Fabric Interior Paintings

Francesc Serra Castellet (1912-1976) - Girl - Oil on canvas Oil measurements 73x60 cm. Frameless. Biography: Francesc Serra Castellet. Barcelona 1912 - Tossa de Mar (Girona) 1976. ...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...

I recently watched the latest adaptation of Dracula, and it inspired me so much that I spontaneously created an ink sketch. Later, this sketch evolved into an oil painting. It does n...

Frameless. Artwork Information: "Combarro, Galicia" by Rafael Duran Benet Title: Combarro, Galicia Artist: Rafael Duran Benet (1931-2015) Medium: Oil on canvas Dimensions: 46...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Potpourri ...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Serge Marshennikov's "Sleeping Beauty," is an original, handmade hyper realistic oil painting on stretched canvas that depicts a feminine model in a...

Cubist Still Life, Tomatoes by Michele Bardet (French mid 20th century) oil on canvas, framed in original wooden surround frame framed: 21 x 41 inches canvas : 20 x 40 inches provena...

This exquisite painting showcases a vibrant bouquet of bearded carnations, bursting with rich pink-red colors and intricate details. Each flower is depicted with delicate, fringed p...

Vintage American modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 25 by 21 inches overall, and 24 by 20 painting alone. Handsomely framed in modern wood...

CLOTO TESSE IL FILO DELLA VITA - Oil on canvas painting cm.70x100, Antonio Minopoli Italia 2009 Frame available on request from our workshop.

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

"The Stair in the Tower" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 31.5x23.6in / 80x60cm. Shipped rolled in a tube. Check 1stDibs code FREESHIP This painting, a study of an elaborate spiral staircase, demonstrates the artist’s skill in merging architectural elegance with a dynamic sense of movement and mystery. The subject itself—a wrought iron spiral staircase—becomes more than a functional object; it transforms into a metaphor for transcendence, curiosity, and the infinite. The staircase is richly ornate, with swirling ironwork patterns and intricate details that capture the eye. The artist emphasizes the craftsmanship, elevating the staircase into a work of art itself. The ornamental designs echo Baroque or Rococo influences, known for their flamboyance and decorative excess. The spiral is inherently dynamic, drawing the viewer’s gaze upward in a continuous loop. This quality imbues the staircase with motion and energy, almost as if it is alive, spiraling into another dimension. The artist employs a dramatic perspective, positioning the viewer at the base of the staircase, looking upward. This composition evokes a sense of aspiration or awe, as if the staircase ascends to an unknown destination. The light filtering through the structure accentuates the curvature and creates a contrast between the solid metal of the staircase and the soft, ephemeral glow of the environment. This interplay of light and shadow enhances the mood, making the staircase seem both tangible and ethereal. The cool metallic grays and silvers of the staircase reflect its materiality, suggesting durability and permanence. At the same time, the reflective surfaces give it a shimmering, almost celestial quality. The background is suffused with warm, earthy tones—yellows, browns, and muted greens—that contrast with the cold metal of the staircase. This contrast creates a sense of tension between the man-made structure and the organic or natural environment surrounding it. Symbolism. Spiral staircases are often symbolic of a journey, both physical and spiritual. They represent the process of ascent, growth, and transformation. This staircase seems to lead into a vortex of light, suggesting a path to enlightenment or transcendence. The spiral is a recurring motif in art and nature, often representing infinity, cycles, and continuity. The staircase's design hints at a journey without end, encouraging reflection on the passage of time and the eternal nature of life. The destination of the staircase is deliberately obscured, leaving the viewer to wonder where it leads. This creates a sense of mystery, drawing the viewer into an imaginative exploration of the unknown. The swirling patterns in the ironwork mirror the overall spiral shape of the staircase, creating a sense of harmony and cohesion. These designs also add a decorative richness to the piece, tying it to the tradition of Romanticism or Gothic Revival, where even utilitarian objects were imbued with beauty and meaning. The background is loosely rendered, with soft, swirling brushstrokes that echo the spiral of the staircase. This abstraction contrasts with the detailed depiction of the staircase, making the environment feel less defined and more dreamlike. The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities. The viewer’s vantage point and the sheer scale of the staircase evoke a feeling of awe. It could symbolize humanity’s ambitions to reach higher realms—intellectually, spiritually, or artistically. The absence of people in the painting draws attention to the object itself, suggesting introspection or solitude. The staircase might represent a solitary journey, one that each individual must take alone. The intricate design and upward motion of the staircase, combined with the lack of a specific time or place, imbue the piece with a sense of timelessness. It could exist in any era, representing universal human themes. In comparison to the artist’s other works, this painting shifts focus from mythological and figurative themes to an architectural subject. Yet, it retains the artist’s characteristic use of ornamentation, bold perspectives, and symbolic depth. Like the Minotaur or Zeus paintings...

In this painting, I captured the vibrant energy of a sunlit vineyard at dawn, blending impressionism and realism to evoke warmth and renewal. The golden hues reflect the morning ligh...

In an intimate atmosphere dominated by warm colors, Nicolas Loir offers us here a first thought, tightly focused and rigorously arranged, of the Adoration of the Shepherds in the Louvre Museum, in which he expresses his admiration for the art of Nicolas Poussin. 1. Nicolas Loir, a 17th-century Parisian artist inspired by Bourdon and Poussin Nicolas Loir was born in Paris in 1623. His father, a goldsmith, first placed him with Simon Vouet and then with Sébastien Bourdon. At the age of 23, in 1647, he left for Rome, where he stayed for two years, drawing inspiration from the classicism of Raphael and, above all, Nicolas Poussin, whom he met and deeply admired. On his return to France in 1649, he received his first major commissions for religious paintings for Parisian churches, the most prestigious of which was the May of Notre Dame for the year 1650. He also received numerous secular commissions for hotels and châteaux in the Paris region. Admitted to the Academy in 1663, he joined Le Brun's team and participated in the decoration of the royal castles of Vincennes, the Tuileries, and Versailles. Appointed professor at the Academy in 1666, then assistant to the rector in 1668, he died in 1679. He married Marguerite Cotelle, daughter of the painter Jean I Cotelle, a specialist in monochrome paintings, and sister of the painter Jean II Cotelle. Dezallier d'Argenville, who owned several of his drawings, tells us that he was a man of gentle and modest temperament, deeply honest, and highly esteemed by his contemporaries, including as a portrait painter. We can see his amiable character features reflected in his portrait by Jean Tiger, which is kept at the Palace of Versailles (4th photo in the gallery). 2. Description of the painting and related artworks Our painting depicts the adoration of the Holy Child, presented in the center of the composition on a pristine white cloth that catches the eye, by the shepherds. While the figure draped in yellow on the left is likely Saint Joseph, the Virgin Mary is depicted from the front, contemplating the Child with her right hand raised, her fingers spread as if to indicate her amazement at the realization of this Mystery. The five figures on the left, all dressed quite simply, are the shepherds who have come to worship the Child, as evidenced by the kid goat lying at his feet. Two cherubs carrying phylacteries fly in the sky and complete the composition. Our Nativity was painted in oil on canvas coated with a brown-red preparation, visible in the two upper corners left unpainted, which is typical of French painting in the mid-17th century and found in the work of Nicolas Poussin. The overall atmosphere of the painting reveals Poussin's decisive influence, whether through the color palette dominated by primary colors (the blue of the Virgin's cloak, the orange-red of the shepherds' cloaks on the right, the bright yellow of St. Joseph's cloak on the left), the rather tubular treatment of the figures, but also through numerous direct references to Poussin's paintings. Examples include the two cherubs, which seem to be inspired by those above the Martyrdom of Saint Erasmus...

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Alfred Broge first studied with Helger Gronvold and, from 1889 to 1891, at Denmar...

A stylish, colorful Mid-Century Modern portrait of a seated young woman in a pink dress by famed Chicago Modern artist, Francis Chapin. A fashionably dressed, young model is seated ...

Exquisite 19th century Italian orientalist oil painting depicting a romantic sunset scene with a young Middle Eastern woman at an ancient well. The composition features a beautifully...

Purple irises. 1998, canvas, oil, 35x25 cm Juris Jurjans (1944-2023) - Painter Juris Jurjāns graduated from J. Rozentals School of Art in Riga (1962), and Painting Department of Latvian Art Academy (1969) with diploma work “Summer” (under the guidance of E. Kalniņš). The artist takes part in exhibitions since 1969. Self-exhibitions in: Straupe (1974), Riga (1975, 1984, 1991, 1994), Lielupe (1975), Mersrags (1983, together with A. Jurjane), Smiltene (1986), Liepaja (1986, together with A. Jurjane), Leningrad (1989). J. Jurjans is a member of Latvian Artists’ Union since 1975. 1969 – 72 he worked as a teacher in Riga secondary school No 20. 1972 – 88 Jurjans was an artist of the company “Māksla”. 1972 – 88 teaches at the Latvian Art Academy. Since 1988, he is a lector of the Latvian Art Academy Pedagogic Department. Since 1992, the artist is an assistant professor of the Latvian Art academy Painting...

ABOUT THE ARTWORK "I Structure My Thoughts" from the "Perichoresis" series explores the process of organizing the inner world, where the body becomes a reflection of thoughts, sensat...

A bouquet of light peonies in the blue vase will never leave you indifferent, this artwork will give you a sense of harmony and lyrical mood, the picture will become a wonderful gift...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

* Title: Fish painting * Size: 28 by 20 inches * Materials: oil, stretched canvas, palette knife * Shipping: Gallery standards packaging. shipped with tracking number, stretched in b...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Ethereal Drift (100 x 100 x 4 cm / 39.4 x 39.4 x 1.6 inches) is an original acrylic painting on natural...

Abstract textured acrylic painting on canvas 90x90x2 cm (35,4 x 35,4 x0,8inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

Artwork sold with frame (114 x 93 x 6 cm) Jules-Ami Courvoisier was a prominent Swiss painter, illustrator, and poster artist, born in La Chaux-de-Fonds in 1884. He studied under Ch...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Large-scale feminist painting reinterpreting classical mythology through a contemporary queer lens. In Bacchantes, Natasha Lelenco revisits the Dionysian motif of communal pleasure a...

The picture shows a beautiful naked girl against the background of a window lit by the light of a neon lamp. On the left we see the back of a chair with her clothes. Outside the wind...

Roses In Vase by Josine Vignon (French 1922-2022) signed on front oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Blue colors, grey, beige, brown and white Very go...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

The painting was painted from life on a sunny summer day. We see a window, behind which summer greenery has bloomed profusely, illuminated by the bright sun. Despite the apparent sim...

Triumphal arch. 2023. Oil on canvas, 45x70 cm Hyperrealistic atrwork with Triumphal arch 1976 Born: Jurmala, Latvia 1987–1994 Rozental’s Art School, Riga, Latvia 1998 Bachelor of Ar...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 21 by 25 inches overall and 14.5 by 18.5 painting alone.

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...

German School, early 20th century oil on canvas, framed framed: 33 x 27.5 inches canvas: 30 x 25 inches private collection, UK the painting is in overall very ...

This painting is John Hrehov’s Tangent, an oil on panel from 2025. In it, a modern red sofa runs straight across the back of the room, set against a grid of tall windows that open on...

Still Life with Apples is an exquisite still-life painting that captures a quiet moment of abundance and peace. On a humble wooden table lies a cluster of ripe apples, their rosy and...

Still Life French Modernist, 1960's indistinctly signed and dated oil on canvas, framed Framed: 28 x 33 inches Canvas : 21.5 x 25 inches Provenance: private collection, France Condit...

A substantial, Post-Impressionist oil still-life showing a view of various objects including fruit, a glass bottle and a sea-shell assembled on a draped table-top. A dynamic and vibr...

Painting on canvas featuring a central bird integrated into a landscape constructed from planes of color. The composition is organized through distinct areas that define sky, earth, ...

Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

A contemporary oil painting on canvas of a bright and inviting interior scene with a still life arrangement of cheerful yellow sunflowers in a planter on a stand sit beside a table w...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

A still life of Native American pottery, moccasins, and fur, that was likely arranged during one of the artist's many trips to New Mexico and California. This painting embraces th...

The painting “Spiral of Life” is created on canvas using structural paste. At the heart of the composition lies a powerful spiral leading toward the center of the canvas. Rhythmic l...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Signed divisionist style still life oil on canvas by Swiss neo-impressionist painter Beatrice Duval. The work depicts a vase of flowers painted predominantly in yellows and greens an...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

Nandan Purkayastha - Untitled Pen & Ink & Acrylic on Canvas, 84 x 44 inches Debapriyo Nandan Purkayastha was born in Assam in 1986. He studied Fash...

Represented by George Billis Gallery, NYC & LA -- Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light...

2023 I – 8 (Variations on Red) is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 42 × 48 cm (16...

A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Laslett John Pott RSA British, (1837-1898) Bess of Hardwick Receiving Visitors at the High Great Chamber, Hardwick Hall Oil on canvas, signed & dated 1872 Image size: 18.75 inches x 29.5 inches Size including frame: 25.25 inches x 36 inches Provenance: Frost & Reed no. 30819 A wonderful historical painting by Laslett John Pott of figures at a table in the High Great Chamber at Hardwick Hall, Derbyshire. Two men in Elizabethan costume can be seen standing up to toast a lady as she reclines in a chair holding a fan, whilst a dog watches on. Meanwhile, another woman looks across the table as her seated companion has his glass refilled by a man servant. To the left of the painting, a lute with sheets of music can be seen lying on the ground whilst on the opposite side sits a wine cistern with a bottle next to it. The fashionable dress and bearing of the woman seated on the right indicate a woman of wealth and standing, most likely Bess of Hardwick, Countess of Shrewsbury who built Hardwick Hall in 1590. She was lady in waiting to Queen Elizabeth I and one of the wealthiest women in England. She commissioned the architect Robert Smythson to design the house, which included the extraordinary High Great Chamber located on the second floor. Decorated with a plaster frieze depicting Diana the huntress, a large alabaster and marble chimney piece and Brussels tapestries on the lower walls, it was used by the countess to greet and entertain guests. After her death, the property passed to her son William Cavendish 1st Earl of Devonshire in 1608 and later to his great grandson, William who was made the 1st Duke of Devonshire in 1694. In 1959, the property was transferred to the National Trust and most of its original features, including the plaster friezes, chimney piece and tapestries depicted in this painting, can still be seen today. The painting bears an old label for Frost & Reed, no. 30819, with the title ‘Interior of Haddon Hall’ which was wrongly given to the painting at the time. Later research uncovered the correct location as being Hardwick Hall. Pott used Hardwick Hall as the backdrop for a number of his works including: Mary Queen of Scots Being Led to her Execution, His Highness in Disgrace, Waiting for the King’s Favourite and Wayland Smith Showing Amy Robsart her Wedding Dress. Laslett John Pott was a genre and historical painter born in Newark, Nottinghamshire in 1837, the son of John Manger Pott, and his wife Sophia Charlotte Moss. His father was a successful auctioneer and land valuer and his wealth enabled Pott to receive a good education. Although he showed an early talent for art, his father wanted him to become an architect and at the age of 16 he became an apprentice at a local firm. After his apprenticeship, he was able to persuade his father to let him change careers and enrol at the Bloomsbury Art...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.