Early 20th Century Interior Paintings

This stunning, large British Edwardian Newlyn School interior portrait oil painting is by much noted and exhibited artist Walter Langley. Originally from Birmingham, Langley and his family moved to St Ives in 1881. He was one of the first artists to settle and painted the local fishermen and their families. Painted in 1906 and entitled The Evening of Life, the painting is a full length seated portrait of an elderly lady in a cottage interior. She is sat by a table on which she has a bible, jug of flowers and her sewing equipment. Across her lap she has a large patchwork quilt to mend but is lost in thought. In fact the same sitter and quilt can be seen in Memories, also painted in 1906 and in the Ferens Art Gallery, Hull. Memories includes more of the cottage interior but the sitter's head is bowed towards her hands. The Evening of Life is more vibrant and the sitters face is much more visible as are the lovely colours of the quilt. The painting has fantastic detail, great brushwork and the Newlyn school palette of colours. The provenance is excellent, having been kept in the same family ownership so fresh to market. The painting appeared in the artist's catalogue Raisonne and was also in 1997 biography by Langely's grandson, Roger Langley, entitled Walter Langley: Pioneer of the Newlyn Art Colony. This a superb example of Langley's work, a good size and composition and a pleasure to gaze upon. Signed lower left and dated (19)06. Provenance. : Ford, 1906 (£63). Long in the previous family ownership and sold by the executors of the estate. Thomas Wood and Sons label verso. Literature: Langley (R) - Walter Langley Pioneer of the Newlyn Art Colony 1997, catalogue raisonne p.170 (under 1906). Condition. Oil on canvas, 40 inches by 30 inches unframed, in good condition and unlined canvas. Frame. Housed in a gilt frame 47 inches by 37 inches and in good condition. Walter Langley (8 June 1852 – 21 March 1922) was an English painter and founder of the Newlyn School of plein air artists. He was born in Birmingham and his father was a journeyman tailor. At 15 he was apprenticed to a lithographer. At 21 he won a scholarship to South Kensington and he studied designing there for two years. The sometimes highly ornate work is mainly in gold and silver and in a Renaissance style. He returned to Birmingham but took up painting full-time, and in 1881 was elected an Associate of the Royal Birmingham Society of Artists. In the same year he was offered £500 for a year's work by a Mr Thrupp (a Birmingham photographer). With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community. Politically left wing for his era, he was noted for his social realist portrayals of working class figures, particularly fishermen and their families. He was a supporter of Charles Bradlaugh, a radical socialist politician. His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived. One of the best known works is the watercolour For Men Must Work and Women Must Weep (1883; Birmingham Museum and Art Gallery) based on Charles Kingsley's poem The Three Fishers (1851). Another is Between The Tides (1901; Warrington Museum & Art Gallery). Although one of the first to settle in the Newlyn artists' colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils. His early training in lithography gives his paintings a detail and texture that show his technical skills. In 1884, Langley was elected a member of the RBSA and continued to exhibit widely throughout the UK and abroad. Later in his career his reputation grew. One of Langley's paintings was singled out as "a beautiful and true work of art" by Leo Tolstoy in his book What is Art?, while in 1895 Langley was invited by the Uffizi to contribute a self-portrait to hang alongside those of Raphael, Rubens and Rembrandt in their collection of portraits of great artists. Today his work is considered "vital to the image of the Newlyn School" and "alongside Stanhope Forbes ... the most consistent in style and substantial in output". Exhibited: Royal Society of Artist Birmingham 57, Dudley Gallery 4, Dowdeswell Gallery 17...

Othmar Ruzicka Austrian, 1877-1962 Young Woman Sewing Oil on board 19 ¾ by 23 ¾ in, w/ frame 26 by 30 in Signed and dated 1913 lower left

This charming genre scene depicts a young newlywed couple who have presumably just arrived at an inn by coach. Still clad in their traveling clothes and looking slightly weary, they ...

Antique American impressionist still life oil painting by Elizabeth L. Rothwell (c.1877 - 1946). Oil on canvas. Framed. Signed. Circa 1924.

This delightful French Impressionist work by the talented period artist , Abel-Truchet, captures the drama, intrigue and era when going to the Opera was an important event to be talk...

Gabrielle MILLIOUD-MELAY (1875-1931) Peonies and Cherries Oil on canvas signed low right Old frame Dim canvas : 54 X 73 cm Dim frame : 76 X 95 cm French painter 19th century Lyon S...

Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with w...

This charming oil painting is by British female artist Agnes L Reid. Painted circa 1920 the painting is of a little boy playing on the floor with his train set, with balloons and a b...

Oil on canvas 15 x 18 inches (38.5 x 46 cm) Framed: 22 x 25 inches (56 x 64 cm) Signed with a monogram: gdE Provenance: Ader Tarjan, Paris May 1992 Sothebys, NY, June 1996 This pain...

Ex Voto; Holy Tribute for the Return to Good Health. Oil on tin with ink, May 31, 1922 with a contemporary custom frame hand-carved by artisan Michael Blatnik. Ex-Voto is 7 ½ x 11 i...

Story illustration for "The Valley of the Giants," by Peter B. Kyne, published in The Red Book Magazine, June 1918, vol. 31, issue 2, pages 30-39 Kyne's tale was first serialized in...

Pietro Mengarini (Roma 1869 – 1924), Nel vapore dell’acqua (1905 /1906) Dipinto ad olio su tela di cm 155 x 133 firmato Mengarini Roma in basso a sinistra. Esposizioni: 1906, Milan...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Signed impressionist oil on canvas still life by French painter Jeanne Baudot. The work depicts a bowl filled with red and green apples and grapes. Signature: Signed upper left Dimensions: Framed: 33"x29" Unframed: 26"x22" Provenance: By direct descent from Jeanne Baudot to her godson Jean Griot Jeanne Baudot's father, Emile, was doctor to French artist Auguste Renoir's relatives when they lived in Louveciennes. In 1893, she met Auguste Renoir through her cousin Paul Gallimard, an art collector. Renoir travelled from his studio in Montmartre to meet the aspiring painter and give his opinion on her work. Renoir was so impressed with what he saw that soon she became his only pupil. Form 1897 to 1914, she lived at 4, Rue du Général Leclerc in Louveciennes, where Renoir had his workshop. She became the godmother of Auguste Renoir's second son, Jean Renoir, at the Saint-Pierre de Montmartre church, while Georges Durand-Ruel was the godfather. Throughout her life she stayed close to Jean Renoir, who became a film director. He wrote the preface of the exhibition catalogue of her retrospective in 1960 at Galerie Durand-Ruel. Auguste Renoir painted several portraits of Jeanne Baudot. They became great friends, accomplices and confidants. They painted side by side, in the studio of the painter, in the studio of Jeanne and outside, in the countryside, in Louveciennes, in the South and elsewhere, chatting cheerfully. He gave her advice, and shared his own concerns, such as those caused by his talks with the representatives of the State to make them accept the paintings bequeathed by Gustave Caillebotte. Maurice Denis painted Auguste Renoir and Miss Jeanne Baudot in 1906. Jeanne Baudot was a childhood friend of painter Julie Manet, the daughter of Berthe Morisot and Eugène Manet, and appears in many instances of Manet's diary. Her name was given to a street in Louveciennes. Lifetime Exhibitions: 1905, Paris, Salon d'Automne. 1906, Paris, Salon des indépendants. 1925, Paris, Salon des Tuileries. 1930, Paris, Galerie Dru from November to December 1930. 1950, Paris, Galerie Durand-Ruel, from April 28 to May 15, 1950. Retrospective Exhibitions: 1966, Paris, Galerie Durand-Ruel, Dame & Demoiselles – Blanche Hoschedé, Jeanne Baudot, Paule Gobillard...

Antonio Maria Aspettati (1880–1949) was an Italian painter born on 25 March 1880 in Florence, where he also trained at the local Academy of Fine Arts. He began exhibiting at just eig...

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

An interior depiction of the patio de las Doncellas Reales Alcazares de Sevilla, the oldest royal European palace still in use today in Seville, Spain. A beautiful Orientalist rendition of this grandiose space, the viewer peers through an archway within a scalloped arcade at a covered walkway and into an interior space with a set of red horseshoe arches. Brilliant plaster of Paris decoration is rendered gorgeously in shades of cream paint. A prayer mat and floor pillow are situated in the mid ground with a small fountain footsteps away.  Fernando Liger...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

"Still Life with Roses" features delicately painted flowers gathered in a blue vase. The painting itself measures 8 1/2" x 6".

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Sophus Vermehren was born as the son of the painter Frederik Vermehren and his wife Thomasine Ludvigne Grüner. He trained as a painter for three years and learned to draw from his fa...

Beautiful neoclassical style artwork by the great Italian artist Vittorio Pisani Probably depicts a theatre script of Aida Signed, located and dated lower right ‘Vittorio Pisani roma...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

A Delicious Meal Poreau Oswald Schaarbeek 1877 – 1955 Waterloo Belgian Painter Signature: Signed bottom left, verso inscribed and dated "Préparatifs d'un fin souper" Oswald Poreau...

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

European School, Courting Scene, Oil on Canvas, early 20th century, illegibly signed lower right, giltwood frame. Image: 47.5" H x 34.5" W; frame: 53.5" H x 40.25" W x 2" D. Provenan...

Still Life of Roses French School, circa 1930's period signed oil on board, unframed board: 10 x 15 inches provenance: private collection, France condition: very good and sound condi...

Provenance Consigned to the gallery; By descent to a private collector, Encino, California; Acquired in October 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, Cal...

* No import duty to the US on this item * A superb 1930's French oil on canvas depicting a drinker in a bar interior. Very high quality naif/Paris School work which is indistinctly ...

* No US duty or taxes to pay on this item * A beautiful 1920's French post-impressionist oil on canvas depicting an artist's atelier with painting on an easel, palette, brushes in t...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

SALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.) PROVENANCE Private Collection, Munich LITERATURE Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity. Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism. The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public. Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas...

The Artists Model French School, circa 1920's circle of Henri Matisse (1869-1954) oil on canvas, unframed canvas: 21 x 25.5 inches Provenance: private collection, Paris Condition: v...

Early 20th century English oil painting of a chapel by Frank Moss Bennett English, 1918 Canvas: Height 35cm, width 25cm Frame: Height 57cm, width 47cm, depth 6cm This atmospheric oil on canvas by noted English painter Frank Moss Bennett (1874–1952) captures the quiet beauty of the Martyn Chapel within St Mary’s Church, Puddletown, Dorset. Known for his affinity for architectural subjects and historical scenes, Bennett presents here a masterful interpretation of medieval ecclesiastical design. Executed in November 1918, the painting demonstrates Bennett’s refined technique and keen eye for architectural accuracy. His skill in manipulating colour and light is evident throughout the work, particularly in the vivid portrayal of the chapel’s stained-glass window. Multicoloured light dances across the aged stonework, adding warmth and depth to the sacred interior. St Mary’s Church, originally built during the Norman period, retains many 12th century features alongside elements from later restorations. Bennett was deeply inspired by Dorset’s heritage buildings and natural scenery, and this location featured frequently in his body of work. The canvas is presented in a richly carved giltwood frame. It is signed and dated ‘FMB / Nov 1918’ at the lower right and inscribed on the reverse with the title ‘The Martyn Chapel, St. Mary’s, Puddletown’. An artist’s biography is also affixed to the back. This fine example of early 20th century British painting...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...

Medium: Oil on Canvas Dimensions: 25.00" x 34.00" Signature: Signed Lower Left Look Magazine 03-1938 Page 43

Hortense DURY-VASSELON (1860-1924) Still Life with Roses and China Jewel Box Oil on canvas signed and dated 1905 low left DIm canvas : 63 X 50 cm Di...

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Still Life of Flowers French Impressionist, circa 1900's oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, Paris Condition: very good condition For m...

Artist/ School: French School, early 20th century Title: Still Life of Roses Medium: signed oil painting on canvas, unframed. canvas: 17 x 21.75 inches Provenance: private col...

Myron Barlow American, 1873-1937 Woman with Strawberries Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Studied: Art Institution of Chicago; Ecole des Beaux-Arts, Gerome...

The Artists Mother by Etienne Auguste Krier (French, 1875-1953) oil painting on board, framed framed: 11 x 15.5 inches board: 9 x 13 inches condition: very good provenance: private c...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Signature: Signed Lower Right

Signed and titled figures in interior oil on panel circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjo...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City address and titled, 'When Guest Stay...

Still Life Of Tankards Early 20th Century European School signed oil painting on board, framed framed: 16 x 21 inches board: 12 x 16.5 inches provenance: private collection, England ...

This rare and historic Orientalist painting, La Petite Dieu, translated as “Little God”, by renowned Armenian-American artist Hovsep Pushman. First exhibited March 27 – April 7, 192...

➡️ (Un) Classical Hendrix⬅️ New technique by carving the surface of several layout of paints. Thanks for supporting my new technique ⭐Technique: acrylic on wooden frame 55x55cm ■■ ...

Still Life of Roses French artist, circa 1900's signed watercolour on board, unframed board: 13 x 18.5 inches provenance: private collection, France condition: very good and sound co...

A charming study after an original painting by Dutch artist Peter de Hooch (1629-1684). The scene depicts a woman reading in a classically Dutch interior, with soft lighting and simp...

Early 20th Century Still-Life with Vessel attributed to American School framed: 32 x 28 inches

Still Life Flowers & Fruit French School, circa 1930's signed oil on board unframed board: 10 x 14 inches provenance: private collection, France condition: good and sound condition (...

A wonderful example of Dorothea Sharp's still lifes. Full of vibrancy and effervescence this painting ,with her classic broad brush strokes, show her talent at its best. It is in a w...

Les Blanches Roses by Louise Derival, French early 20th century signed oil on canvas canvas: 26 x 26 inches provenance: private collection, France condition: very good and sound cond...

'Still Life' by Albert Bertalan, 1929. Paris, Académie Julian, Salon des Indépendants, Salon d'Automne ---- Signed lower right, 'Bertalan' for Albert Bertalan (Hungarian, 1899-1956)...

Oil on canvas signed lower left This captivating work depicts a dramatic and tense scene of human interaction. In a dark interior, three men appear to be holding back a fourth indivi...

Eberhard Guillaume 1879 – Maastricht – 1949 Dutch Painter 'Young Girl Knitting' Signature: signed lower left and dated 'G Eberhard 1906' Medium: oil on canvas Dimensions: image siz...