to execute the mural decorations of the town hall in Allauch. He began exhibiting in Marseille where doctors and lawyers purchased his paintings. In 1932 he invested into a 6-month stay in Paris where he frequented the Louvre Museum and became specially interested in the Camondo Collection. At the invitation of art dealer Adolphe Basler, he took part in the Moins de trente ans exhibition, at the Galerie de Sèvres, along with Jacques Despierre, André Hambourg, Louis Dideron, Léon Couturier, among others. He presented a nude, a still life, and a view of the Jardin du Luxembourg. He also started dealing with Georges Petit and the Galerie Vildrac. In 1933 Simon-Auguste had his first solo exhibition at the Galerie Detailles, at the Canebière in Marseille which contributed to his success. He displayed 40 pieces (paintings, watercolours and sketches), mostly nudes and genre scenes. In 1934 he married a philosophy student who would become a journalist under the pseudonym of Michele Seurière. For his second solo exhibition at the Galerie Detailles a few landscapes and marines were added to his portfolio. During the 1930s Simon-Auguste explored subjects around nudes and landscapes. Later these evolved into children, still lifes and locals, full of intimacy and simplicity, which gained him a lot of recognition. Among these, we find La fillette au bol and Tête d'Enfant, which were purchased by the Musée Longchamp, Marseille. It was 1939 when he could afford to move to Paris. The family settled at 38 rue de Malte and Simon-Auguste started submitting his work to the Salon d'Automne, Salon des Peintres Témoins de Leur Temps, and other major exhibitions. At the outbreak of World War II, he was on holiday in Auvergne. In 1940, he was mobilized. Within two months he had to retreat to Ussel, forced by his ill health. In 1941 he reconverted a rented farm there into his atelier. Simon-Auguste returned to Paris after the Liberation in 1944, to take part for the first time in the Nationale with La Fillette aux Pommes. Up to 1947 Simon-Auguste signed his paintings with fountain pen ink. Afterwards, he used brush oil. He spent some Summer holidays in Villiers-sur-Morin in the late 1940s. In 1949 he traveled around Italy: Rome, Florence, Siena, San-Giminiano, Venice, Milan. In 1950 he was appointed member at the Salon d’Automne. This year he submitted Le Café du Commerce to the Grand Prix de la Peinture Contemporaine, at the Marsan Pavilion (Louvre Museum). He was amongst the 100 painters selected by the jury. Also in 1950 the city of Paris acquired his Marine de La Rochelle. The Musée du Château de Sceaux acquired Paysage de l'Ille-de-France. The French state acquired La Fillette à la lampe in 1952, Nature morte aux Bleuets in 1953, and Comme un Poisson dans l’Eau in 1955. In 1951 he contributed to an itinerant exhibition around Switzerland (Bern, Lausanne and Geneva) about Les fleurs et les fruits...

This minimalist and elegant painting features three white calla lilies, rendered in acrylic on a canvas covered with natural jute fabric with a density of approximately 380 g/m². The...

Théodule Augustin Ribot St Nicolas d’Attez 1823 – 1891 Colombes French Painter 'La Leçon de Chant – The Singing Lesson' Signature: signed lower left 't.ribot' Medium: oil on canva...

The Artists Model Interior Scene French School, circa 1970's oil painting on card, unframed inscribed verso size: 25.5 x 18 inches condition: overall very good, a very few light mark...

Yesterday Evening  " To me only our dishwasher seems to lend its self to painting. Its something to do with the angle of the light from the widow and it being tucked in a corner. Th...

Signed figures in interior oil on canvas circa 1910 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjoying dinne...

Red Grapes by Lu Haskew ​Oil Still Life of Grapes against a stucco wall 24x16" image size, 30x22" framed Shipping price includes the custom packing necessary for safe transport of f...

Up for sale is an antique original oil painting on canvas after Federico Mazzotta (Italian, 1839 - 1897) titled "Stealing a Taste". This painting depicts a warm domestic scene, ...

In The Wool Winder, Emma Ekwall captures a moment of quiet domestic intimacy between a young woman and a man as they wind wool together—she with focused care, he with gentle attentiv...

Anne Bödekker, born in 1966, is a nationally certified fashion designer (Lette-Verein, Berlin) and a qualified painting conservator (Palazzo Spinelli, Florence). For more than twenty...

Beautifully executed realistic Southwestern still life of traditional Native American pottery, with a patterned textile, feather, and ear of red corn, by an unknown artist (20th cent...

In crafting this piece, I've poured my zeal for nature's beauty into every stroke. The oil medium allowed me to layer textures, creating a tapestry of emotions. This painting evokes ...

LE ROY Jules Gustave (1853 - 1922 ) Cats in Interior Oil on canvas signed low right Old frame gilded with leaves Size canvs : 41 X 33 cm Size frame : 51 x 63 cm LE ROY Jules Gustave (1853 - 1922 ) 19th-20th century - French painter Jules Le Roy or Jules Leroy was born the 22th of December 1853. Dead in 1922 according to the Roubaix Museum Wildlife artist. He mainly painted cats...

This piece is a vibrant celebration of nature's beauty and light's transformative power. Layered with oil, each brushstroke contributes to the vivid visual symphony. The sun, breakin...

This is all airbrush with acrylic on canvas - hand painted and an original

Anne Bödekker, born in 1966, is a nationally certified fashion designer (Lette-Verein, Berlin) and a qualified painting conservator (Palazzo Spinelli, Florence). For more than twenty...

This artwork titled "The Piano" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner by ...

French School, second half 20th century Signed oil painting on board, unframed board: 26 x 21 inches provenance: private collection, France condition: overall good with a few scrat...

Francesc Serra Castellet (1912-1976) - Girl - Oil on canvas Oil measurements 73x60 cm. Frameless. Biography: Francesc Serra Castellet. Barcelona 1912 - Tossa de Mar (Girona) 1976. ...

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

This superb Scottish Edwardian Impressionist interior oil painting is by noted Scottish female artist Annie Rose Laing. Painted circa 1910, the composition is the interior of a room...

Flowers in a White Bowl by Alfred Rouby (French 1849-1909) Rouby lived in Paris and trained under Pierre-Marie Beyle (1837-1902). signed oil on canvas, unframed canvas: 25.5 x 32 in...

"Warm January" is a painting depicting the winter atmosphere in January. In the evening, as the sun sets beyond the horizon, the winter blanket takes on soft hues. The air is filled ...

Poetically inspired piece of a small top floor room in Paris filled with paintings, birds and and a lively scarecrow made of clothing, 1950. Signed lower right, artist unknown. Orig...

L’Instant de l’Esquisse is an original oil painting by French contemporary artist Sophie Dumont, known for her stylized libraries, abstract landscapes, and painterly interiors. Paint...

Modernist dog portrait. Finely painted. Measuring 24 by 30 inches.

A Large, Vibrant 1950s Mid-Century Modern Still Life Painting / Interior Scene by Noted Chicago Artist, Rudolph T. Pen. Depicts a delightful interior scene painted in subtle harmoni...

In this oil painting, I captured the essence of serenity and growth. Embracing the harmonious dance of light and shadow, I portrayed the irises with an impressionistic touch, evoking...

Still Life of Flowers in Interior French, mid 20th century indistinctly signed oil on canvas, framed framed: 23 x 27 inches canvas: 16 x 20 inches Provenance: private collection, Fr...

Cattleya Orchids by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 24 x 28.5 inches condition: overall very good, minor surface scuf...

A Surprising Visit" by Eduardo León Garrido (Spanish, 1856-1949) invites viewers into a sumptuous journey through 19th-century European luxury. Eduardo León Garrido, a distinguished Spanish artist born in 1856 and leaving an artistic legacy until 1949, displayed a remarkable ability to capture the essence of his time through his brushstrokes. This antique masterpiece, rendered in oil on panel and measuring 22 1/2 x 29 3/4 inches, unveils a world of opulence within a Royal European...

In my painting, I've embraced the whimsical charm of naive art while infusing it with surreal and symbolic elements. Using oil paints, I've brought two feline figures to life against...

Ture Ander (1881-1959) Sweden A Bouquet of Digitalis, Poppy, Iris, Snapdragons, Cornflower, Buttercup. 1936 oil on board signed and dated Ture Ander 36 board dimensions 24,41 x 18,...

A lion. The lion is bold and will not hesitate to attack even the largest and most dangerous prey. Animalism, pop Art, abstract expressionism, modern. The palette vigorously mixes th...

This contemporary abstract painting is part of a collection in soft, neutral earth tones—grey, brown, suede, black, and white—designed to bring calm and harmony to modern interiors. ...

Antique Still Life with Fruit and Melon Traditional European style still life with harvest fruits, figs, pears, grapes, and cantaloupe. The range of to...

«Autumn Forest» is a painting depicting the picturesque autumnal nature. On the canvas, you can see colorful leaves of trees, creating a vivid contrast against the backdrop of dark t...

In my creation, I've captured the wild essence of freedom and the dynamic energy of life. Through vigorous strokes of acrylic and oil, I've melded expressionism with impressionism, g...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Atelier 22 offers a vibrant immersion into the intimate and dynamic atmosphere of an artist’s studio. Painted in 2023 by French contemporary artist Sophie Dumont, this oil on canvas ...

"The Stair in the Tower" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 31.5x23.6in / 80x60cm. Shipped rolled in a tube. Check 1stDibs code FREESHIP This painting, a study of an elaborate spiral staircase, demonstrates the artist’s skill in merging architectural elegance with a dynamic sense of movement and mystery. The subject itself—a wrought iron spiral staircase—becomes more than a functional object; it transforms into a metaphor for transcendence, curiosity, and the infinite. The staircase is richly ornate, with swirling ironwork patterns and intricate details that capture the eye. The artist emphasizes the craftsmanship, elevating the staircase into a work of art itself. The ornamental designs echo Baroque or Rococo influences, known for their flamboyance and decorative excess. The spiral is inherently dynamic, drawing the viewer’s gaze upward in a continuous loop. This quality imbues the staircase with motion and energy, almost as if it is alive, spiraling into another dimension. The artist employs a dramatic perspective, positioning the viewer at the base of the staircase, looking upward. This composition evokes a sense of aspiration or awe, as if the staircase ascends to an unknown destination. The light filtering through the structure accentuates the curvature and creates a contrast between the solid metal of the staircase and the soft, ephemeral glow of the environment. This interplay of light and shadow enhances the mood, making the staircase seem both tangible and ethereal. The cool metallic grays and silvers of the staircase reflect its materiality, suggesting durability and permanence. At the same time, the reflective surfaces give it a shimmering, almost celestial quality. The background is suffused with warm, earthy tones—yellows, browns, and muted greens—that contrast with the cold metal of the staircase. This contrast creates a sense of tension between the man-made structure and the organic or natural environment surrounding it. Symbolism. Spiral staircases are often symbolic of a journey, both physical and spiritual. They represent the process of ascent, growth, and transformation. This staircase seems to lead into a vortex of light, suggesting a path to enlightenment or transcendence. The spiral is a recurring motif in art and nature, often representing infinity, cycles, and continuity. The staircase's design hints at a journey without end, encouraging reflection on the passage of time and the eternal nature of life. The destination of the staircase is deliberately obscured, leaving the viewer to wonder where it leads. This creates a sense of mystery, drawing the viewer into an imaginative exploration of the unknown. The swirling patterns in the ironwork mirror the overall spiral shape of the staircase, creating a sense of harmony and cohesion. These designs also add a decorative richness to the piece, tying it to the tradition of Romanticism or Gothic Revival, where even utilitarian objects were imbued with beauty and meaning. The background is loosely rendered, with soft, swirling brushstrokes that echo the spiral of the staircase. This abstraction contrasts with the detailed depiction of the staircase, making the environment feel less defined and more dreamlike. The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities. The viewer’s vantage point and the sheer scale of the staircase evoke a feeling of awe. It could symbolize humanity’s ambitions to reach higher realms—intellectually, spiritually, or artistically. The absence of people in the painting draws attention to the object itself, suggesting introspection or solitude. The staircase might represent a solitary journey, one that each individual must take alone. The intricate design and upward motion of the staircase, combined with the lack of a specific time or place, imbue the piece with a sense of timelessness. It could exist in any era, representing universal human themes. In comparison to the artist’s other works, this painting shifts focus from mythological and figurative themes to an architectural subject. Yet, it retains the artist’s characteristic use of ornamentation, bold perspectives, and symbolic depth. Like the Minotaur or Zeus paintings...

Gerard Ter Borch Interior with a Lady in Grey Washing her Hand 1617 - 1681 Oil on Canvas Image Size: 20 1/2 x 26 1/2 inches (52 x 67.5 cm) Contemporary Dutch ripple frame In this genre painting by Ter Borch, the central woman is composed facing the viewer in a grey satin dress...

Early 20th century oil on board portrait of a young schoolboy 'Le Petit Écolier', with Donald Duck, by Pierre Villain (French, 1880-1950). Signed top ri...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

In this vibrant oil on canvas, I sought to capture the serene yet lively spirit of nature. The dappling light dances on water, illuminating lily pads and blossoms, creating a symphon...

Very nicely painted early American realist fruit still life painting by Cyrenius Hall (1830 - 1896). Oil on board. Signed. Framed. Image size, 14"H x 22"L.

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...