Landscape Paintings

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

Title: British Impressionist Watercolor, Waterfront Scene with Sailboats and Boathouse by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Paul Emile Pissarro (1884-1972) Normandy: Mountain Landscape with a River, 1955 Oil on canvas Signed lower left Countersigned on the back Title and dated on the back On canvas 20F o...

This work predates my current series, but shows the emotional seed of what later became.This piece is a meditation on resilience — on how we live, create, and love with full awarenes...

Title: Spring in Cadaqués Author: Rafael Duran Benet (1931–2005) Technique: Oil on canvas board Dimensions: 14.96 x 18.11 in Signature: Signed "R. Duran" in the lower left corner Dat...

"The painting was painted en plein air on Lake Garda in Italy," said Anna about this landscape painting. "That day, my friends and I were painting at the Villa Cletus, where olive tr...

Portrait of a Horse in a Landscape English artist, mid 20th century indistinctly signed oil on board, framed: 14.5 x 18.5 inches board: 12 x 16 inches provenance: private collection...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Hubert AICARDI (1922-1991) Cloud, circa 1960 Oil on isorel panel Signed lower left 10,5 × 16 cm frame 18 × 22,5 cm Hubert Aicardi is a painter from the Provençal school, born in Mar...

Samuel Henry Baker (British, 1824–1909) Ullswater from Gowbarrow Park, Cumberland, late 19th century Oil on canvas In this sweeping view of Ullswater, nestled in the heart of the La...

This painting captures a warm and peaceful autumn day. A man sits alone with his guitar, playing music under the golden canopy of a tree. The bright yellow leaves, soft shadows, and ...

William Thornley (British, 1857–1935) Fishing Boats off the Coast near Dover, Kent, circa 1890 Oil on canvas Signed lower left ⸻ A classic late 19th-century English coastal scene ...

by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unsigned paper dimensions: 11 x 15 inches condition: very go...

Title: Wild Extasy Minimalism, Art Deco, Abstract, Bold, Invest, Colorful, Joy, Ecstasy This series connects to that around as well as that within. Wild Extasy takes the viewer to...

A late 19th century, American School seascape showing a lyrical view of sunlit waves flowing in towards a rocky beach. The unknown artist shows exceptionally sensitive handling of li...

Inspired by the artists of the Modern Art era, including Post-Impressionist Paul Cezanne, Kang visualizes the modern day search for identity in an age where information and images permeate every aspect of contemporary life. His architectural urban scenes are flattened, with everything pressed against the surface of the artwork. At times, multiple views of the same houses are visible, trees and bushes are vaguely alluded to, and the color palette finds a hectic balance. Just as a city operates in a balance of chaos and the sublime, so do the artworks of Kang. The Sublime is a euphoria that affects the deep recesses of one’s consciousness. As is this experience of the sublime, his work is largely abstract. This large colorful horizontal artwork is 23 inches high by 41 inches wide. The sides of this textured, original mixed-media artwork are painted and it does not require framing. It is hand-signed and dated by the artist on front right corner and on the back. Free local Los Angeles area delivery. Affordable U.S. and worldwide shipping available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Tae Ho Kang was born in Seoul, Korea in 1945. He studied at the College of Arts of Hongik University in Seoul, South Korea. He later moved to California to study Fine Art at California State University, where he graduated in 1980. Since then, his artworks have focused on the never-ending quest for home and belonging in a dense urban landscape. About his mixed media artworks, he remarks: “One day, when I was traveling, I was impressed by the beautiful scenery of the city under the sky, with many straight lines, curved lines, and harmonies of different colors, which seemed to be a magnificent orchestral performance. The beauty of this urban landscape gave me a deep impression and great change began to take place in my work. I wanted to be a molecule in this huge space. I have to find a house of my heart to be molecule. Where is the house I live in? What is my identity? This question has begun to arise. I am on a long journey to find my own house.” His mixed media collage artworks have been exhibited in solo and group exhibitions as well as international art fairs throughout the US and in Korea. Kang's work has also been featured in Television and Film productions, including Criminal Minds, NCIS Los Angeles, Unforgettable, The Mindy Project, The Great Indoors, and American Housewife. His artworks have been exhibited and acquired by private collectors around the world. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2018 EK Art Gallery, Los Angeles, CA 2017 CLU Gallery, Los Angeles, CA 2010 Vendome Gallery, Los Angeles, CA 2009 LA Artcore Gallery, Los Angeles, CA 2006 Artcore Brewery Annex Gallery, Los Angeles, CA 2005 Yemac Gallery, Seoul, Korea 2004 Andrewshire Gallery, Los Angeles, CA 1998 John N Joe gallery, Los Angeles, CA 1995 John N Joe gallery, Los Angeles, CA 1994 Andrewshire Gallery, Los Angeles, CA 1992 LA Artcore Gallery, Los Angeles, CA 1991 Hyo-Chun Gallery, Seoul, Korea Andrewshire Gallery, Los Angeles 1978 Shin Moon Gallery, Seoul Korea GROUP EXHIBITIONS 2022-23 Artplex Gallery, Los Angeles, CA 2019 Artspace Warehouse, Los Angeles, CA 2014 Invitational Exhibition of 11 Artists in California, Art center, Seoul Korea 2012 Bring a Friend, Lois Lambert Gallery-Bergamot Station(E-3), Santa Monica, CA 2011 Selected works (3 artists), Lois Lambert Gallery-Bergamot Station(E-3) CA Perserverance+Passion, Korean Cultural Center, Los Angeles CA 2010 The 1st Annual APLA(Aids Project Los Angeles), Bonhams Butterfields Auction House 2009 The 10th Annual Exhibition of Hong-Ik Alumni 2009 Exhibition of Association of Christian Artist...

White Landscape is an original artwork by Marilina Marchica, created in 2025. This abstract and minimalist landscape evokes a silent and contemplative horizon, blending the painterly...

Impressionist view of a river landscape, oil on canvas board. A charming Impressionist scene of people enjoying the delights of the riverbank. Some strolling, others enjoying a picn...

Impressionist winter pastoral scene of a quaint snow covered home by Buckingham PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed mu...

Villefranche-sur-Mer by Felix Pierre MANGIAPAN (b.1884) signed oil on canvas, framed Framed: 19.5 x 21 inches Canvas : 14 x 16 inches Provenance: private collection, Nice, France Con...

This stunning winter landscape by Mauritz Lindström captures the serene yet striking beauty of a snow-laden scene illuminated by the warm glow of twilight. The interplay between the soft, colorful hues of the evening sky and the intricate, frost-covered branches creates an almost three-dimensional effect, drawing the viewer into the composition. The detailed rendering of the snow and the trees evokes a profound sense of coldness, making the atmosphere almost palpable. Measuring an impressive 101 x 152 cm (39 3/4 x 59 7/8 in) with the frame, this large-scale work is a testament to Lindström's mastery of light and texture. Arvid Mauritz Lindström...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

The ocean pulses like a heart in love with the sunset. Its waves are gentle touches, holding the secrets of endless love.

Title: French Impressionist Oil Painting of Serene Street Scene in St. Suliac By Fanch Lel (French b. 1930) Size: 10.25 x 7.75 inches (height x width) Signed: Yes Oil painting on boa...

Tranquil Pastures English, mid 19th century circle of Thomas Sidney Cooper (1803-1902) oil on canvas, framed framed: 14 x 18 inches canvas: 10 x 14 inches provenance: private collect...

Lime Tree Path in Autumn is the newest work in Shizico Yi’s deeply personal Autumn Series, a project that has become an instant classic within her celebrated career. Painted en plein...

Series: Between light and silence An ancient aqueduct bridges past and present in this expansive landscape. Lines echo history, while light fractures across the surface with quiet dr...

Sunset over the sea after a storm rolls by... portrays a mesmerizing seascape at dusk, where the horizon blurs in a harmonious blend of colors. Blades skillfully manipulates light a...

The Harvest by Louis Faille (French 1878-1964 signed oil on canvas, framed framed: 32.5 x 40 inches canvas : 22 x 31 inches Provenance: private collection, Paris Condition: very good...

Early 20th Century oil on canvas view of Collioure in the south of France, home to the Fauvists. The painting is initial signed E.L.Y bottom right (as yet undeciphered). The location...

Hawaiian landscape, ocean, storm, wave, impressionism, plein air, interior painting, American artist, American art, American landscape This work was painted on the North Shore of Oa...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 5.5 height) x 6.5 (width) Stamped Verso Condition: Good Provenance: All th...

Afternoon Transitions oil/canvas 14 x 18 unframed, 19.5 x 23.5 framed Afternoon Transitions is an oil painting on canvas by award winning contemporary artist Michael Budden that show...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Title: Mid-20th Century Post-Impressionist Drawing of Antibes with Palm Tree and Cacti by Anne Marie Migette Perard (French 1902-1977) Medium...

This painting depicts a magical moment between day and night at the seaside. The sand still holds the warmth of the fading sun, while waves dance along the shore, composing a gentle ...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

5-3256a Figurative Landscape in the Tuileries gardens in Paris Image size 7.5x9.5" Set in a vintage wood and gesso frame

The Arcadian View Italian School, circa 1800 Grand Tour subject oil on canvas, unframed canvas : 12 x 16 inches provenance: private collection, UK condition: very good and sound cond...

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Thelma Appel Nightfall (Dusk), 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Provenance: Jill Kornblee Gallery, NYNEX Corporation Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection (NYNEX) and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. It is reproduced in the exhibition catalogue. The collector who acquires this beautiful painting will be furnished with several copies of the limited edition museum catalogue Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

Title: Mid-20th Century Post-Impressionist Still Life with Apples and Female Torso by Anne Marie Migette Perard (French 1902-1977) Medium: Acrylic ad pastel on unframed paper Size: 2...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

As a French Impressionist artist, most of the Delarue's works were produced in the Mid-20th Century. He was known for his charming compositions and with a passion to portray life by ...

Romantic Sunset Landsca English School, early 1800's period oil on wood panel, framed in antique gilt frame framed: 27 x 31.5 inches panel: 16 x 21.5 inches provenance: private colle...

Title: British Impressionist Watercolor of a Tranquil Riverside Scene with Boat By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 ...

From Monet's sanctuary in Giverny, we are transported effortlessly through bold brushwork and impasto paint. Alfaro diligently layers the canvas with acrylic paint creating a truly b...

German Impressionist Painting of Rio de Janeiro's Guanabara Bay and Sugarloaf Mountain in style of Max Slevogt This vivid landscape painting offers a panoramic view of Rio de Janeir...

William Young (British, late 19th century) Anne Hathaway’s Cottage, Stratford-upon-Avon Oil on canvas, signed lower right Circa 1890 This beaut...

The landscape painting of Isola del Garda is painted in the impressionism style en plein air on Lake Garda in Italy. "That day, my friends and I were painting at a private villa, w...

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

Alfred Fontville de Breanski (British, 1877–1957) Scottish Loch Scene, oil on canvas, circa early 20th century This luminous Highland landscape by Alfred Fontville de Breanski captu...

'The Olive Tree Behind the Stone Wall', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a...

J. C. Morey is a Spanish artist from the province of Alicante. He was born into a family of artists and connected to the art world since the 60s, which gave him the opportunity from...

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

Lewis Teel (1883-1960) El Paso Artist Image Size: 27 x 36 Frame Size: 33 x 43 Medium: Oil on Board Circa Late 1930s Signed Lower left and on original price tag on verso. "Ocotillos"...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...