Small Landscape Paintings

This captivating artwork presents a serene coastal village scene, where a winding path leads the viewer's eye toward charming houses nestled along the shoreline. Large, leafless tree...

Joseph Kardonne (1911-1985). Brattleboro, VT., 1969. Watercolor on paper, sheet measures 18 x 22 inches. Measures 22.5 x 26.5 inches in custom float fr...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism Title: Wild Flowers Size: 20" x 16" x 0.8''...

Wylye by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNI...

PAQUES, 1958, PARIS Hand signed Oil on board Still life of a potted cactus. DIMENSIONS: (Framed) H: 23.25" W: 20.25" (Without Frame) H: 16" W: 12.75" (1929-2008) French Roger Müh...

Wonderful luminous sunset landscape coastal painting. Oil on canvas. Framed. Signed verso. Image size, 14 by 18 inches.

Wonderful snowy landscape with footprints leading to cabin in valley circa 1940. Signed lower left "Gruber." Image has painted "mat" effect. Inside image is 12.50"H x 18.38"W. Unfram...

The painting depicts a girl sitting on the seashore. She is wearing a white dress that flutters in the wind. The girl looks into the distance, on the horizon, where a yacht is seen, ...

Abstract countryside landscape with colored plots worked in oil on linen canvas.. The construction takes precedence over the motif, the artist works on his composition until he finds...

Urban Landscape Art of London City Westminster by Contemporary British Artist, Angela Wakefield. Framed in the highest quality hand-finished contemporary off-white moulding. Art me...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Nicely painted impressionist coastal view with a lighthouse. Oil on canvas. Framed. No signature found.

Rustic Stone Church signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed canvas: 20 x 24 inches condition: This painting is in excellent conditio...

This artwork "Floating Market, Thailand" 1980 is an oil painting on canvas by noted Thai artist Somsak Chowtadapong, b.1949. It is signed and dated at ...

Landscape is a beautiful oil on board, realized by an unknown artist 1970s.

Oil on canvas realized by Pino Romanò (1934) in 1990s. Hand signed. Titled on rear. Very good condition.

"Melodies of Rain/8" is a canvas that conveys the magic and beauty of a rainy day. Soft shades of blue and gray create a feeling of deep silence and tranquility, where each stroke ...

An oil on panel signed and dated in the lower left depicting two riders on horseback sharing a drink outside a country inn. The painting measures 17.75" x 21.75" including the frame. Provenance: Private collection CT Bradbury Art and Antiques, Wiscasset, ME Heywood Hardy (25 November 1842 – 20 January 1933) was a British artist, in particular an animal painter and painter of horse riding scenes. He also painted landscapes and portraits, especially equestrian portraits. Horses and horse riding were the subjects of much of Hardy’s later work. His pictures of horse riding by the seashore...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Pietro Antoniani (Milan circa 1740-1805) A view of Paesteum with Grand Tourists in the foreground Oil on canvas Painting Size 13 x 19 1/2 in Framed Size 17 x 24 in Provenance Sale,...

Blossom over the Lake French School, indistinctly signed mid 20th century oil on canvas, unframed canvas: 18 x 24 inches provenance: private collection, France condition: good and s...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Hunting in Scotland by T.H.Parker, British 20th century signed oil on board, framed framed: 19 x 23 inches board: 16 x 20 inches provenance: private collection, UK condition: very go...

This artwork vividly captures a serene lakeside scene, dominated by the rich interplay of colors and textures. The foreground features a small dock with boats securely moored, their ...

This painting by Lucien Durand is part of my private collection. It is signed by the artist.

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Painting representing a cityview of Nice in France in a modern style by a contemporary artist. Acrylics, own technique on canvas. ANDRZEJ BOROWSKI (born in 1969) He studied at the...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

"Abstract Composition" signed by Armand Rottenberg (French 1903-2000) signed oil painting on card, unframed painting: 22 x 17 inches Superb original painting by the French abstra...

A beautifully rendered winter landscape by Antonio Cirino (1889–1983), The Old Stone Bridge captures a peaceful snow-covered stream winding beneath a stone bridge. Cirino's signature...

Oil on canvas realized by Pino Romanò (1934) in 1998. Hand signed. Titled on rear. Very good condition.

This piece is a playful depiction of a beach house scene of the ocean, sand, and view of a house with its garden with joyful colors and precious deta...

Unique Original Painting of a Beautiful Rural Countryside River Scene with Birds in Ireland. Oil on canvas, signed. Art measures 16 x 12 inches Frame measures 21 x 17 inches Spencer Coleman...

In this piece, I've captured the vibrancy of waterfront living through rich, textured strokes, embodying the energy of the bustling harbor life. The eclectic facades painted with pas...

Point Reyes Afternoon - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years...

Modern en plein air winter landscape oil painting on canvas of a white snow-blanketed countryside 'Midsummer' by Joseph Rapp 16 x 20 inches, acrylic on ca...

Coastal Landscape signed by Fanch Lel (French b. 1930) size: 22.5 x 13 inches oil painting on board, unframed inscribed verso condition: the painting is in very good condition. It ha...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Stunning plein air California landscape of Natividad (part of unincorporated Monterey Country) in late afternoon by James Everett Stuart (American, 1852-1941), 1917. Signed, dated an...

Josine Vignon (French 1922-2022) ...

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

This item is in excellent condition, only shown in a gallery. Griselda Ferrandez was born in the city of Barcelona, a cosmopolitan and open city. From her balcony she could contempla...

Mark Harrison's (UK based) "Ice" is an oil painting that depicts an arid landscape with clouds and a small unassuming building. Sometimes they are silent epic landscapes of the Dese...

Oil Painting by J Barclay "Summer in North Wales" flourished 1920s. Pseudonym for the Birmingham painter and illustrator Horace Hammond. Oil on canvas. Signed Dimensions unframed 1...

Maggy Clarysse (1931-2011) oil on canvas, unframed 20 x 16 inches signed front and back condition: excellent provenance: all the paintings we have by this artist have come from the a...

This artwork vividly captures a serene, late winter scene in a quaint village. The composition is dominated by tall, leafless trees standing against a crisp, blue sky. These trees ev...

Charles Francis De Klyn was born in Westchester County, New York, in 1865. A landscape, marine, portrait and figure painter, De Klyn studied in New York and Paris from 1886 to 1891, then taught at the Cleveland Art Club and the Cleveland School of Art. In 1893, he was one of the founders of the Cleveland Brush and Palette Club, and he exhibited at the National Academy of Design in 1894 and 1895. He was also a member of the Society of Western Artists. "A Fontainebleu" by Charles Francis De Klyn is a beautifully rendered Barbizon oil...

Boats at Sea, Pointillist School British School, mid, 20th Century The artist signed the lower right hand corner, and signed it verso Oil painting on board...

Gorgeous mid century oil on canvas painting of boats on the beach by Henry Harder (American, 20th c.), circa 1960. Signed "H. Harder" bottom right. Unframed.

Beautiful Impressionist landscape of a country scene by Paul Friederich Weindorf (German/American, 1887-1965). Signed "Paul Weindorf" lower right. Artist's bio on verso. Unframed. Im...

"California Round Hills" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by J. Andrew Bennett (British, 19th/20th Century ). The viewer stands at the end of a v...

Turquoise Chaos #3 60 x 60 cm I created this artwork, using a harmonious blend of colors to manifest a dreamscape. Embodying both abstract and impressionistic styles, I sought to evo...

Artist/ School: F. E. Jamieson British (signed with the artists pseudonyn 'W. Richards'). Title: Luss, Loch Lomond (Scottish Highlands) Medium: Oil on canvas, framed Size: framed...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

Hubert Thornley British, (exh. 1858 -1898) Moonlight on The Medway Oil on canvas, signed, further inscribed in pencil to the stretcher verso Image size: 9.5 inches x 15.5 inches Size...