Small Landscape Paintings

Antique American impressionist nude women landscape oil painting. Oil on canvas. Framed. Signed "Wolfe". In excellent original condition. Handsomely framed in a giltwood molding....

Antique American landscape oil painting by . Oil on board. Signed. Framed. Measuring 16 by 19 inches overall and 10 by 13.5 painting alone.

Les Alpilles, St. Remy-de-Provence French School, mid 20th century signed oil on board, framed framed: 18 x 21 inches board: 13 x 16 inches provenance: private collection, Paris cond...

Rural Landscape Les Parson (b.1945) signed oil painting on canvas, framed framed: 17 x 22 inches canvas: 12 x 16 inches provenance: private collection cond...

Sunset Song Series was created entirely en plein air, painted directly under the dimming light of late-summer and autumn sunsets. This body of work is a meditation on seeing without...

Title: French Impressionist Harbour Scene with Fishing Boats and Whitewashed Houses By Fanch Lel Size: 15 x 18.25 inches (height x width) Oil painting on cardboard, unframed Conditio...

Lowell Herrero (American, 1921-2015) Untitled, c. Late 20th-Early 21st Century Oil on canvas 16 x 20 in. Framed: 19 3/4 x 23 5/8 in. Signed lower right:...

This captivating winter landscape was painted in early 20th century, signed lower left "W.L. Palmer", attributed to American Impressionist Walter Launt Palmer (1854–1932). Trained in...

The painting was painted from life. It depicts the bridge over the Main Ludwigbrücke and the Marienberg fortress. We see a clear autumn day, which is declining towards evening. The s...

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

Winter Christmas Scene of Figures Skating on Frozen Lake in a Dutch Village by J. H. De Berg (Dutch, 20TH Century) Art measures 20 x 16 inches Frame measures 23 x 19 inches Vin...

Bruno Côté, Canadian, 1940-2010 L'Isle-aux-Coudres, 1981 Oil on masonite 16 x 20 in Signed and dated ’ lower right; Signed and titled verso framed For our US customers: 1) The artw...

"Wilshire and La Brea" is a dynamic oil that captures the energy and movement of a classic street scene in downtown Los Angeles, and is an excellent example of Pil Ho Lee's modern a...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with oak wood stain finish. Ready to Hang. Medium : Oil painting on stretched Linen. ...

Moonlight Marsh Gulls 12 x 18 unframed 17.88 x 24 framed. Moonlight Marsh is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a bea...

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

Seascape, Nautical Original oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism T...

LANDSCAPE Oil on Canvas 55x45 cm 2023 Original Art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

Pastels At Dawn – By Lucy Moore [2022] original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Please note...

Antique French impressionist paris cityscape street scene oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Sunlight, water and beautiful ancient architecture is a wonderful home decor for your interior! The sunny Venetian landscape will give you only positive emotions and a good mood. Th...

An early painting by influential San Francisco Bay Area modern artist Lucien Labaudt. Works by Labaudt do not show up often in the open market, and this work is in fine, original con...

Landscape mixed media on canvas 50x50 cm original Art her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the strip...

David Shingler's (NC based) "Sangre De Cristo Range, Salida Colorado" is an original, handmade oil painting that depicts a tan prairie leading to the ...

Title: French Impressionist Seascape with Colourful Sailboats and Lighthouse By Fanch Lel Signed: Yes Size: 14.75 x 18.25 inches (height x width) Oil painting on board, unframed Cond...

The Close of Day Italian School, early 18th century oil on canvas, unframed canvas: 17 x 22.5 inches provenance: private collection, France condition: very good and sound condition

Provenance: Acquired by the gallery directly from the artist Signed "McVicker" on lower right Unframed: 16" x 12"; Framed:18.5" x 22.5" x 1"

A beautiful mid 20th century Italian oil on board depicting market day in an old town. Superbly painted work with lovely impasto brushwork. Indis...

ARTIST: Annabel Gosling (1942-) British TITLE: "Afternoon Sun" (1995) MEDIUM: oil on board SIGNED; lower right SIZE: 57cm x 49cm incl. frame CONDITION: very good NOTES: This work e...

Work on canvas Molded frame in wood and gilded plaster 68 x 59 x 7 cm

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

In Sérénity, Sophie Dumont explores the stylized library as an inner space filled with calm and balance. The volumes of books, reduced to their essence, stand quietly within a gentle...

Beautiful and important painting attributed to the great 19th-century artist Ippolito Caffi. Tempera on canvas pasted on panel. Depicts the Bay of Naples in all its resplendent beaut...

Oil Painting of Mountain and Forest Landscape by 20th Century Artist, W Ward Art measures 20 x 16 inches Frame measures 24 x 20 inches

An evocative oil painting by Katherine Bowling, completed in 1989. Executed on spackle over wood, this atmospheric composition reveals Bowling’s distinctive technique of layering thi...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1949 Size: painting: 12...

Clydesdale Horses & Farmer Ploughing a Golden Autumn Field in Rural Countryside by British Artist Art measures 20 x 16 inches Frame measures 23 x 1...

Purple Misty Alliums marks Shizico Yi’s joyful return to painting en plein air after a long, cold winter and an unusually hot, restless spring. At last, the weather softened—welcomin...

A beautiful impressionist oil painting on canvas by Gene Jordan depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view around the Place de l...

PASSING MOMENTS Size: 51 x 59.5 cm (including frame) Oil on board A mid-century painting that captures a fleeting atmospheric street scene, executed in oil onto board. The composit...

English School, early 20th century signed oil painting on canvas, unframed canvas: 17 x 24 inches provenance: private collection, Eng;and condition: good and sound condition, minor ...

This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...

Title: Grove Medium: Oil on canvas Size: 23 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Vintage Oil Painting of Remote Cottage in the Dramatic Mountains of South Africa, by South African Artist, Marthinus la Grange (1920-1999) Art measures 14 x 10 inches Frame measur...

This bright and cheerful painting is notated as “A Boating Party - Sudbury River”. It is by listed American artist Henry Orne Rider (1860-1943). Born in Salem, Massachusetts, Rider ...

The twelve paintings in the exhibition are imaginary film stills based on on a Science Fiction screenplay, titled Regression, that was supposedly developed in the 1950s.  The film wa...

Farmyard Friends French artist, late 19th century oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private collection, Paris condition: very good and sound condition

5128 Vintage colorful Fauvist landscape Gilt carved frame Imagesize 13.5x17,5.

Artist/ School: Alfred Quertant, French circa 1930's, signed lower right Title: The Old Town, Nice Medium: oil on panel, unframed Size: painting: 46...

Frameless. Artwork Information: "Combarro, Galicia" by Rafael Duran Benet Title: Combarro, Galicia Artist: Rafael Duran Benet (1931-2015) Medium: Oil on canvas Dimensions: 46...

Artist/ School: by Francis E. Jamieson, British 1895-1950 signed with the artists pseudonym 'Joel Owen', dated 1926. Title: The Highland Glen Medium: oil on canvas, unframed Can...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Mountain View Size: 16" x 21" x 0.8'...

Description: "Landscape" is an original painting on canvas (50x50 cm) by Marilina Marchica, a contemporary artist who explores the relationship between nature, material, and memory t...

This small painting of the Forest at Fontainebleau in France is an excellent example of the Barbizon School. The Barbizon School of artists were working in France roughly between 182...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This one-session painting from life, painted in Ala Prima near the artist's home, vividly conveys a serene winter landscape. Dominated by a strikingly crisp and clear sky, the painti...

Mountain Lake Oil Painting by 19th Century British Artist David Hicks, Active Circa 1873–1902. Presented in a high quality moulding with a cream coloured insert. Excellent Condition...